Archive for the ‘Hemant Kumar solo’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (19 july 2016) is the eighth anniversary of the blog. It was on this day in 2008 that the first post was published eight years ago.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s -33
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MANMAANI (1947) was produced under the banner of Ajit Pictures and it was directed by Sarvottam Badami. The star cast included Jairaj, Ragini, E. Billimoria, Sabita Devi, Nazir Hussain, Amar etc. There were 10 songs in the film but the name of the lyricist is not known. From the gist of the story given in Wikipedia, the film appears to be an interesting one:
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
26th September – a day to remember, Dev Saab, the evergreen hero. Also, a day to remember the voice of romanticism that added the essence of emotional expressions to many of his performances. The deep bass voice of Hemant Kumar.
Remembering Hemant Da on the anniversary of his passing away today.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Making movies is a business venture, and that too a risky business venture where there is no assurance of earning a profit on one’s investment. In movie making, the producer typically raises the finances, gigns up director, technicians, artists etc and makes a film. Later he gets the movie released in theatres. If he is lucky, the movie may do well, but in most cases the movie may fail to attract movie wathers and the investment made in making that movie goes down the drain.
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Gori tujhe aana padega
Posted on: March 14, 2015
- In: Artist century song in blog | Century songs for the blog | expression of love | Feelings of heart | Guest posts | Hemant Kumar solo | Hemant Kumar songs | Missing gems from the golden 50s | Post by Arunkumar Deshmukh | Series of articles | Songs of 1950s (1951 to 1960) | Songs of 1955 | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MISSING GEMS FROM THE GOLDEN 50s…. Song No….4
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Today’s song is from film Albeli-1955.
The year 1955 gave us some really meaningful and entertaining films. Raj Kapoor’s ‘Shri 420’ tried to bring in limelight, as usual, the hypocrisy of the elite society. It was a great film with a message, good direction and everlasting music by Shanker-Jaikishen, the three specialities of an RK film. From this film onwards, “Raju” became the favourite name of Raj Kapoor’s Heroes.( Like ‘Shanker’ was Shammi Kapoor’s lucky name in early films. Similarly ‘Vijay’ was the favourite film name of Amitabh Bachhan in 20 films, of Jeetendra in 18 films and of Mithun Chakrawarty in 16 films.).
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Na ghar tera na ghar mera
Posted on: February 6, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sehra”(1963) was produced and directed by V Shantaram. It had Prashant, Sandhya, Mumtaz, Ullhas, Manmohan Krishna, Baburao Pendharkar, K. Date, M. Rajan, Lalita Pawar, Babloo etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A voice that is a signature of mysteries. The deep bass vibrations resound like the echoing sound waves passing through the gullies and valleys of the mountainside, covered with moist and heavy fog, adding to the bass heaviness. Reminds one of ‘sannaata’ and ‘kahmoshi’ and ‘kohraa’ of the lonely pathways, being tread by a ‘raahgir’ – the ‘banjaara’ traveler walking alone and humming ‘chal akela. . .’.
Remembering Hemant Da on the anniversary of his passing away (26th September).
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Aaraam se jo raaten kaaten
Posted on: June 18, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In 1952, this voice came to the fore with the rousing proclamation of “Vande Maatram, Vande Maatram”. This song, which comes from the seminal creation of Bankim Chandra Chatterji – ‘Anand Matth’, was first published in 1882. After the passing of the first war of independence in 1857, the undercurrents of anger and resistance were simmering across the country. But the voices of cohesive and decisive action were still to come a couple of decades later. With the publication of ‘Anand Mathh’, the nation and its people got a slogan that said everything in just two simple words. After this song came on the lips of the common man, over the years many musical interpretations have been pronounced. Most of them are based in classical music, and the most popular versions are gradual and lingering, in the mode of a prayer to the motherland.
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Moh ka parda kaala hai
Posted on: May 26, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
BHAJAN MALA – GOLDEN 50s (Pushp-3)
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There is a class of people, who make faces when a Mythological film is mentioned. According to them, seeing such films is ” outdated ” and ” Fundamentalist ‘. They feel that those who see such films are way behind the times. These people forget that in the so called ” advanced” world of Hollywood, even today,Mythological,costume and Historical films are regularly produced. Only thing is that these films are no longer advertised on the same scale as was the case a few decades back.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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