Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Light hearted song’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most readers of this Blog know Mr. Raja ji Swaminathan, as a very knowledgeable well wisher of this Blog and as a Blogger himself. His pioneering work of subtitling films is the most praiseworthy.
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Today (8 march 2013) is the International women’s day. When I looked up, I find that this day is being celebrated as International women’s day since 1977 when the United Nations General Assembly invited member states to proclaim March 8 as the UN Day for women’s rights and world peace.
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“Khuda Ka Banda” (1957) was a Chitra Bharati presentation. It was directed by Chaturbhuj Doshi. The movie had Chandrashekhar, Krishna Kumari, Tiwari, Krishna Kumari, Ratnamala, Iswarilal, Maruti, Roopmala, Moni Chatterji, Ram Singh, Kamal Kapoor, Gope, Kanhaiyalal, Amirbai Karnataki, Maya Das, Jagdish Kamal, Azim, Parshuram, Pandit Iqbal etc in it.
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“Ek Thhi Ladki” (1949) was a Shorey Films production movie. It was produced and directed by Roop K Shorey. The movie had Motilal, Meena Shorey, Majnu, Kuldip, Batra, Shamlal, Gogia Pasha, Pasha, I. S. Johar, Shakuntala, Agha Miraz etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

C Ramchandra can be easily called the King of Anokhe Bol songs, though he is not who started it.

The first song having Anokhe Bol or meaningless words was composed by the Grand old music Director Madhulal Damodar Master in film ” Hatimtai I “-1933 and the Lyricist was G.R.Sethi who was the film’s director also. The song was ‘ Donga donga dum dum daka adam boka masnam maka’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

While surfing on the internet last night, I came across a reference to the book ‘The Tenth Rasa : An Anthology of Indian Nonsense’ (2007). The title of the book evoked interest in me but there was no way to know in what context the word ‘nonsense’ was used. I could not locate an E-version or abridged version of this book on the internet but found a review of this book. The book is all about Indian nonsensel literature – prose, poetry, jingles which has a rich history in oral and folk forms. Most of them have been passed on to the next generation by words of mouth. It is a nonsense literature from the point of view of laureates belonging to the elite society for whom the literature has to be meaningful. In that way, the term ‘nonsense’ seems to have been used for meaningless literature. According to the authors of this book, nonsense literature is the base for sensible literature as the former is intuitive and flows quite naturally like the relationship between mother and child.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For the Generations that became young in 50s, 60s or the 70s, Dev Anand was their Idol. The theatres showing his films used to be crowded with youngsters who tried to copy his style, mannerisms, Hair style etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The name of SHABISTAN evokes the memories of a very handsome and jovial actor-SHYAM.

He died during the final scene shooting of this film while riding a horse. Actually, Shyam was an expert rider and the horse was also the same,usual one. Everything was the same but the Time had come for Shyam to go…
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