Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Devnagri script lyrics by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 2
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Today’s selection is in the voice of Geeta Dutt.  Coming to think of it, it is just these two voices that have the capacity and the capability to make a foot tapper song – Asha Bhosle and Geeta Dutt. I cannot think of any other female singer who can manage songs of the type we are discussing in this series.  There could be exceptions but I cannot readily recall any right away.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #65
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Ah, coming back to this series after a long gap, a very long gap indeed.  The last episode of this – “Hum Ne Chakkar Kha Kar Dekha”  was posted last year on 23rd June.  And I am returning to it now, after a gap of more than 10 months.  Before I get to the song itself, let me talk about this gap in the proceedings of this series.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 11100th song post in the blog.

“Sone Pe Suhaaga”, as we say in India.  First it was the momentous 10K milestone in July last year (20 Jul 2014).  Then a little while ago, on the close of the previous financial year (31 Mar, 2015) we had the auspicious and ‘Badhaai Waala” 11K milestone. And then today, we have the next level ‘1’ added, taking the auspiciousness and ‘badhaai’ to the next level on the scale.

Welcome all to the next important century milestone on this blog.  After we had the invasion of the blog by an army of eleven thousand young ladies, I mean, after the “Gyaarah Hazaar Ladkiaan” made their auspicious and enchanting appearance a little over a month ago, we have added another 100 wonderful songs to bag of magic that this blog is now transforming into. This segment has been relatively slower, taking exactly thirty two days to complete this leg of the journey. Of course we have an excuse for it.  But we are not going to talk about it today.  Maybe someday later, hopefully sooner than later.  But not today.  After getting over with the customary greetings and welcome and congratulations, I want to talk about a friend, a very dear friend.  And in our lingua-franca, the term ‘a dear friend’ evidently implies a lover of music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mention of the name Mohammed Shafi brings to mind some timeless and peerless classics.  The immortal lorie song “Koi Pukare Dhire Se Tujhe” from ‘Mangu’ (1954), is a composition that is difficult to forget.

Remembering music director Mohammed Shafi on the anniversary of his passing away today (30 April).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Fabulous Foot Tappers – 1
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The write up on this music director by AK ji (see here) opens with the lead in comment, that “. . . his music towers over his films”.  I am whole heartedly in agreement with this comment.  As he goes on to say that just “. . . one song of his – “Paas Baitho Tabiyat Bahal Jaayegi” (‘Punarmilan’, 1964) sung by Rafi Sb is enough to give him immortality.”  And then one reviews the list of films with him as the music director – ‘Main Aur Mera Bhai’ (1961), ‘Punar Milan’ (1964), ‘Ek Saal Pehle’ (1965), ‘Chale Hain Sasural’ (1966), ‘Suhsila’ (1966) aka ‘Subah Zaroor Aayegi’ (1977), and then of course the iconic ‘Jai Santoshi Maa’ (1975) – the film that gave its run for the money, in a stiff competition to the big time grosser of the same year (viz. ‘Sholay’), and still continues to be on the list top grossing films of all time.  About two decades of active work in the industry, with just sixteen films listed against his name.  But then, as AK ji says, it is just one song that confers immortality on him.

Remembering music director C Arjun on the anniversary of his passing away today (30 April).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 6
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Listening to songs like this one, there are mixed feelings in the heart.  There is a pleasant joyous feeling that such wonderful sounds from almost eight decades ago, are available  and we can hear and enjoy them.  There is also a regretful irritation, almost bordering on frustration as to why more such songs are not available.  Why is it that all one can search and explore, and just one song is available from this film, and from many others.  And for many more, even one song is not traceable.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 5
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         Bombay Gangout – Part 5
         The Day After.

The next day to the gangout meeting, we had plans for a visit to our dear Arun ji. As the readers may be aware, Arun ji had not attended the gangout meeting. The personal family circumstances in the recent past, had been exigent to the extreme.  His life partner had passed away just 10 days prior to the scheduled meeting. We had decided to go ahead with the meeting, sans his participation.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Remembering Shamshad Begum on the second anniversary of her passing away (23rd April 2013). Born in Lahore on 14th April 1919, Shamshad Begum had an inclination towards singing right from her school days. Her school principal impressed with her singing, made her sing the classroom prayers, something which Naushad captilised elegantly in ‘Dard’ (1947) for a group song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The film ‘Jwala’ was started sometimes in the second half of 1950s.  It was finally released in 1970, a year after the passing away of Madhubala.  As with some of her last films, this film also has deficient and compromised editing, and possible use of a double in some scenes, just to try and complete the storyline.  But forever, this will be known as her last released film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The twinkling eyes and the arresting smile get to your heart when she sings “Kabhi Aar Kabhi Paar Laaga Teer e Nazar”. An accomplished dancer, who has the capability to take a song, many levels higher.  Witness that in “Diya Na Bujhe Ri Aaj Hamaara” (‘Son of India’, 1962), “Dagaa Dagaa Wai Wai Wai” (‘Kaali Topi Laal Roomaal’, 1959), “Tera Jalwa Jisne Dekha Wo Tera Ho Gaya” (‘Ujaala’, 1959), “Tera Teer O Bepeer Dil Ke Aaram Paar Hai”, (‘Sharaarat’, 1959), “Madhuban Mein Radhika Naache Re” (‘Kohinoor’, 1960), “Rang Rangeela Saanwra Mohe Mil Gayo Jamna Paar” (‘Baarood’, 1960), “Ab Na Chhupo Re Chhalia” (‘King Kong’, 1962), “Kaanha Jaa Re Teri Murli Ki Dhun” (‘Tel Maalish Boot Polish’, 1962), “Zulmi Hamaare Saanwariya Ho Ram” (‘Mr X In Bombay’, 1964), “Tujhse Wo Neha Lagaaye” (‘Shreeman Funtoosh’, 1965), “Door Kahin Door Hamen Le Chalo Sanam” (‘Ek Sapera Ek Lutera’, 1966), “Main To Khadi Re Khadi Re, Aankh Ladi Re Ladi Re” (‘Sab Ka Ustad’, 1967), “Mera Naam Hai Chameli, Main Hoon Maalan Albeli” (‘Raja Aur Runk’, 1968), and many more.  Once again request Atul ji to create a new category – ‘Kum Kum Dances’.

Greetings to Kum Kum on her birth anniversary today (22nd April).
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