Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Khyati Bhatt’ Category


Though we have discussed lots and lots of songs picturised on Shammi Kapoor, there are still songs that have yet to make it to the blog. Today (14th august 2012) is the first death anniversary of Shammi Kapoor. This offers us an opportunity to pay our tribute to Shammi Kapoor by discussing a few songs picturised on him.
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Today (13 august) is the birthday of Vyjyantimala, one of the most proficient classically trained dancer to grace the silver screen. She made her debut in Hindi movies in 1950 with “Bahaar” (1950) and she had a long innings in Hindi movies which lasted till around 1967 when she finally bowed out of Hindi movies.
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Jagdeep and Nanda played lovebirds in “Bhaabhi” (1957). Two years later, they play brother and sister in “Barkha” (1959).

Both these movies had another thing in common, viz lyrics by Rajinder Krishan and music by Chitragupta. Jagdeep had got a song to sing in “Bhaabhi” (1957), namely Chali chali re patang meri chali re. Here in “Barkha” (1959), we find Jagdeep and Nanda singing a bhai-bahan duet as they are travelling in 1950s style, viz on a bullock cart. 🙂
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There have been two Hindi movies called “Shama” and there are many people including “experts” who get mixed up in this confusion. There movies were “Shama” (1946) and “Shama” (1961). The confusion is compounded by the fact that the music directors of these movies were Ghulam Haider and Ghulam Mohammad respectively and there are people who think that the two were the same person. In fact I once watched a podcast about old songs where the podcaster very knowledgeably told the audience that Ghulam Haider, who composed the music of “Shaheed” (1948) later composed the music of “Pakeezah” (1972).
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Today (7 august) is the third death anniversary of Gulshan Kumar Mehta, better known as Gulshan Baawra. Gulshan Baawra (April 12, 1937- August 7, 2009) had written some memorable lyrics in Hindi movies. As a lyricist, he mostly worked with Kalyanji Anandji.
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Kishore Kumar, popularly regarded as a happy go lucky individual was deep down a sensitive soul. After making a couple of light hearted movies, Kishore Kumar began to make some serious movies on sensitive issues. But unfortunately the Hindi movie audience were not ready for such movies. In fact even today there is only a very small audience for serious and sensitive off beat movies.
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