Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics by Nitin Shah’ Category


“Shrimati 420″(1956), obviously a take on “Shri 420”, was a Sippy Films Production. It was produced and directed by G P Sippy. The movie had Johny walker, Meena Shorey, Om Prakash etc in it. Surprisingly enough, very little information is available on this movie. As far as I can see, only the names of these three actors are known. And to add to the confusion, various “knowledgeable” sites cannot even agree on the music director of this movie. Some sites mention N Datta as the music director, whereas other sites mention O P Nayyar as the music director. I request our knowledeable readers to throw more light on this movie as well as the music director.
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“Navratri”(1955) was a Bhagyaudai Pictures Production. it was directed by Raman B Desai. The B grade religious/mythological movie had Manhar Desai, Nirupa Roy, Lalita Pawar, S. N. Tripathi, Sapru, Niranjan Sharma, Babu Raje, Kumkum etc in it.
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“Hamsaaya”(1968) was a Joy Mukherji productions movie. It was produced and directed by Joy Mukherji. The movie had Joy Mukherjee, Mala Sinha, Sharmila Tagore, Jagirdar, Sapru, Kishore Malhotra, Polson, Jagdish Kanwal, Khurshid, Ratan Gaurang, Malika, Rehman etc in it.
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In 1950s and 1960s, there were a few movies whose titles resembled the names of girls, and a few such titles happened to be the names of well known actresses of those days too. For instance, there were movie titles like “Sadhana” (1958), “Raagini” (1958), “Kalpana”(1960) etc.
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“Howrah Bridge” (1958) was a suspense movie which was produced and directed by Shakti Samanta under his banner of Shri Shakti Films Production. The movie had Ashok Kumar, Madhubala, K N Singh, Kammo, Sunder, Salien Bose, Krishnakant, Helen, Dhumal, Madan Puri, Bhagwan Sinha, Kundan, Om Prakash etc in it.
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In Hindi movies of the golden era, there was this common enough situation where the lead pair would carry out their romantic pursuits silently without even talking, and obviously without even singing a song. So what would happen in such circumstances ? Very conveniently, a two to three persons troupe would appear on the road (one carrying a harmonium- compulsory, other carrying a dholak-optional, but desirable, and a female dancer- highly desirable, but often optional)and they would sing a song, and the words of the songs would express the feelings of the shy duo.
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