Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


When I started this blog,remembering which songs I had posted and which were yet to be posted was easy in the beginning. One could remember it in one’s mind. But as the number of songs increased, I needed to keep track of them, because sometimes ( on two or three occasions) I repeated the same song. Thankfully some of my alert readers pointed this fact out to me, and I replaced the duplicated song with another song.
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I had once mentioned that the version of song seen in the movie and heard in the records was often different because they were recorded on two separate occassions. Imagine a great song being recorded not once but twice ! Once for the movie sound track, and once for the record company.
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Shobhana Samarth, a leading actress of her time had launched her elder daughter Nutan through a home production called “Hamaari Beti”. When her younger daughter Tanuja too grew old enough to act in movies, Shobhana Samarth produced another movie called “Chhabili” (1960). In addition to Tanuja, Nutan and Shobhana Samarth had also acted in this movie.
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“Aa gale lag jaa” (1973) was a run of the mill movie, but it caught public imagination because of this particular song. This song had two versions. The grown up version was sung by Kishore Kumar and it was picturised on Shashi Kapoor and Sharmila Tagore as a “nature song” -as it was picturised on hills. The other version of the song was a party song and it had a kid singing in addition to Kishore Kumar. Kishore Kumar once again sings for Shashi Kapoor whereas the kid Sushma Shreshtha sang for Master Tito.
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There are a few people who say that “Shabaab” (1954) was one where Naushad gave his best music. I hope the people who hold this opinion are aware that Naushad was the music director of movies like “Baiju Baawra”, Mughal e Azam” etc as well. There are others who feel that “Baiju Baawra” could be the best creation of Naushad.
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C H Atma was a singer who was a devotee of K L Saigal and sang in K L Saigal style. There were many people who sang in Saigal style in 1940s during K L Saigal’s heydays. But C H Atma continued to sing in Saigal style in 1950s even when playback singing style had changed and Bollywood had moved on from 1940s.
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