Posts Tagged ‘Rishi Kapoor’
Patjhar saawan basant bahaar
Posted on: September 4, 2023
- In: Duet | expression of love | Feelings of heart | Guest posts | Lata song | Lata-Md Aziz duet | Lata-Suresh Wadkar duet | Mohammad Aziz song | Multiple version song | Post by Peevesie's mom | Songs of 1980s (1981 to 1990) | Songs of 1987 | Stage song | Suresh Wadkar songs | Yearwise breakup of songs
- 16 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5526 | Post No. : | 17977 |
Hullo Atuldom
‘Sindoor’ (1987) was a movie produced by A Krishnamurti & directed by K Ravi Shankar. The movie starred Shashi Kapoor, Jaya Prada, Govinda, Neelam, Kadar Khan, Shakti Kapoor, Gulshan Grover, Aruna Irani, Asrani, Baby Guddu (the pet child actor of those times), AK Hangal, Prem Chopra (if my memory is correct Prem Chopra was in a double role), & Ramesh Deo. Jeetendra & Rishi Kapoor had guest & special appearance respectively. Songs were written by Anand Bakshi & tuned by Laxmi-Pyaare.
This lyricist-music director team gave us some great songs in that period. Today’s song is no less a melody. It was very popular in its time, heard often on Doordarshan (Chhaayageet etc.) & Vividh Bharati. The song had two versions, both were on-stage performances. One version had Shashi Kapoor & Neelam while the other was a duet between Rishi Kapoor & Jaya Prada. The common link between the 2 versions were Lata Mangeshkar and most of the lyrics. The male singers used for the two heroes were Suresh Wadkar & Mohammad Aziz.
Rishi Kapoor (Kumar) played a stage artist who had Jaya Prada (Laxmi) as his singing partner. Shashi Kapoor (Vijay) who played a professor who always had doubts about being worthy of his beautiful wife Laxmi in spite of being happily married. He had a feeling that Kumar & Laxmi shared more than their love for music. The gossip among fans of the music duo hardly helps matters. Things get out of hand & eventually, Laxmi leaves her home. On the same day, Vijay comes to know that Kumar is marrying someone else when he comes to invite Laxmi & Vijay.
The film had a few flashbacks – one showed the story of Laxmi, Vijay & Kumar and the other showed how Laxmi came to wear the white saree denoting that she was a widow. I think that there was one more flashback which showed why Lalita (Neelam) is kidnapped by Shera (Shakti Kapoor) when she was a baby & Prem Kapoor (Jeetendra) requesting Laxmi to take care of Lalita as her own child.
Then the film goes through a lot of scenes where the characters use glycerine at times when there are misunderstandings (there are many in the film), lot of sermons delivered by Kader Khan and a little dishoom-dishoom (what is a Hindi movie without dishoom-dishoom specially when Govinda & Shakti Kapoor are in the cast 🙂 ) The film comes to a close with Laxmi & Vijay getting back together. Vijay accepts Lalita as a daughter, and Ravi (Govinda) & Lalita get married with parental blessings from Laxmi and Vijay. And there are smiles all around.
Jaya Prada’s first hero in Hindi films was Rishi Kapoor, this was their second film which was followed by ‘Ghar Ghar Ki Kahani’ in 1988. This was the only film which had Shashi Kapoor sharing screen space with Jaya Prada.
Incidentally, today is Rishi Kapoor’s birth anniversary. He would have turned 71. And yesterday was Pyaarelal Ramprasad Sharma’s 83rd birthday. I hope I don’t need to say that Pyaarelal Ramprasad Sharma is Pyaarelal of the Laxmi-Pyaare duo.
Wishing Pyaarelal ji a (belated) happy birthday and remembering our cute Kapoor ‘Chintu’ a.k.a Rishi Kapoor.
Version I
(picturised on Neelam and Shashi Kapoor)(Sung by Lata and Md Aziz)
Version II
(picturised on Jaya Prada and Rishi Kapoor) (Sung by Suresh Wadkar and Lata)
Song-Patjhar saawan basant bahaar (Sindoor)(1987) Singers-Md Aziz/ Suresh Wadkar, Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Both
Lyrics
Version I
o o o
o o o o
o o o o o
o o o o
patjhar saawan basant bahaar
patjhar saawan basant bahaar
ek baras ke mausam chaar
mausam chaar mausam chaar
paanchwa mausam pyaar ka intezaar ka
paanchwa mausam pyaar ka intezaar ka aa
patjhar saawan basant bahaar
ek baras ke mausam char
mausam chaar mausam chaar
paanchwa mausam pyaar ka intzaar ka
paanchwa mausam pyaar ka intzaar ka aa
patjhar saawan basant bahaar
koyal kooke
ku ku ku ku
koyal kooke bulbul gaaye
har ik mausam aaye jaaye
har ik mausam aaye jaaye
lekin pyaar ka mausam aaye
lekin pyaar ka mausam aaye
saare jeewan mein ek baar ek bar
patjhar saawan basant bahaar
patjhar sawan basant bahaar
ek baras ke mausam char
mausam chaar mausam chaar
paanchwa mausam pyaar ka intezaar ka
paanchwa mausam pyaar ka intezaar ka
patjhar saawan basant bahaar
rangon ka mela ye jag saara
rangon ka mela ye jag saara
rang badalti jeewan dhaara
rang badalti jeewan dhaara
pyaar ka rang hai sabse pyaara
pyaar ka rang hai sabse pyaara
rang bhi range rang hazaar
rang hazaar
patjhar saawan basant bahaar
patjhar saawan basant bahaar
ek baras ke mausam chaar
mausam chaar mausam chaar
paanchwa mausam pyaar kaa intezaar ka
paanchwa mausam pyaar kaa intezaar ka
patjhar saawan basant bahaar
patjhar saawan
——————————–
Version II
——————————–
aaa aa aa aa aa aa
aa aa aa aa
aa aa aa aa aa aa
o o
o o
o o o o o o
patjhar saawan basant bahaar
patjhar saawan basant bahaar
ek baras ke mausam chaar
mausam chaar mausam chaar
paanchwa mausam pyaar ka aa intezaar ka
paanchwa mausam pyaar ka aa intezaar ka aa
patjhar saawan basant bahaar
ek baras ke mausam chaar
mausam chaar mausam chaar
paanchwa mausam pyaar kaa intezaar ka
o o o o o o o
panchwa mausam pyaar ka intezaar ka aa
patjhar saawan basant bahaar
koyal kooke
ku ku ku ku
ho ho ho ho ho ho
koyal kooke bulbul gaaye
har ik mausam aaye jaaye
har ik mausam aaye jaaye
ho o
lekin pyaar ka mausam aaye
lekin pyaar ka mausam aaye
saare jeewan mein ek baar ek baar
patjhar saawan basant bahaar
patjhar saawan basant bahaar
ek baras ke mausam chaar
mausam chaar mausam chaar
paanchwa mausam pyaar ka intezaar ka
paanchwa mausam pyaar ka intezaar ka aa
patjhar saawan basant bahaar
phool khile na aa aa baadal barse ae
phool khile na aa baadal barse ae
pyaar ke mausam mein dil tarse
pyaar ke mausam mein dil tarse
mere galey mein apni nazar se
mere galey mein apni nazar se
daal do tum baahon ke haar aar aar
patjhar saawan
patjhar saawan basant bahaar
patjhar saawan basant bahaar
patjhar saawan basant bahaar
patjhar saawan
This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5439 | Post No. : | 17831 | Movie Count : |
4766 |
Hullo Atuldom
There is this gorgeous lady who made her debut into the Hindi film industry in a title role; the movie released on 28th September 1973. That film was commercially successful, went on to win five awards in that year’s Filmfare Awards. It helped the film’s producer- director come out of debts which he had incurred with his previous magnum-opus debacle. The content of this film was the typical Romeo-Juliet kind of romance, presented in a new style; but the commercial success was attributed to the two-fresh-faced-delightful youngsters who emoted on-screen with ease. Small wonder that they won that year’s Best Actor & Best Actress Filmfare awards.
Sudhirji has written this, in a post to a song of this film, about how the girl is presented on-screen for the first time:-
“a girl in a white frock with grey dots and a red piping – standing next to the entrance, near the golden statue of a maiden carrying a pot of water, quenching the thirst of many kinds; and the strains of music that play on that first sighting – “Jeena Yahaan Marna Yahaan, Is Ke Siwa Jaana Kahaan”. As always, the master of melodramatic presentation, RK chose this oh so appropriate music to play when this simple young girl made her first presence on the screen, and into the hearts of million young men – yes – Is Ke Siwa Jaana Kahaan. …“
This image of the girl is what made many youngsters go weak in the knees back-then, almost like the effect her husband had on a whole lot of young girls of the early 1970s. Am I right, Sudhir ji?
The husband was Rajesh Khanna.
Oh yes, the girl – Dimple Kapadia, was all of 14 or 15 when she began shooting for her debut film- ‘Bobby’. By the time the shoot wrapped up she was already married to The Phenomenon Rajesh Khanna, breaking the hearts of many young girls & guys in the process. She simply turned her back on the industry, quit acting, mothered two beautiful daughters before making a comeback to films. She may have had her personal reasons to separate from Rajesh Khanna, that is not our lookout here. Her fans just welcomed her back with open arms and then there has been no stopping this versatile actress who has been seen in a variety of roles, many of which were author backed. She has won the Filmfare awards a few times, in various categories. She was also awarded the Best Actress National award for ‘Rudaali’ (1993). She is still active & her films can be seen on various OTT platforms – the last one ‘Saas, Bahu Aur Flamingo’ released on Disney/ Hotstar on 5th May 2023.
Yesterday, 8th June was her birthday- Here is wishing her all health and happiness (albeit belated)
For this occasion, I have chosen a song from the 1991 released ‘Ranbhoomi’ which was directed by Deepak Sareen & produced by Vijay Sinha. It was one of those regular, masaaledaar films, which had Shatrughan Sinha, Jeetendra, Rishi Kapoor, Neelam, Raza Murad, Shekhar Suman, Amita Nangia, Gulshan Grover, Parijat (never heard of her), Yunus Parvez, etc as Dimple’s co-actors. I must confess that I haven’t seen the whole film, only some parts, but I have seen a dance of Dimple’s as a kothewaali. That is the song we are going to see today. It is sung by Anuradha Paudwal written by Asad Bhopali, & Laxmi-Pyaare are the music directors.
I landed on this film in my quest to pay tribute to the lyricist Asad Bhopali, whose death anniversary it is today. ‘Ranbhoomi’ released almost a year after the passing of the lyricist. The song was for us to feast our eyes on the beautiful Dimple Kapadia
Asad Bhopali was born Asadullah Khan in Bhopal on July 10th, 1921 to Munshi Ahmad Khan. He was learned in Persian, Arabic, Urdu and English. AT 28 he moved to Mumbai to become a songwriter. That was the period of lyricists and songwriters of repute like DN Madhok, Prem Dhawan, Rajinder Krishan, Khumar Barabankavi, Jaan Nisar Akhtar etc. and Asad Bhopali managed to create an identity for himself.
Asad Bhopali has given songs which have been popular and can be heard on the radio & music systems regularly. Songs like “Wo Jab Yaad Aaye, Bahut Yaad Aaye“, “Kismat Bigadi Duniya Badli“, “Sau Baar Janam Lenge“, and the fun song in the late 1970s “Ram Dulaari Maike Gayi”. Today’s generation or those in their 30s currently will remember the songs of ‘Maine Pyar Kiya’ (1989) which was among his last movies. Radio Ceylon, in its morning program today, played some of his popular songs.
Thanking Asad Bhopali for today’s song and numerous others that he wrote for movies since his debut in 1949.
PS-It has been pointed out by Prakashchandra that Asad Bhopali has penned a few songs of this movie, but the song under discussion is penned by Santosh Anand.
Audio
Video
Song – Kaahe Mosey Karey Jora Jori Beech Bajariya Mein (Ranbhoomi) (1991) Singer – Anuradha Paudwal, Lyrics – Santosh Anand, MD – Laxmikant Pyaarelal
Lyrics (Provided by Sudhir)
aaa aaa
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
beech bajariya mein
ambuwa ki daari
gaaye koyal kaari
ambuwa ki daari daari
gaaye koyal kaari
kar degi badnam saari nagariya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
jora jori
jora jori
beech bajariya mein
kaahe mosey karey jora jori
beech bajariya mein
koi kahe champa to koi chameli
koi kahe champa to koi chameli
itne deewaano ki chaahat akeli
roop ki rani hamaari nimaani
mere darwaje ki ye hai nishaani
saankal nahin hai kiwadiya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
jora jori
jora jori
beech bajariya mein
main to samajhti rupiye ki boli
ho main to samajhti rupiye ki boli
har ek samajhta main uski ho li
kya tu khareedega meri adaayen
deta rahega khud ko sazaayen
khud ko sazaayen
jee naa lagega naukariya mein
kaahe mosey karey jora jori
beech bajariya mein
kaahe mosey karey jora jori
jora jori
jora jori
beech bajariya mein
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
आssss आssss
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
अम्बुवा की डारी
गाये कोयल कारी
अम्बुवा की डारी डारी
गाये कोयल कारी
कर देगी बदनाम सारी नगरिया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
जोरा जोरी
जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
कोई कहे चम्पा तो कोई चमेली
कोई कहे चम्पा तो कोई चमेली
इतने दीवानों की चाहत अकेली
रूप की रानी हमारी निमानी
मेरे दरवजे की यही है निशानी
सांकल नहीं किवड़िया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
जोरा जोरी
जोरा जोरी
बीच बजरीया में
मैं तो समझती रूपिये की बोली
हो मैं तो समझती रूपिये की बोली
हर एक समझता मैं उस की हो ली
क्या तू खरीदेगा मेरी अदाएं
देता रहेगा खुद को सजाएँ
हाँ खुद को सजाएँ
जी न लगेगा नौकरिया में
काहे मोसे करे जोरा जोरी
बीच बजरीया में
काहे मोसे करे जोरा जोरी
जोरा जोरी
जोरा जोरी
बीच बजरीया में
- In: "Bhanwra" song | "bicycle" song | "Phool" song | Bicycle song | Blog Ten Year Challenge (2013-2023) | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | Happy-Sad song | Lata song | Lata-Suresh Wadkar duet | Love song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Song picturised abroad | Songs of 1980s (1981 to 1990) | Songs of 1982 | Songs of Encouragement | Songs picturised at well known locations | Suresh Wadkar songs | Yearwise breakup of songs
- 8 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5419 | Post No. : | 17776 |
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Blog 10-Year Challenge (2013-2023)– Song No.119
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Ah.. Raj Kapoor – the Showman. Sometimes also referred to as the Greatest Showman of Indian Cinema. A lifetime affair with the camera – very prominently handled both ends, sometimes in front of it, and then also behind it. Starting with childhood appearances accompanying his illustrious father to studios. And on to be a performer himself. And very soon, a producer – to quench his thirst, rather his search, for the ultimate story of love.
Raj Kapoor – the eternal seeker, the eternal explorer – in quest for the meaning of love equation between a man and a woman. All his life he produced films. The subjects, the scenarios varied, but against all the scenarios the unwavering theme, the unchanging premise of emotions flowing from one heart to another.
What does it take to define this equation? He has explored this question incessantly through his films and the music of his films. It is said in the industry – he had a Midas touch for music. No matter which film one picks. There may be commentaries and reviews about the films, but always, the music. The music was always the winner. And it is through the songs and music of his films that he expressed this search, this quest – for the meaning of love – endlessly.
His films almost always bring together the lovers in disparate and trying situations. What does it mean to be in love when, by normal discourse, love may not, cannot happen. And yet it does. From his very first venture as a producer – film ‘Aag’ of 1948, he had Saraswati Kumar Deepak write for him
kahin ka deepak kahin ki baati
aaj baney hain jeevan saathi
These verses kind of set the journey in motion that lasted for almost for four decades till the Showman decided in 1988 to hang up his director’s cap. On and on, one film at time, one can trace this quest for the meaning of love throughout his journey. The words and verses never ever failed to chalk up the emotions that were the matter of his quest. ‘Barsaat’ came in 1949 and with it, it brought the timeless melodies of
o o o,
mujhe kisi se pyaar ho gaya
and
meri aankhon mein bas gaya koi re
mujhe neend na aaye main kya karoon
With ‘Awaara’ of 1951, the theme resounded with the melody of
ghar aaya mera pardesi
pyaas bujhi in nainan ki
In 1953, when ‘Aah’ came to the theater screens, audiences were not so enamored by the sad somber story of a love lost. But yet again, the music said it all, and forever.
sunte the naam hum, jinka bahaar se
dekha to bola jiya jhoom jhoom ke
The journey continued in 1955 with ‘Shri 420’, touching towering heights of emotional expressions with the simplest of words.
ramaiya vasta vaiya
maine dil tujh ko diya
To date, no verse writer worth his salt has expressed this emotion in words more simple than these.
The proverbial icing always has been the on screen presentation of these wonderful melodies. The visions of the song presentation are a heart warming journey of visuals stringed with the words played on arias of melodies that proved to be incomparable even to this day. There is no peer, no comparable expression that can, or that will replicate the emotional highs of
pyaar hua iraar hua hai
pyaar se phir kyon darta hai dil
And the voyage carries on with the search for that promised destination that may reveal that ultimate truth of this mystery of love. ‘Jis Desh Mein Ganga Behti Hai’ – 1961. A very brief verse in the middle of a song, seems to encompass the entire story of this quest.
itna sa dil tu de de agar
saara jag tera ho jaaye
saara jag tera ho jaaye
‘Sangam’ came in 1964. It came with a bevy of emotions that crossed through so many layers of the mind’s labyrinths encompassing compassion, sacrifice, friendship, betrayal – and yes, love of course. And the hearts would sing these lines forever
har dil jo pyaar karega
wo gaana gaayega
and
o mere sanam, o mere sanam
do jism magar ik jaan hain hum
ik dil ke do armaan hain hum
Then came the magnum opus in 1970. ‘Mera Naam Joker’ – a commercial disappointment initially which has later ended up becoming a cult film in its own right. A lifetime’s search for love, culminating in show at a circus. One after another, love appears in life of the Joker, but always leaves him alone at the end. And the heart of the Joker has these words to sing
bhoologe tum, bhoolenge wo
par hum tumhaare rahenge sada
Beyond that, now new generations were taking over. Romance and love donned new faces and new dresses in ‘Bobby’ (1973). The words got a different expression, the music changed, but the soul sound of love remained what it has for centuries – unchanged. A new voice was now strumming the drums and saying
. . . par pyaar bhara dil kabhi na todo
is dil mein dilbar rehta
And alongwith came the declaration that
deta hai dil de, badle mein dil ke
. . . . . . pyar mein sauda nahin
Then in 1978 came another significant milestone in this journey – ‘Satyam Shivam Sundaram’. With the thesis that the truth is always akin to God, and thus, it is always beautiful. The mind’s conflict between the truth of the beauty and the beauty of imagination is again a timeless discourse, dealt once again with the verses of tradition
bhor bhaye panghat par
and
sainyaan nikas gaye main naa ladi thi
‘Prem Rog’ appeared in 1982 and the Showman’s last venture – ‘Ram Teri Ganga Maili’ appeared in 1985.
‘Prem Rog’ was was a creation that came forth three and a half decades after his quest had debuted in ‘Aag’. And the wonder of the outcome thus far, thirty five years in the making, and the explorer still ended up with the question that started his quest way back in 1948. For in this film, he yet once again poses the question
ye din kyon nikalta hai
ye raat kyon hoti hai
ye peed kahaan se uthti hai
ye aankh kyon roti hi
….
mohabbat hai kya cheez, hum ko bataao
ye kis ne shuru ki, hamen bhi sunaao
The essence of a lifetime of search. At the end of his energies after years of exploring. And the explorer is yet asking the same question. Again. A lifetime spent in synthesis, after having sung so many beautiful verses in its praise, after equating it to God and saying – that which is true, it also is beautiful. And then negating all these achievements, discarding all the experiences of the landmarks of the journeys, the seeker once again picks up the question that had started his journey decades earlier.
And thus remains the enigma – as it is. The final offering of 1985 – ‘Ram Teri Ganga Maili’ brings a last message
sun saiba sun
pyaar ki dhun
Just listen to this aria of love. Do not search it with a question. Just savor the strumming emotions, and let this dhun immerse oneself, take one into the unknown unseen depths. Just relish and delight in this feeling of love – do not ask any questions of it. The wheel of life having come a full circle, and yet a definitive and culminating statement still could not be made. Such is it – the mystery of LOVE.
Ah yes, now for the song presented with this post. 1982 was the year when the young mind was still innocently concerned with the questions about this emotion. The film came along and I do remember I had seen it on the big screen. The analysis of how the realities of the society and the bitter truths of life, were still years ahead in time. The mind always was simply happy at witnessing a happy ending. Always assuming that all the hiccups and tribulations on the way are a conjuring of the story tellers mind, and that lovers are always destined to meet. Ah, the loveliness of that innocence, believing in the good always.
But that discussion in maybe another post, for another song of love.
‘Prem Rog’ is a story of unexpressed love, and maybe also love about which the lovers themselves are not aware. A young girl from a rich traditional family, a young lad – and orphan without any antecedents. And they are good friends, for the boy frequents the home of the girl to do sundry jobs for the household. The girl gets married, and widowed, in quick succession – in like a blink of the eye. Circumstances bring her back to her parent’s home. The contact is re-ignited. And the emotoions that were not expressed not understood till then, now come floating into the heart. There follows a long and grueling struggle, ultimately violent, with the social norms and traditions. However, a happy ending at the end.
I liked the film on two counts. One was a very stark, almost harsh portrayal of the tribulations of a young widow in a very conservative family. And second, it was a refreshing feeing to see Nanda and Tanuja both on screen after a gap. Of course, Shammi Kapoor was the added attraction.
A minor trivia. Padmini Kolhapure, at 17, became the youngest individual recipient of the Filmfare Best Actress Award for this film.
Songs of ‘Prem Rog’ are quite hummable and became very popular in their time. There are 6 songs in this film, five of which are already showcased on our blog. This is the sixth song to make it here, which brings us to declare ‘Prem Rog’ to be Yippeee’d on the blog.
The shooting of this song sequence is something special to mention. The film was shot in the studio and some scenes in and around a farm house on way to Poona. This particular song, no guesses, is shot in the tulip fields at Kukenhoff, close to Amsterdam in Holland. Yes, the same place where the ‘Silsila’ (1981) song “Dekha Ek Khwab To Ye SilSile Huye” was also shot.
It is interesting to note that the song opens with the lead pair on a bicycle. The bicycle looks very typically Indian. So one must assume that the artifact was carried by the shooting team from India to Holland.
The words of the song are very beautifully crafted. As the song opens, Devdhar (role played by Rishi Kapoor) blesses Manorama (role played by Padmini Kolhapure) with the years of his own life. In the first stanza, Manorama tells of the extremely difficult phase she is passing through, and tells Devdhar that she is a flower that has already been plucked from the branch. In the second stanza, Devdhar tells her about the temporary nature of happiness and sorrow in life, and that the days past are already past. In the third stanza there is an exchange. Manorama tells Devdhar that the sleep from her eyes is gone, and also cautions him that the flower he trying to pursue is not sweet any longer. And Devdhar responds that the flower is beautiful and innocent. As we watch the video clip of the song, one can see some realizations dawn on the face of Manorama.
The words are crafted by Pt Narendra Sharma, and give a very sophisticated and literary feel to the verses. Music is by Lakshmi-Pyaare. The singing voices are of Lata Mangeshkar and Suresh Wadkar. Suresh Wadkar had appeared on the film scene as a singer in 1976. This song likely was recorded in 1981.
The video clip has two stanzas, whereas the audio clip carries all the three stanzas. The lyrics given below are based on the audio clip.
Enough said, I believe, so let us get on to listen to this sonorous melody.
Video
Audio
Song – Bhanwre Ne Khilaaya Phool, Phool Ko Le Gaya Raaj Kunwar (Prem Rog) (1982) Singers – Suresh Wadkar, Lata Mangeshkar, Lyrics – Pt Narendra Sharma, MD – Lakshmikant Pyaarelal
Lyrics (by Prakashchandra)
hmmm hmmm hmmm
hmmm hmmm hmmm
hmmm hmmm hmmm
hmmm hmmm hmmm
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
hmmm hmmm hmmm
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
bhanwrey tu kehna na bhool
phool tujhe lag jaaye meri umar
bhanwrey ne khilaayaa phool
phool ko le gaya raaj kunwar
(lauging sound)
aaa…aaaa…aaaa…aaaa….
aaaaa…aaa…aaaaa….aaaaa….
aaaaaa…aaaaaaaaaaaaaaaaa
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
hmmm hmmm hmmm
(laughing sound)
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
bhanwre tu kehna na bhool
phool tera ho gaya idhar udhar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
(aaa…aaaaa)
hmmm hmmm hmmm
(ooooooo..ooo)
wo din..n..n..
ab na..aa..aa rahey
kya kya vipda padi phool par
kaise phool kahey
wo din ab na rahey
honi thi ya wo anhonee
jaane isey vidhaata
chhoote sab singaar
giraa gal-haar toota har naata
shesh phool mil gaya dhool mein
kya kya dukh na sahey ae
wo din ab na..aa rahey
bhanwre tu kehna na bhool
phool daali se gaya utar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmm
(aaa…aaaaa)
hmmm hmmm hmmm
(ooooooo..ooo)
sukh dukh aaye jaaye
jaaye ae ae ae
sukh dukh aaye jaaye
sukh ki bhookh na dukh ki chinta
preet jisey apna..aa..aaye
sukh dukh aaye jaaye
meera ne piya vish ka pyaala
vish ko bhi amrit kar daala
prem ka dhaai akshar padhkar
mast kabeeraa gaaye
sukh dukh aaye jaaye
bhanwre tu kehna na bhool phool
guzre din gaye guzar
bhanwre ne khilaaya phool
phool ko le gaya raaj kunwar
hmmm hmmm hmmmmadhur
hmmm hmmm hmmm
aaa..aaa..aaa..aaa..aaaa
aaa…aaaa…aaaa…
aaaa….aaaa
aaa..aaa…aaaa…aaa
o o oo o
oo oooo
na..aa..aa
na re na..aa
phaili phooli phulwaari mein
bhanwraa gunn gunn gunn gunn gunn gunn gunn gunn gaaye
kaahey sowat nindiya jagaaye ae ae
kaahey sowat nindiya jagaaye
laakhon mein kisi ek phool ne
laakhon phool khilaa..aaye
mand mand muskaaye
haaye kaahey sowat nindiya jagaaye
bhanwre tu kehna na bhool
phool tera madhur nahin madhukar
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
bhanwre tu kehna na bhool
phool mera sundar saral sughadh
bhanwre ne khilaayaa phool
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
phool ko le gaya raaj kunwar
(phool mera sundar saral sughadh)
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल तुझे लग जाये मेरी उमर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
(हास्य ध्वनि)
आss आsss आsss आsss
आssss आss आssss आssss
आsssss आsssssssssssss
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल तेरा हो गया इधर उधर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
हम्मम हम्मम हम्मम
(हास्य ध्वनि)
वो दिन॰॰न॰॰न
अब ना॰॰आ॰॰आ रहे
क्या क्या विपदा पड़ी फूल पर
कैसे फूल कहे
वो दिन अब ना रहे
होनी थी या वो अनहोनी
जाने इसे विधाता
छोटे सब सिंगार
गिरा गल-हार टूटा हर नाता
शेष फूल मिल गया धूल में
क्या क्या दुख ना सहे
वो दिन अब ना रहे
भँवरे तू कहना ना भूल
फूल डाली से गया उतर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
(आss आssss)
हम्मम हम्मम हम्मम
(ओsssssss ओssss)
सुख दुख आए जाये
जाये॰॰ए॰॰ए
सुख दुख आए जाये
सुख की भूख ना दुख की चिन्ता
प्रीत जिसे अपनाए॰॰ए॰॰ए
सुख दुख आए जाये
मीरा ने पिया विष का प्याला
विष को भी अमृत कर डाला
प्रेम का ढाई अक्षर पढ़ कर
मस्त कबीरा गाये
सुख दुख आए जाये
भँवरे तू कहना ना भूल फूल
गुजरे दिन गए गुज़र
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
हम्मम हम्मम हम्मम
हम्मम हम्मम हम्मम
आs आs आs आs आsss
आss आsss आsss
आsss आsss
आss आss आsss आss
ओ ओ ओs ओ
ओss ओsssssss
ना॰॰आ॰॰आ
ना रे ना॰॰आ
फैली फूली फुवारी में
भँवरा गुन गुन गुन गुन गुन गुन गुन गुन गाये
काहे सोवत नींदिया जगाए॰॰ए॰॰ए
काहे सोवत नींदिया जगाए
लाखों में किसी एक फूल ने
लाखों फूल खिलाये
मंद मंद मुसकाए
हाए काहे सोवत नींदिया जगाए
भँवरे तू कहना ना भूल
फूल तेरा मधुर नहीं मधुकर
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
भँवरे तू कहना ना भूल
फूल मेरा सुन्दर सरल सुघढ़
भँवरे ने खिलाया फूल
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
फूल को ले गया राज कुँवर
(फूल मेरा सुन्दर सरल सुघढ़)
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5399 | Post No. : | 17714 |
#the Decade of Seventies – 1971 – 1980 #
————————————————————————
# Bhoole-Bisre Geet # (Rangeela Ratan-1976)
——————————————-——————————
In my childhood days I remember I watched many movies with elders in the family, and mostly with brothers and cousins. I have vague memories of watching many such movies. There were many more movies released those days that I missed out on. I did not even watch them later. That does not prevent me from feeling nostalgic for many such movie titles.
Today’s movie is one such movie. This movie is ‘Rangeela Ratan-1976’.
I have a big ‘nostalgia’ of this movie name called ‘Rangeela Ratan’. Somewhere I think the nostalgia is also associated with the ‘matkaa-king’ Ratan Khatri. Satta or ‘matkaa’ was in full swing in Maharashtra in those years and from reading news or discussions happening around between elders or seniors in school this may have got it imprinted on my mind.
One more Hindi movie that had this nostalgia of ‘sattaa-matkaa’ for me is ‘Dharmaatma-1975’ which had Feroz Khan and Premnath, which sources mentioned was based on Ratan Khatri and his ‘business’.
When I became associated with this blog I had shared a song from the movie ‘Rangeela Ratan-1976’. At that time I was not aware about all songs from this movie.
Later on one more duet song was presented by Atul ji from this movie which I remember to have heard during those years.
Recently during my daily browsing for songs I got to listen to one more song from this movie which I sounded a little familiar to me. This song is a duet song sung by Kishore Kumar and Asha Bhonsle.
Today I am presenting this duet song from this movie ‘Rangeela Ratan-1976’.
Before that, here is a brief about this movie as mentioned by Atul ji in earlier post with the song of this movie.
“Rangeela Ratan” (1976) was directed by S Ramnathan for R B Films, Bombay. The movie had Ashok Kumar, Rishi Kapoor, Parveen Babi, Rama Prabha, Ajeet, Jeewan, Ratan Khatri (special role), Durga Khote, Shyama, Narendanath, Tuntun, Sunder, Shashi Kiran, Shreeram Laagoo, Pinchoo Kapoor, Keshto Mukherji, Manorama, Urmila Bhatt, Uma Khosla, Katy Irani, Babban Lal Yadav, Ghanshyam, Birbal, Viju Khote, Preetam, Gopal, Dilip Dutt, Shekhar Purohit etc in it.
The movie was supposedly based on the life of Ratan Khatri (who makes an appearance in the movie), who was known as matkaa king of Bombay those days. Matkaa was a kind of gambling (gambling is illegal in India of course).
‘Rangeela Ratan-1976’ has five songs written by Gulshan Bawra and composed by Kalyanji-Anandji.
Here are the details of the songs of this movie.
| SNo. | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Dhholi dhhol zor se bajaa | Kishore Kumar, Babban Lal Yadav | |
| 02 | Teraa meraa meraa teraa jab ho gaya faislaa | Kishore Kumar, Asha Bhonsle | |
| 03 | Laakhon choley toone badle… jaag re jaag musaafir | Mukesh | 20.12.2013 |
| 04 | Main hoon rangeela ratan | Shailendra Singh | |
| 05 | Tum hi ho tum hi ho jaan e jaan | Lata Mangeshkar,Kishore Kumar | 15.07.2018 |
As can be seen from the above table, two songs from ‘Rangeela Ratan-1976’ have already been posted on the blog earlier.
Today’s song is the third song from this movie ‘Rangeela Ratan’ to be presented on the blog.
This song is a ‘romantic duet’ picturised on Rishi Kapoor and Parveen Babi where they can be seen ‘romancing’ in the ‘rains’ and singing this song. Many many other artists are also seen towards the end of the song.
Today 30th April’2023 is the third ‘remembrance anniversary’ of Rishi Kapoor (born on 04th September’1952 and passed away on 30th April’2020).
On this occasion the today’s song also serves as a ‘tribute to him’.
04th April’2023 was the sixty-ninth birth anniversary of Parveen Babi, the actress appearing in this song. She was born on 4th April’1954 and passed away on 20th Janunary’2005.
As a ‘fan of seventies’ I pay my tributes to both of them of them who have given us so many memories of their movies from the seventies.
Kishore Kumar and Asha Bhonsle are the singers of this song alongwith chorus.
Gulshan Bawra is the lyricist and music is composed by Kalyanji-Anandji.
Let us listen to this song which I am sure will bring back memories for many…
Video
Audio
Song-Tera mera mera tera jab ho gaya faislaa (Rangeela Ratan)(1976) Singers-Kishore Kumar, Asha Bhonsle, Lyrics-Gulshan Bawra, Md-Kalyanji Anandji
chorus
Kishore Kumar + Asha Bhonsle
Lyrics
arey teraa meraa
meraa teraa
jab
ho gayaa faislaa
ho gayaa faislaa
arey teraa meraa
meraa teraa
jab
ho gayaa faislaa
ho gayaa faislaa
phir ye kaahe kaa
donon mein faaslaa
hey phir ye kaahe kaa
donon mein faaslaa
arey hote hote
ho gayaa jab faislaa
ho gayaa faislaa
phir bhi rehne de
rehne de
ye silsilaa
phir bhi rehne de
rehne de
ye silsilaa aa
sun le o jaanejaanaa aa
sun le o jaanejaanaa
achchhaa nahin tadpaanaa
pyaar ka mausam
aise hi ganwaanaa naa
soch le o deewaane
ban jaayenge afsaane
aise mausam mein
aisi aag lagaanaa naa
jhoomke bal khaa ke
lehron si lehraa ke
aa ke galey se lag jaa aa
aajaa aajaa
rehne de
rehne de
ye silsilaa aa
haan aa
rehne de
rehne de
ye silsilaa aa
arey teraa meraa
meraa teraa
jab
ho gayaa faislaa
ho gayaa faislaa
he phir ye kaahe kaa
donon mein faaslaa
ho phir ye kaahe kaa
donon mein faaslaa
aa aa aa aa aa aa
aa aa aa aa aa aa
aa aa aa aa aa aa
hmm mmm mmm mmm mm
o o o o o o o o o
aa aa aa aa aa aa aa aa
khwaabon mein haan
kehti hai
aur waise naa kehti hain
khwaabon mein haan
kehti hai
aur waise naa kehti hain
dekho logon kaisi hai ye
jaan meri
aise behkaa naa mujhko
kaise samjhaaun tujhko
kal dekhenge
aaj to yaara maan meri
bhool ke duniyaa ko
duniyaa ki rasmon ko
aa meri baahon mein aa
aa
arey aa gayi aa gayi
mit gayaa ab to faaslaa
ho dekho dekho
mit gayaa ab to faaslaa
arey teraa meraa
meraa teraa
jab
ho gayaa faislaa
ho gayaa faislaa
phir ye kaahe kaa
donon mein faaslaa
he phir ye kaahe kaa
donon mein faaslaa
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5222 | Post No. : | 17214 |
#the Decade of Seventies – 1971 – 1980 #
———————————————————–—-
#Bhoole-Bisre Geet # (many moods of Kishore Kumar)
—————————————–
This 13th October I could not sent a Kishore Kumar song on his remembrance day. But I listened to the special programs on Vividh Bharati on Kishore Kumar that day, and also special program on Ashok Kumar too.
There is not a single day when we do not hear a Kishore Kumar song on radio. I also browsed some Kishore Kumar songs on YouTube in recent days and watched them, and also come across few songs which I had not watched or listened before and so do not remembered them.
Today’s song is one such song which I watched on YouTube which is from the movie ‘Anjaane Mein-1978’.
I do not remember to have watched this movie earlier. But when I listened to few songs of this movie I find one song familiar to me and when I listened to the only song from this movie already available on the blog, I do remember to have listened to it earlier too. However, I still need to listen to the other songs from this movie.
‘Anjaane Mein-1978’ was directed by Sameer Ganguly for ‘Pushpa Pictures, Bombay’.
It was produced by I.A. Nadiadwala.
It had Rishi Kapoor, Neetu Singh, Ranjeet, Asha Sachdev, Anwar Hussain, Nirupa Roy, Master Saka, Satyen Kappu, Master Raju, Sudhir, Ramesh Deo, Ranveer Raj, Natthu Ram, Jagdeep and others.
Story, screenplay and dialogues for this of this movie were written by Khalid Narvi and Girish.
V.K. Naik was the Chief Editor of this movie.
This movie was passed by Censor Board on 29.05.1978. (HFGK mentions this date as 20.05.1978 wrongly, I think).
‘Anjaane Mein-1978’ had seven songs including one two version song. Lyrics for all the songs in this movie have been written by Gulshan Bawra and music is composed by Kalyanji-Anandji.
Here is the list of the songs in this movie. (overall there were ten sound-tracks of this movie released on its LP record which, other than the songs, had title music, Cabaret dance music and dialogues).
| SNo | Song Title | Singer/s | Posted On |
|---|---|---|---|
| 01 | Jeewan ke sab sukh paaye tu… | Lata Mangeshkar | |
| 02 | Dekh banno koyi jaata hai naam se | Kishore Kumar | |
| 03 | Arey .. dil ka rishta jod diya hai tujhse o dilliwaali | Kishore Kumar, Asha Bhonsle | |
| 04 | Teri aankhon ke ishaaron ko pehchaan gaya hoon … | Kishore Kumar | Being posted today |
| 05 | Laila ari o laila kahaan ho meri raani … O meri jaan zaraa thhik se dekho | Kishore Kumar, Asha Bhonsle | 12.04.2014 |
| 06 | Jeewan ke sab sukh paaye tu… | Amit Kumar | |
| 07 | Sachchaayi ki raah mein | Lata Mangeshkar |
Only one song from this movie have been posted on the blog earlier.
Today’s song is sung by Kishore Kumar and on screen it is lip-synced by Rishi Kapoor. Also seen in the picturisation of this song is Asha Sachdev and Ranjeet.
The situation of the song can be easily guessed if one watched it. This is a typical situation in Hindi films.
Kishore Kumar who has sung this with gusto and he never ceases to entertain with his voice in such songs. Rishi Kapoor also has performed with his characteristic style in this song.
Lyrics for the song are by Gulshan Bawra and music is composed by Kalyanji-Anandji.
Let us now enjoy this song …
Video
Audio
Song-Main jaan gaya hoon pehchaan gaya hoon (Anjaane Mein)(1978) Singer-Kishore Kumar, Lyrics-Gulshan Baawra, MD-Kalyanji Anandji
Lyrics
haay
teri aankhon ke ae
ishaaron ko o
hmm hmm hmm hmm hmm
la la la la laaa
pehchaan gaya hoon
tere dil mein hai
kya dilbar
main jaan gaya hoon
pehchaan gaya hoon
main jaan gaya hoon
pehchaan gaya hoon
teri aankhon ke ae
ishaaron ko
teri baahon ke ae
sahaaron ko
pehchaan gaya hoon
tere dil mein hai kya dilbar
main jaan gaya hoon
pehchaan gaya hoon
main jaan gaya hoon
pehchaan gaya hoon
ae meri dilnasheen
yoon to hai tu haseen ee
ae meri dilnasheen
yoon to hai tu haseen
husn kuchh aur bhi
aaj nikhraa tera aa
narm honthhon mein tu
yoon na ungli dabaa
maar daalegi ye
teri qaatil adaa
jaan le legi
hey jaan le legi tu
meri jaan e jigar
main jaan gaya hoon
pehchaan gaya hoon
main jaan gaya hoon
pehchaan gaya hoon
teri aankhon ke ae
ishaaron ko o
pyaar mein ho gaye
ek ham is tarah
pyaar mein ho gaye
ek ham is tarah
ab jo teri khushi
wahi meri khushi
jaan jaane ka bhi
ab koi gham nahin
tere haathon mein hai
ab meri zindagi
nahin tujhko
hey nahin tujhko
hai shaayad abhi tak khabar
main jaan gaya hoon
pehchaan gaya hoon
main jaan gaya hoon
pehchaan gaya hoon
teri aankhon ke ae
ishaaron ko
teri baahon ke ae
sahaaron ko o
pehchaan gaya hoon
hoon hmm
tere dil mein hai kya dilbar
main jaan gaya hoon
pehchaan gaya hoon
main jaan gaya hoon
pehchaan gaya hoon oon a
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5161 | Post No. : | 17126 |
Hullo Atuldom
‘Prem Rog’ (1982) was a film produced by Raj Kapoor’s RK Film’s and directed by Raj Kapoor himself. It had Rishi Kapoor and Shammi Kapoor from the Kapoor clan heading the cast with Padmini Kolhapure, Nanda, Kulbhushan Kharbanda, Raza Murad, Leela Mishra, Sushma Seth, Bindu, Om Prakash, Kiran Vairale featuring in prominent roles/characters. Vijendra Ghatge, Rajendranath, Tanuja, Asha Sachdev, Monty Nath, Dulari and Dina Pathak featured in either special or guest appearances.
The story was based on the issue of widow remarriage which I am sure is never a dated topic. There is a very poignant dialogue which Shammi Kapoor (as Bade Raja Thakur) says towards the end of the film which meant that “we (The Thakurs) lay down rules for the public to follow and move on in life but in reality we are ourselves bound by age-old customs.” (The original dialogue, as written by Jainendra Jain is “हम लोग दोहरी ज़िंदगी जीते हैं, दूसरों के लिए और, अपने लिए कुछ और। ये सब दिखावा है। मगर हमारे यहाँ विधवा की दूसरी शादी नहीं हुआ करती।”). The story was written by Smt. Kamna Chandra. Pandit Narendra Sharma and Santosh Anand were the lyricists and Laxmikant Pyarelal were the music directors. Sudha Malhotra, Lata Mangeshkar, Suresh Wadkar and Anwar were the playback singers used.
An interesting titbit on the film is that it was the first time that Shammi Kapoor acted in a RK Film, almost 30 years after Raj Kapoor established the banner. Although they had appeared together in ‘Char Dil Char Rahen’ in 1959 and also appeared in a guest appearance in a song of Manmohan Desai’s 1981 release ‘Naseeb’. Raj Kapoor had cast Shashi Kapoor in his ‘Satyam Shivam Sundaram’ (SSS) (1978) and a few of the earlier films of RK Banner.
‘SSS’ had Padmini Kolhapure play the childhood of Zeenat Aman and ‘Prem Rog’ (after four years since “SSS”) saw Padmini play one of her first adult roles. (Nasir Hussain’s ‘Zamaane Ko Dikhana Hai’ also had Padmini play an adult role and that released before ‘Prem Rog’) Padmini went on to win the Filmfare award for Best Actress in that year.
We have four songs from film on the blog. Today we are revisiting the film on the occasion of Rishi Kapoor’s birth anniversary- he would have turned 70. He had some different types of roles post 2000 with films like ‘Raju Chacha’, ‘Kuchh Khatti Kuchh Meethi’, ‘Agneepath’ etc and he tasted a different success. The highlight of this period of his career was his on-screen reunion with Amitabh Bachchan in “102 Not Out” when both played old-aged father-son duo.
He was nominated in the Best Supporting actor and Best Actor in a Comic role for playing a 90-year-old grandfather whose heart-attack is instrumental in bringing his dysfunctional family together for a ‘final family photo’ which will be captioned “Kapoor & Sons, since 1921” (that was also the title of the movie). Chintu a.k.a Rishi Kapoor won the Filmfare for this role. Other than this he was an National Award winner for ‘Mera Naam Joker’ (1970), Filmfare award winner for ‘Bobby’ (1973).
With today’s song we shall also wish (belatedly) Pyarelal Sharma of the Laxmi-Pyare duo on turning a year younger on 3rd September. He has given us so many lovely, melodious moments since the early 60s in the company of Laxmikant Kudalkar after having started as assistants to the big-names of Bollywood music. In all 174 songs composed by the duo appeared in the Finals of Binaca Geetmala. The stats page of the blog says they have composed 2900 songs, in about 635 films, of which the blog has 942 i.e. we are not even halfway in covering the songs composed by Laxmi-Pyare. The first film of the duo came in 1963 and the last film on which they worked together was in 1998. Pyarelal has been seen on Television in recent times as special judge on many musical shows. Wishing him good health.
Here is the song in the voice of Suresh Wadkar that comes at the start of the movie. It shows Rishi Kapoor dressed simply in a shirt devoid of the blazers, jerseys and mufflers that he was famous for. The song is written by Santosh Anand.
Video
Audio (Longer)
Song-Main hoon prem rogi meri dawa to karaao (Prem Rog)(1982) Singer-Suresh Wadkar, Lyrics-Santosh Anand, MD-Laxmikant Pyarelal
Female chorus
Male chorus
All Chorus
Lyrics
(Based on Audio Clip)
ho o o
are kuchh nahin een
kuchh nahin een
are kuchh nahin een
kuch nahin een
phir kuchh nahin hai bhaata
jab rog ye lag jaata
main hoon prem rogi
haan main hoon prem rogi meri dawa to karaao
main hoon prem rogi meri dawa to karaao
jaao jaao jaao kisi vaid ko bulaao
main hoon prem rogi
phir kuchh nahin hai bhaata
jab rog ye lag jaata
main hoon prem rogi meri dawa to karaao
main hoon prem rogi
kuchh samjha aur kuchh samajh na paaya
kuchh samjha aur kuchh samajh na paaya
dil waale ka dil bhar aaya
aur kabhi socha jaayega
kya kuchh khoya
kya kuchh paaya
ja tan laage vo tan jaane
ja tan laage vo tan jaane
aisi hai is rog ki maaya
meri is halaat ko
haan meri is haalat ko najar na lagaao
meri is haalat ko nazar na lagaao
o jaao jaao kisi vaid ko bulaao
main hoon prem rogi
ho o
ho o o
ho ho ho
ho ho ho
ho ho ho ho ho ho
ho ho ho
ho ho ho
ho ho ho ho ho ho
aa aa aa aa aa
(ho ho ho)
aa aa aa aa aa
(ho ho ho)
aa aa aa aa aa
(ho ho ho ho ho ho)
aa aa aa aa aa
ho o o
ho o o
ho o o
ho o o
soch raha hoon jag kya hota
soch raha hoon jag kya hota
ismein agar ye pyaar na hota
mausam ka ehsaas na hota
gul gulshan gulzaar na hota
hone ko kuchh bhi hota par
hone ko kuchh bhi hota par
ye sundar sansaar na hota
mere in khayaalon mein
mere in khayaalon mein tum bhi doob jaao
mere in khayalon mein tum bhi doob jaao
jaao jaao jaao kisi vaid ko bulaao
main hoon prem rogi
yaaro hai wo kismat waala
prem rog jise lag jaata hai
sukh-dukh ka usey hosh nahin hai
apni lau main ram jaata hai
har pal khud hi khud hansta hai
har pal khud hi khud rota hai
ye rog laa-ilaaj sahi
phir bhi kuchh karaao
o jaao jaao jaao
are jaao jaao jaao
mere vaid ko bulaao
mera ilaaj karaao
aur nahin koi toh mere yaar ko bulaao
o jaao jaao jaao mere dildaar ko bulaao
o jaao jaao jaao mere yaar ko bulaao
main hu prem rogi
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
aa aa aa aa
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
हो ओ ओ
अरे कुछ नहीं
कुछ नहीं
अरे कुछ नहीं
कुछ नहीं
फिर कुछ नहीं है भाता
जब रोग ये लग जाता
मैं हूँ प्रेम रोगी
हाँ’ मैं हूँ प्रेम रोगी मेरी दवा तो कराओ
जाओ जाओ जाओ किसी वैद को बुलाओ
मैं हूँ प्रेम रोगी
फिर कुछ नहीं है भाता
जब रोग ये लग जाता
मैं हूँ प्रेम रोगी मेरी दवा तो कराओ
मैं हूँ प्रेम रोगी
कुछ समझा और कुछ समझ ना पाया
कुछ समझा और कुछ समझ ना पाया
दिल वाले का दिल भर आया
और कभी सोचा जाएगा
क्या कुछ खोया
क्या कुछ पाया
जा तन लागे वो तन जाने
जा तन लागे वो तन जाने
ऐसी है इस रोग की माया
मेरी इस हालत को
हाँ मेरी इस हालत को को नज़र ना लगाओ
मेरी इस हालत को को नज़र ना लगाओ
ओ जाओ जाओ जाओ किसी वैद को बुलाओ
मैं हूँ प्रेम रोगी
हो ओ
हो ओ ओ
हो हो हो
हो हो हो
हो हो हो हो हो हो
हो हो हो
हो हो हो
हो हो हो हो हो हो
आ आ आ आ आ
(हो हो हो)
आ आ आ आ आ
(हो हो हो)
आ आ आ आ आ
(हो हो हो हो हो हो)
आ आ आ आ आ
हो ओ ओ
हो ओ ओ
हो ओ ओ
हो ओ ओ
सोच रहा हूँ जग क्या होता
सोच रहा हूँ जग क्या होता
इस में अगर ये प्यार न होता
मौसम का एहसास ना होता
गुल गुलशन गुलज़ार ना होता
होने को कुछ भी होता पर
होने को कुछ भी होता पर
ये सुंदर संसार ना होता
मेरे इन ख़यालों में
मेरे इन ख़यालों में तुम भी डूब जाओ
मेरे इन ख़यालों में तुम भी डूब जाओ
जाओ जाओ जाओ किसी वैद को बुलाओ
मैं हूँ प्रेम रोगी
यारो है वो किस्मत वाला
प्रेम रोग जिसे लग जाता है
सुख दुख का उसे होश नहीं है
अपनी लौ में राम जाता है
हर पल खुद ही खुद हँसता है
हर पल खुद ही खुद रोता है
ये रोग ला-इलाज सही
फिर भी कुछ कराओ
ओ जाओ जाओ जाओ
अरे जाओ जाओ जाओ
मेरे वैद को बुलाओ
मेरा इलाज कराओ
और नहीं कोई तो मेरे यार को बुलाओ
ओ जाओ जाओ जाओ मेरे दिलदार को बुलाओ
ओ जाओ जाओ जाओ मेरे यार को बुलाओ
मैं हूँ प्रेम रोगी’
आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ
आ आ आ आ
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5161 | Post No. : | 17125 |
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Blog 10-Year Challenge (2012-2022) – Song No. 87
————————————————————————————–
This date ten years ago (viz 4 September 2012) saw six songs from six different movies getting covered in the blog.
Here are the details:-
| Blog post number | Song | Movie (Year) | Remarks |
|---|---|---|---|
| 6575 | O pardesi ghar aa jaa | Apna Paraaya (1942) | 2 songs covered out of 11 by now |
| 6576 | Chali aaj gori piya ki nagariya | Godaan (1963) | Movie YIPPEEE’D by now |
| 6577 | Abke na saawan barse | Kinaara (1977) | Movie YIPPEEE’D by now |
| 6578 | Justju jiski thhi usko to na paaya hamne | Umraao Jaan (1981) | Movie YIPPEEE’D by now |
| 6579 | Chhuk chhuk chhak chhak Bombay se Baroda tak | Rafoo Chakkar (1975) | 5 songs covered out of 6 by now |
| 6579 | Dard e dil dard e jigar dil mein jagaaya aap ne | Karz (1980) | Movie YIPPEEE’D by now |
We can see from the above table that four movies (out of six) whose songs were covered on this date ten years ago have since been YIPPEEE’D. That leaves us with two movies that are eligible for Blog Ten Year Challenge today (4 September 2022).
‘Rafoo Chakkar’ (1975) is one of the two eligible movies.
‘Rafoo Chakkar’ was produced by IA Nadiandwala and directed by Narinder Bedi for House of Nadiadwala, Bombay. The movie had Rishi Kapoor, Neetu Singh, Rajendranath, Faryal, Asrani, Master Chikkoo, with Paintal, Madan Puri, Anwar Hussain, Sulochana Latkar, Mumtaz Begum, Shetty, Viju Khote, Shamim, Surender Shetty, KN Singh, Sudhir, Bhagwan, Mac Mohan, Man mohan, Habib, Jankidas, M Rajan, Mohan Sherry, Hiralal, Goga, Dalpat, Sapru, Kamran, Bachan Singh, Lalita Kumari, Uma Dutt, DK Sapru, Rajan Haksar, Ramayan Tiwari, Bhushan Tiwari etc. in it.
“Rafoo Chakkar”(1975) had six songs in it. Five songs have been covered so far. Here are their details:-
| Blog post number | song | Date of post | Singer (s) |
|---|---|---|---|
| 6579 | Chhuk chhuk chhak chhak Bombay se Baroda tak | 4 September 2012 | Asha Bhonsle, Usha Mangeshkar, Mahesh Kumar |
| 8574 | Dil lena buri bala hai | 22 August 2013 | Kanchan, Usha Mangeshkar |
| 9331 | Tumko mere dil ne pukaara hai | 21 January 2014 | Shailendra Singh, Kanchan |
| 15694 | Bhajan bina chain na aaye raam | 30 June 2020 | Aziz Naazaan, Kanchan |
| 16944 | Kisi pe dil agar aa jaaye to kya hota hai | 30 April 2022 | Shailendra Singh, Asha Bhonsle |
As blog ten year challenge, here is the sixth and final song from ‘Rafoo Chakkar’ to appear in the blog. The song is sung by Kanchan. Gulshan Baawra is the lyricist. Music is composed by Kalyanji Anandji.
The song is picturised on Neetu Singh as a villain’s den song cum singing under duress song. Maqsood (the guy who plays raja in first stanza), Oscar Unger (dancer who rises from pool), Faryal, Tyron Aviet aka Bulbul (dancer), Viju Khote, Surender Shetty, Rishi Kapoor, Paintal, Jankidas, Habib, Anwar Hussain, Madan Puri, DK Sapru are also present in the picturisation.
Lyrics of the song and other details were sent to me by Prakashchandra.
With this song, all the six songs of the movie are covered. The movie ‘Rafoo Chakkar’ (1975) thus joins the list of movies that have been YIPPEEE’D in the blog.
Audio link:
video link:
Song-Ae zamaane tu kar le sitam pe sitam (Rafoo Chakkar)(1975) Singer-Kanchan, Lyrics-Gulshan Baawra, MD-Kalyanji Anandji
Lyrics(Provided by Prakashchandra)
ae zamaaney aey ae aey ae ae ae
ae zamaaney ae ae
ae zamaaney tu kar le sitam pe sitam
jinn ko milnaa hai woh milke rahengey ae
jinn ko milnaa hai woh milke rahengey ae
hum deewaaney karein kyun bahaaron ka gham
pyaar ke phool khilke rahengey ae ae
jinn ko milnaa hai woh milke rahengey
ae zamaaney aey ae ae ae ae ae
ae zamaaney
pyaar kartey hain jo
nahin dartey hain woh
na khudaa se hi aur
na kisee se ae ae
na khudaa se hi aur
na kisee se ae ae
jaan ley ye jahaan
jo hai naa meharbaan
jaan de denge hum to
khushee se aey ae ae
jaan de denge hum to khushee se ae
pyaar mein har sitam
hai gawaaraa hamein
har sitam hum to hans ke sahenge
jinn ko milnaa hai woh milke rahengey
aei zamaaney aey ae ae ae ae ae
aei zamaaney ae
hongey jitney sitam
aur nikhrengey hum
yehee gham hai wafaa ki nishaani ee
yehee gham hai wafaa ki nishaani ee
sab chaley jaayenge
ye jahaan chhod ke
pyaar kee bas rehegi nishaani ee
pyaar ki bas rahegi nishaani ee
yaad unko karegaa
ye zamaanaa sadaa
log jinkaa fasaanaa kahengey
jin ko milnaa hai woh milke rahengey
aei zamaaney tu kar ley sitam pe sitam
jin ko milnaa hai woh milke rahengey ae
jin ko milnaa hai woh milke rahengey
ae zamaaney aey ae ae ae ae ae
aei zamaaney ae aen
————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————
ए ज़माने ए ए ए ए
ए ज़माने ए ए
ए ज़माने तू कर ले सितम पे सितम
जिन को मिलना है वो मिलके रहेंगे
जिन को मिलना है वो मिलके रहेंगे
हम दीवाने करें क्या बहारों का ग़म
प्यार के फूल खिल के रहेंगे
जिन को मिलना है वो मिलके रहेंगे
ए ज़माने ए ए ए ए
ए ज़माने ए ए
प्यार करते हैं जो
नहीं डरते हैं वो
ना खुदा से ही ना किसी से ए
ना खुदा से ही ना किसी से ए
जान ले ये जहां
जो है ना मेहरबान
जान दे देंगे हम तो खुशी से
जान दे देंगे हम तो खुशी से
प्यार में हर सितम
है गवारा हमें
हर सितम हम तो हंस के सहेंगे
जिन को मिलना है वो मिलके रहेंगे
ए ज़माने ए ए ए ए
ए ज़माने ए ए
होंगे जितने सितम
और निखरेंगे हम
यही ग़म है वफा की निशानी
यही ग़म है वफा की निशानी
सब चले जाएँगे
ये जहां छोड़ कर
प्यार की बस रहेगी निशानी
प्यार की बस रहेगी निशानी
याद उनको करेगा
ज़माना सदा
लोग जिनका फसाना कहेंगे
जिन को मिलना है वो मिलके रहेंगे
ए ज़माने तू कर ले सितम पे सितम
जिन को मिलना है वो मिलके रहेंगे
जिन को मिलना है वो मिलके रहेंगे
ए ज़माने ए ए ए ए
ए ज़माने ए ए
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5034 | Post No. : | 16944 |
Hullo Atuldom
There are so many possible songs to go with today’s post. Songs that will do justice to the personality and versatile talent of the concerned celebrity.
He was an actor born with acting in his genes. He was not a star-kid but a star-heir, facing the camera for the first time when he was barely 2 or 3 years old. He was seen next as an adolescent playing his father’s Bachpan. All that I have written are well known facts about this actor, who in later years turned a producer-director much like his father. Along with his brothers he tried to keep the studio and banner, set up by his showman father, aloft till 2017 when the iconic property in Mumbai’s Chembur area caught fire and collapsed during the shoot of a television reality show. The brothers then decided to pull down the shutters on a piece of history of Indian cinema.
Regular movie-buffs will know that I am speaking of Raj Kapoor’s sons- Randhir, Rishi and Rajiv and the RK Films and RK Studios. The last movie that came from this banner was “Aa Ab Laut Chalen” (1999) which was directed by Rishi Kapoor. Before that “Prem Granth” (1996) which was directed by Rajiv Kapoor and “Henna” (1991) directed by Randhir Kapoor were the offerings from RK Films both of which had Rishi Kapoor playing the central character.
As I mentioned above Rishi Kapoor had acting in his genes with all the males (before him) from his family, being in the entertainment industry -Prithviraj Kapoor (grandfather), Raj Kapoor (father) Shammi Kapoor & Shashi Kapoor (uncles). Chintu (as Rishi Kapoor used to be addressed fondly) had shared screen space with his uncles and has been directed by his father in a few movies. I doubt if has appeared in any movie with his niece- Karisma and Kareena; but he has acted with his son Ranbir which was incidentally his wife Neetu’s comeback to movies, after she quit the limelight for family life.
The last movie that he faced the camera for, post his return from USA after undergoing treatment for the dreaded C, released on an OTT channel on 31st March 2022. I happened to see this for the love of Chintu and I must say ‘I was not disappointed’.
Chintu was one actor who had always emoted well and things were not any different in “Sharmaji Namkeen”. The unique thing about the film was the way they had two actors play a single character. Maybe a first in Indian movies. Actually, there was about four days shoot left, of the movie, at the time of Chintu’s passing. Paresh Rawal stepped in and the movie was completed. The makers didn’t re-shoot the parts which Chintu had completed. Instead, the transition in the scenes with the two actors was kept seamless and they didn’t try to get a single person to dub for the two actors (both actors spoke in their own voice). I would love to see the movie all over again just to enjoy the smooth handling of the movie. It had all the trademark stuff that fans of Chintu loved him for including the sweaters and mufflers that he was famous for.
Much as I would like to share a song from “Sharmaji Namkeen” in this post I am settling for one of his popular numbers from the ’70s. (Link to Sharmaji songs is not yet available on Youtube).
Today’s song may well be one of those categorized as “How come this song was not posted earlier?”. It features Chintu with Neetu Singh and is written by Gulshan Bawra. Kalyanji Anandji are the music directors of this song that is sung by Shailendra Singh and Asha Bhonsle.
This movie, “Rafoo Chakkar” (1975), was directed by Narinder Bedi and produced by House of Nadiadwalas. It had Faryal, Asrani, Paintal, Rajindernath, Sulochana, Mumtaz Begum, Madan Puri, Anwar Hussain, Shetty, Kamran, etc in addition to the lead pair of Neetu Singh and Rishi Kapoor. It had six songs of which the blog has the following four.
| Song | Date of posting |
|---|---|
| Chhu chhuk chhak chhak Bombay se Baroda tak | 4 September 2012 |
| Dil lena buri bala hai | 22 August 2013 |
| Tumko mere dil ne pukaara hai | 21 January 2014 |
| Bhajan bina chain na aaye Raam | 30 June 2020 |
Let us enjoy the locales of Kashmir and remember how simple life was back in the 70s. The girl needed to educate the guy ‘what love was all about’ 🙂
Song-Kisi pe dil agar aa jaaye to kya hota hai (Rafoo Chakkar)(1975) Singers-Shailendra Singh, Asha Bhonsle, Lyrics-Gulshan Baawra, MD-Kalyanji Anandji
Lyrics
kisi pe dil agar aa jaaye to kya hota hai
kisi pe dil agar aa jaaye to kya hota hai
wahi hota hai jo manzoor e khuda hota hai
wahi hota hai jo manzoor e khuda hota hai
koi dil pe agar chha jaaye to kya hota hai
wahi hota hai jo manzoor e khuda hota hai
wahi hota hai jo manzoor e khuda hota hai
mujhko zulfon ke saaye mein so jaane do sanam
mujhko zulfon ke saaye mein so jaane do sanam
ho raha hai jo dil mein ho jaane do sanam
ho raha hai jo dil mein ho jaane do sanam
baat dil ki dil mein rah jaaye to phir kya hota hai
baat dil ki dil mein rah jaaye to phir kya hota hai
wahi hota hai jo manzoo e khuda hota hai
wahi hota hai jo manzoor e khuda hota hai
kisi pe dil agar aa jaaye to kya hota hai
wahi hota hai jo manzoor e khuda hota hai
wahi hota hai jo manzoor e khuda hota hai
kya manzoor hai khuda ko baataao to zara
kya manzoor hai khuda ko bataao to zara
jaan jaaogi, baahon mein aa jaao to zara
jaan jaaogi, baahon mein aa jaao to zara
koi jo baahon mein aa jaaye to phir kya hota hai
koi jo baahon mein aa jaaye to phir kya hota hai
wahi hota hai jo manzoor e khuda hota hai
wahi hota hai jo manzoor e khuda hota hai
kisi pe dil agar aa jaaye to kya hota hai
kisi pe dil agar aa jaaye to kya hota hai
wahi hota hai jo manzoor e khuda hota hai
wahi hota hai jo manzoor e khuda hota hai
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5016 | Post No. : | 16923 |
Hullo Atuldom
The song in this post is the perfect candidate for the “how come this song was not posted earlier” category. It being the most popular song of the film. There have been three songs posted on the blog, out of eight (I think) that this movie has, and this song is mentioned in at least two of these posts.
Avinash ji, in his post of the song “Jeene Ko To Jeete Hain Sabhi“, wondered how today’s song missed a place in that year’s Top 30 of the famous Binaca Geetmala.
Nahm ji has given the complete story of this movie in her post of the song “Mil Gayeen Aaj Do Lehren“. She has also pointed towards the connection between the song in that post with today’s song.
The movie had made it’s debut on the blog with the song “Maine Tujhe Kabhi Kuchh Kaha Tha“.
I am talking of ‘Ye Vaada Raha’ (1982) which was directed by Kapil Kapoor for Rose Movies, Bombay. It was produced by Ramesh Behl. It had Rishi Kapoor, Tina Munim, Poonam Dhillon, Sarika, Rakhi, Rakesh Bedi, Iftekhar, Agha, Sundar, Gulshan Bawra, Hari Shivdasani, and others. Shammi Kapoor made a special appearance in this movie. The film has six (but I think I have counted eight songs because one is a multi-version song) songs penned by Gulshan Bawra and composed to music by Rahul Dev Burman.
Revisiting ‘Ye Vaadaa Rahaa’ today on the occasion of Gulshan Bawra’s birth anniversary. He would have been 85 today. He was associated with many popular songs in his career – songs which were tuned by Kalyanji Anandji, Laxmikant Pyarelal, RD Burman and other music composers of the 70s, 80s and 90s. The last movie for which he penned songs was the Akshay Kumar- Twinkle Khanna starrer ‘Zulmi’ which released in 1999. It had music by Dilip Sen-Sameer Sen; he had also appeared on the screen in this movie.
Today’s song is sung by Kishore Kumar and Asha Bhonsle with Rishi performing a waltz with an imaginary partner and then Poonam joins him. The video that I found on YouTube has all the versions stitched together. So, the second part of the song begins 3 minutes into the video where Tina Munim is reminiscing her days with Rishi Kapoor. I am unable to find videos where the three versions are separate.
Song-Tu, Tu Hai Wahi Dil Ne Jise Apna Kaha (Ye vaada Raha)(1982) Singers-Asha Bhonsle, Kishore Kumar, Lyrics-Gulshan Baawra, MD-RD Burman
Both
Lyrics
la la la la la laa
la la la la la la
la la
la la la la la lala la la
tu tu hai wahi dil ne jise apna kaha
tu hai jahaan main hoon vahaan
ab to ye jeena tere bin hai saza
ho mil jaayen is tarah do lehren jis tarah
ho mil jaayen is tarah do lehre jis tarah
phir ho naa juda
haan yeh vaada raha
la la la la la la
la la la la la
main aawaaz hoon toh tu hai geet mera
main aawaaz hoon toh tu hai geet mera
jahaan se niraala manmeet mera
mil jaayen is tarah
do lehren jis tarah
ho mil jaayen is tarah
do lehren jis tarah
phir ho naa juda
haan ye vaada raha
kisi mod pe bhi naa yeh saath toote
mere haath se teraa daaman naa chhoote
la la
la la la la
la la la
kabhi khwaab mein bhi tu mujhase naa roothhe
mere pyaar ki koyi khushiyaan naa loote
mil jaayen iss tarah
do lehren jis tarah
ho o mil jaayen iss tarah
do lehren jis tarah
phir ho naa juda
haan ye vaada raha
tu tu hai wahi
dil ne jise apna kaha
tu hai jahaan main hoon vahaan
ab to ye jeeina tere bin hai saza
tujhe main jahaan ki nazar se chura loon
kahin dil ke kone mein tujhko chhupa loon
kabhi zindagi mein pade mushkilen to
mujhe tu sambhaale tujhe main sambhaaloon
ho mil jaayen iss tarah
do lehren jis tarah
ho mil jaayen iss tarah
do lehren jis tarah
phir ho naa juda haan ye vaada raha
tu tu hai wahi
dil ne jise apna kaha
tu hai jahaan main hoon vaha
ab to ye jina tere bin hai saza
ho la la la la la la
lalalalala
phir ho naa juda
haan ye vaada raha
ye vaada raha
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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