Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

All numbers are unique unto themselves – inasmuch as each number has its own claim to fame just by being what it is. And but for the imagination and fancies applied by our minds, which at times picks on certain characteristics and binds some special stature to some of them, all these numbers would be as interesting, or for that matter disinteresting, as any other number. Let me quote the instance of a number that has now become famous as the ‘Hardy – Ramanujan Number’. This anecdote is attributed to a conversation in or about 1919 (wow, ninety seven years ago), that happened in London. Indian mathematician Srinivas Ramanujan, who was based in London for some time, was ill and confined to his bed at his residence. His friend, Godfrey Hardy, another mathematician (who had invited and arranged for Ramanujan’s travel etc. to London), came visiting him. The initial conversation was about Hardy’s journey to see Ramanujan. He mentioned off hand that the number of the taxicab in which he had travelled, was 1729 – for all intents a most uninteresting and boring number. To this comment, Ramanujan replied that ‘1729’ was a very special number. In fact it is the smallest number that can be represented as the sum of two cubes, in two different ways. (I am avoiding the calculation details; interested readers can google this for more details).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

OONCHI HAVELI (1955) was produced under the banner of Sharad Productions and it was directed by Dhirubhai Desai. The star cast included Karan Diwan, Nirupa Roy, Lalita Pawar, B M Vyas, Yashodara Katju, Bhagwan, Janakidas, Indira Bansal, Heera Sawant, Niranjan Sharma etc. The film appears to be an obscure one as no other details are available. From the title of the film as well as a few still photographs of the scenes from the film, the story looks to be about the conflict between a royal family and a commoner.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Miss Bombay”(1957) was produced by Gulshan Bahl and directed by Kedar Kapoor for N C Films, Bombay. The movie, described as a social movie, had Nalini Jaiwant and Ajit in lead roles with Rehman, Tiwari, Ramesh Thakur, Bhagwan, Vijay laxmi, Rajendra, Praveen Paul, Bhudo Advani, Vijay Pandit, Kathana, Urvashi, Kanchanmala etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Ever since talkies came in to being in 1931, there have been some classical and semi-classical female singers who got attracted to Hindi film industry as actor-singers and playback singers in the 1930s and the 1940s. Begum Akhtar, Mukhtar Begum, Indubala, Roshanara Begum, Mallika Pukhraj, Saraswati Rane etc were some of the names that come to my mind. However, their filmy careers was short and soon they returned to the concert singing as their main vocation.

One of the lesser known names in this category of singers was Sundarabai of Poona.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

PARISTAAN (1944) was produced under the banner of N R Acharya Art and it was directed by Mahesh Kaul. The star cast included Pahadi Sanyal, Anjali Devi, Kamal Zamindar, Ranjeet Kumari, Sunalini Devi, Master Amritlal, Moni Chatterji, Padma Banerjee etc. From the title of the film, probably many people may guess that it was a film belonging to fantasy genre. But it turned out to be a slapstick comedy though the story by Vaju Kotak was not less than a fantasy.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

INDRAASAN (Ekaadashi Mahima) (1952) appears to an obscure movie. In a few places on the internet, the film is spelled as ‘Indrasen’. I went by how the film was spelled on the publicity photographs of some scenes from the film. The film had some well-known actors of the 30s and 40s consisting of Prem Adib, Paro Devi, Ishwarlal, Durga Khote, Nand Kishore, Ranjana etc. The film was produced under the banner of Greenland Pictures, Bombay and was directed by Raja Nene.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (15 august 2016) is the 69th independence day of India.

With the passage of so much time, the general knowledge of younger generation about Indian freedom struggle and independence is no longer what it used to be in the past. One study mentions that the biggest source to make people aware of our independence day are patriotic songs from movies, followed by school text books.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The moment the image of Ameerbai Karnataki comes to my mind, I remember some of her most popular songs, mostly full of pathos, melancholy, and devotion. In fact, the most popular songs of her singing career come from these genres. She started her filmy career in 1934 as an actor-singer but realising that the potential for career as a playback singer was bright after the system of playback singing was introduced in Bombay film industry in 1937, she confined herself mainly to playback singing thereafter. After her songs in ‘Kismet’ (1943) became very popular, for the next five years or so, she remained one of the top playback singers. Of the total of around 375 songs she sang during her filmy career, more than 50% was accounted for during 1943-48.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 1950s, many new female singers joined Hindi film industry to try their luck in making their careers in playback singing. Many of them went into oblivion after a couple of years or so. Playback singing career of a few of them like Seeta Kalyanpur, Suman Purohit ended with one or two films. A few others like Meenal Wagh (11 songs during 1950-54), Kaumudini Munshi (10 songs during 1954-68) could remain connected with Hindi film music for longer period but their singing output was low. While some of them may not have pursued the playback singing career due to personal reasons, there is no doubt about the fact that with the emergence of Lata Mangeshkar in early 50s along with established playback singers like Geeta Dutt and Shamshad Begum, the newcomers faced tough competition from them.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came to know about the film NIRMOHI (1952) sometime in the late 1960s when my friend and office colleague, Vijay Nafde introduced me to his 78 RPM record collections. During our periodic get together in his house, he used to make me listen to some rare songs (of that time) and that included songs from unheard films for which music directors like C Ramchandra, Madan Mohan, Roshan etc composed the songs. ‘Nirmohi’ (1952) was one of those unheard films from which I remember to have listened the only song, dukhiyaare naina dhoondhen piyaa ko .
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