Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

KARWAT (1949) was directed by Gopal for Shri Gopal Pictures. The movie had Geeta Nizami, Satish, Paro Devi, Jeevan, Leela Mishra, Sarita Devi, Kamalakant etc. in it.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata’s Songs NOT YET covered on our Blog – 7
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Chaand Sitare, a 1948 social film was produced by Ravindra Art Productions, Mumbai and t was directed by Ishwar Chandra Kapur. The star cast according to HFGK consisted of Jeevan, Manorama, Rajen Haksar, Niranjan Sharma, Anita, Satish, Leela etc. The film had eight songs composed by Premnath (not the actor/Villain) and the lyricists for the film were I C Kapur and Aziz Kashmiri. HFGK is not vocal about who is the lyricist for the song under discussion.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Khaandaan”(1942) was directed by Shaukat Hussain Rizvi for Pancholi Pictures, Lahore. The movie had Noorjahaan, Ghulam Mohammad, Manorama, Ajmal, Durga Mota, Baby Akhtar, Ibrahim, Nafees, Pran, Krishn, Chami, G N Butt etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

ZAMEENDAAR (1942) was produced by Dalsukh Pancholi and directed by Moti B Gidwani for Pancholi Art Pictures, Lahore. The movie had Shanta Apte, S D Narang, Manorama, Ghulam Mohammed, M Ismail, Baby Akhtar, Durga Mota, M Azmal, Khairaati, G N Butt etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Giribaala”(1947) was produced and directed by Madhu Bose for Madhu Bose Productions, Calcutta. The movie had Indrani Devi, Dheeraj, Ahindra Cahudhary, Hrishikesh, Chitralekha, Rajlaxmi, Kamta Prasad, B R Tandon, Poornima, Vitthal, Das Panchotia, Abani Mitra, Tulsi Chakraborty etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ghar” (1945) was a Sunrise Production movie. It was directed by V M Vyas. The movie had Jamuna, Nawab, Molina, Yakub, Kalyani, Dulari, Iftikar, W. M. Khan, Mohan, Mirza Musharaff etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

DIL KI PYAAS (1935) was produced under the banner of Bharat Lakshmi Pictures and it was directed by J J Madan and Sorabji Karewala. The star cast included Jahanara Kajjan, Patient Cooper, Mukhtar Begum, Fida Hussain, Surajram, Violet Cooper, Gama etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 22
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‘Toofaani Tarzan’ – a picture with this name was produced and released way back in 1937. That film was produced by Wadia Movietone, and the title role of Tarzan was performed by John Cawas. The film had three songs, written by Pandit Gyan, and composed by Master Mohammad. All three songs are in the voice of Ahmed Dilawar. Interestingly, the film itself is available, as are the three songs on 78 rpm records published under the ‘Twin Records’ label.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 50
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Khud samajh lo ke iltijaa kya hai
Hamhin keh den to phir mazaa kya hai

Iltijaa= Request, desire

The matla (first) she’r of the above ghazal penned by Arzoo Lucknawi is apparently addressed to the ‘maashooqa’ (beloved) by ‘aashiq’ (lover) saying that the former should get a hint, may be the way he talks and treat the beloved, as to what is his request or what he is desirous of. There is no fun if he reveals his request/desire.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This is a song from the film Najaria-52. It is a duet by Kishore and an unknown female voice. The song is one of those rare songs when Kishore sang for someone other than himself or Dev Anand in the early 50s. That was the time when Kishore Kumar was trying hard, but composers were not taking him seriously as a singer. Only S D Burman started using him for Dev Anand from the film Baazi-51. Almost all other songs of Kishore were for himself on the screen.
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