Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Sentimental song’ Category


This musical bandwagon continues to roll on unabated (touchwood !) and we continue to pass milestones at regular intervals.

Century of songs is the most basic and common kind of milestone for this song. In the earlier days of the blog, we just counted the number of songs posted in the day and every 100th song was a cause for celebration.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a story of the only son of a wealthy jagirdar ( feudal land owner) Choudhary Fazal Mohammed and Sardar Begum, one of his wives. The jagirdar had almost deserted Sardar Begum but he wanted his only son in his custody for which he was prepared to pay a handsome monetary compensation to his estranged wife. But she was not prepared to part with her son. The matter went to the court and the judge asked their 9 year old son to make a choice as to whether he would stay with his father or mother. He had to make a choice between a wealthy father and a poor mother who was facing difficulties in sustaining on a day to day basis. The young boy preferred his poor mother to his wealthy father. In preferring to stay with his poor mother, the young boy may have perhaps made a statement of intent to his father that ‘tu itnaa ameer nahin banaa abba ki tu apne bête ko khareed sake’ – a similar type of dialogue used in the film ‘Deewaar’ (1975). The boy was Abdul Hayee later known as Sahir Ludhianvi.
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Kishore Kumar, who was externally a jovial and boisterous character had a sensitive side to him as well. He could sing serious and sensitive songs with the same ease with which he rendered fun songs. When it came to producing movies, Kishore Kumar has produced rip roaring comedy viz. “Chalti Ka Naam Gaadi” (1958) and “Jhumru” (1961), but many of his subsequent movies dealt with sensitive topics. These movies were far ahead of their times and the Indian masses were by and large not evolved enough to appreciate Kishore Kumar’s subsequent movies on serious topics, namely “Door Gagan Ki Chhaaon Mein”(1964), “Door Ka Raahi” (1971), “Door Waadiyon Mein” (1982).
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Today (27 september) is the 80th birthday of Yashraj Chopra, a veteran producer and director of Hindi movies. He began his career as a director in “Dhool Ka Phool” (1959) which was produced by B R Chopra, his elder brother. He directed five movies under the banner of “B R Chopra productions”. All of them were hit movies. He won Filmfare best director award for one of these movies, viz. “Waqt” (1965). In all he won Four Filmfare awards for best direction and four Filmfare awards for best movies in his career.
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I have heard of the movie called “Kunwaara Baap” (1974) but I was not aware of a movie called “Chhota Baap”. It turns out that a movie of this title was released in 1977. This movie, despite being a recent movie by the standards of this blog has ended up joining the ranks of obsure movies. This movie was a B grade movie. It was directed by Shantilal Soni. The movie had Romesh Sharma, Bindiya Goswami, Alankar Joshi, Asit Sen, Paintal, Dhumal, Dina Pathak etc in it. With this kind of starcast, it should come as no surprise that few people wanted to watch this movie or even wanted to have anything to do with it.
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Launching one’s son/daughter in movies in nothing new. This practice is nearly as old as the time whern movies began to be produced in India. The very first star kid who was launched in Hindi movie could well be Nargis in 1940s. She was then followed by Nutan.
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