Archive for the ‘Talat Mehmood songs’ Category
Salaam tujhko ae duniya
Posted on: March 28, 2016
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
When you listen to today’s song, you will realize why Talat’s voice was called Velvety. This soulful, sad farewell song by Talat Mehmood is from the film “Mera Salaam”-1957.
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Mera kahaan hai man mera wo to
Posted on: March 25, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
GUL-E-BAKAWALI (1956) was the Hindi dubbed version of Tamil film ‘Gulebakavali’ (1955) which was produced and directed by T R Ramanna. The star cast of the film included M G Ramchandran, T R Rajkumari, G. Varalakshmi, Rajasulochana, S D Subbulakshmi, E V Saroja, K A Thangavelu, J P Chandrababu etc. The film has the usual fantasy and adventure story befitting the roles that M G Ramchandran is known for. The Tamil version had 11 songs composed by Viswanathan-Ramamoorthy. Hindi dubbed version had 8 songs written by P L Santoshi (7) and Indeevar (1) which were composed by Gyan Dutt. However, the tunes used in the Tamil version were retained in all the eight songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is unique. It is from the film Laadlaa-54.
One would like to know what is so unique about this song. The answer is that this is the only song in Hindi film music history which is sung by the combination of these four great singers. They are Mohd. Rafi, Talat Mehmood, Shamshad Begum and Asha Bhonsle. As far as I know, It was for the first and last time that these four singers came together to sing a song. Mohd. Rafi features in few songs combining four singers, but not these our four singers. I am amazed how composer Vinod thought of this combination in the first place !
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Raat chaandni saath tumhaara
Posted on: March 20, 2016
This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
In the year 2014 I had done a series called “Chaandni Raaten”. The series remained sort of incomplete, and now it is too far back to restart it. As is my practice, I give a list of all songs featuring in a particular series in the last song post, even that remained to be done. I had planned to post a few more songs, which were suggested and were suitable to the theme. But that was not to be. So I am posting here one of those songs as a closure. This song was found for me by one of the regular visitors to the blog ‘ blufire ji’, as I was looking for a Talat Mehmood song for the series.
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Ae dil mere na ro
Posted on: March 15, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I often gets confused in recognising the voice of Meena Kapoor while listening to mp3 clips of her rare songs and the reason is that I find her voice closely resembling that of Geeta Dutt. I feel that, in a way, Meena Kapoor is to Geeta Dutt what Suman Kalyanpur is to Lata Mangeshkar. I can understand as to why Suman Kalyanpur lagged behind Lata Mangeshkar in terms of playback singing assignments as, among other reasons, the latter had already established her footprint in Bollywood when Suman Kalyanpur entered some time in 1954. But why did Meena Kapoor not get as many assignments as a playback singer as Geeta Dutt got when both started their playback singing at the same time?
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naghma”(1953) was produced and directed by Nakshab for Filmco, Bombay. The movie had Nadira, Ashok Kumar, Om Prakash, Roopmaala, Murad, Ziraab, Qamar, Lotan etc in it.
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Mitne de meri zindagi
Posted on: December 15, 2015
This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
It’s been a while since we had a song in this voice. A voice which momentarily transforms us to another world. A voice so gentle and sweet that we invariably pause, ponder and are awestruck by the rendering. The total numbers are in three digits only. The genres of songs are also very restricted. But whatever is available will be cherished forever since the class of singing was always uncompromising.
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Kaam haathon ka hai
Posted on: August 1, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is a song from a Raj-Nargis film Bewafa-52 and it is sung by Talat Mahmood.
It is not very common that Talat sang for Raj Kapoor. Raj was convinced that only the voice of Mukesh suited him, so in all the films that he produced or directed, he used to try using Mukesh for his songs. However,as a true Professional, if he were to work for some other producer or under a different Director, he followed the policy of strict Non-interference. So, in such films, we see other singers giving playback to Raj Kapoor, depending on the choice of the producer or director. Talat sang a total of ten songs for Raj Kapoor in 4 films, as following-
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- In: Dev Anand songs | Dev Anand songs by Talat Mehmood | Duet | expression of love | Feelings of heart | Guest posts | Post by Arunkumar Deshmukh | Shamshad Begam songs | Shamshad Begam-Talat Mehmood duet | Songs of 1940s (1941 to 1950) | Songs of 1950 | Talat Mehmood songs | Yearwise breakup of songs
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is a song from film Madhubala-1950.
Will you be not happy if you get the Cake and eat it too ? Same thing happened whenever Handsome Dev Anand and the most beautiful actress of Hindi films, Madhubala acted together in a film. The audience used to become ecstatic with joy watching their films. No one cared if the story was weak or the music was third grade. What was more important was to see Dev and Madhubala, with a contented heart !
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Tere darbaar mein teri sarkaar mein
Posted on: July 16, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This is a song from the film Aplam Chaplam-1961. Talat and Lata sing with chorus, under the baton of composer Chitragupta.
If I ever make lists of composers under different headings like, Melody, Tune,Orchestra, Interludes etc, the first 5 names under the heading “Melody “would be, Ravi, Hansraj Behl, Khemchand Prakash, Anil Biswas and Chitragupta ( not as per any Rankings). Barring Anil Biswas, all the rest four composers never got enough name and fame despite making very melodious music. Chitragupta, Khemchand Prakash and Hansraj Behl got considerably less number of leading production house films compared to what they delivered, in my opinion.
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