Archive for the ‘Songs of 1940s (1941 to 1950)’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Maybe the friends on this blog have given up on me, if my inconsistency of the past few days, some weeks is any evidence. Well yes, the things are kind of busy in life at this time (now why should that be an excuse?) :). Nonetheless, today I do want to write about a wonderful song I came across for the first time last week, and also write about where I am and of the interesting things that have happened today.
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“Station Master” (1942) is a very old movie. If one looks at the year, one can see that this movie was released in the same year when Indians passed “Quit India” resolution on their British rulers. Yes, this movie is that old and not much is known about this movie. What is known is that this movie had actors like This movie had actors like Jagdish Sethi, Jeewan, Amirbai Karnataki, Baby Suraiyya, Gulab, Kaushalya, Prem Adib, Ratnamala, Shakir, Umakant etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my younger days, my uncle used to play M S Subbulakshmi’s (MS) LPs of Venkateshwara Suprabhatam or Vishnu Sahastranamam early morning every day which I used to resent as it became virtually a wake-up alarm for me. But as days passed, I not only started liking her renditions, some of its verses got stored in my mind.
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Maine kaha babuji itna bataaoge
Posted on: April 6, 2012
If a movie title has nouns like “Behan”,”Bahu”, Bhabhi” etc in it preceded by adjectives like “Badi”, “Chhoti” etc then one can safely conclude that sacrificing characters lie ahead in the movie and unless one is masochistic in nature, one needs to steer clear of such movies.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
In my native place in Mangalore district (and perhaps other places in India specially in villages), it was a tradition in almost every house that all family members would assemble in the Pooja Room soon after the dusk for singing some devotional songs. In a joint family system, this tradition also worked as a means of creating bonding among large family members. After shifting to Mumbai in early 50s, with a nuclear family and a city culture, this tradition slowly got discontinued. But my mother would sing at least a couple of devotional songs every day after dusk while doing her kitchen chores. One of the devotional songs which I had often heard in my childhood was in the Konkani language, my mother tongue. I was very much impressed by the lyrics and the tune of the song.
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Manwa kaahe phir tadpaaye
Posted on: April 4, 2012
“Waapas” (1943) is a very old movie, nearly seven decades old in fact. Not too many details are known about this movie. And it does not help matters when conflicting information is available about this movie.
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Saawan ke nazaare hain
Posted on: April 4, 2012
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
KHAZAANCHI (1941) was produced by Lahore based Pancholi Art Picture owned by Dilsukh Pancholi and directed by Moti Gidwani. The star cast included Ramola, S D Narang, M Ismail, Durga Mota, Manorama, Ajmal etc. Recently, I watched this film on the internet and felt as if I was watching one of the films of 50s with a familiar story line – romance, a villain, murders, court proceedings, climax scenes of chase etc and finally victory of truth over evil. No doubt, this film was a blockbuster at the box office front. I am giving below a synopsis of the film story just to get an idea as to how this type of the story line became familiar in the films mostly produced in the 50s.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
Growing up in India, one of the memorable numbers that I heard in my childhood on the two sides of a 78 rpm gramophone record from my late father’s collection was “Bhaarat ki ek sannari ki hum katha sunaate hain” in Vijay Bhatt’s seminal Ram Rajya (1943).
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This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Rewinding back to 1950. The earlier year, 1949, had proved to be a golden year for music and songs in Hindi films. Many a memorable films and many many memorable songs got released in this year, and many relatively new artists got launched on hugely prolific careers. Some writers accord the period from 1949 to 1952 as the best period of music in Hindi film industry. But one voice was relatively unheard. A very new singer by the name Asha Bhosle, was just fledgling, and a career that was still to take a shape. Sixty one years hence, she would be celebrated as the most recorded singer in history. But back, in 1949 and 1950, you could count her songs on your fingers. All of sixteen years old at that time, and already saddled with turbulent personal affairs, no wonder that she did not have many songs to her credit in this golden period of Hindi film music.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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