Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1948’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #32
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Listening to this song, one cannot help but feel – aah, Mukesh, the voice of Gods.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #31
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Yesterday I had posted a lovely duet song from the film ‘O Jaanewaale’ (1948). With reference to certain online resources, Mahesh ji wanted to check whether the music director behind this song is Pankaj Mullick. I was surprised to see this query. But I was able to unravel it quickly. Appears that the online resource that Mahesh ji referred to has an error. The name of the film is correct, but the remaining details are picked from a Geet Kosh entry that is one after this film. Hence the confusion. This is a careless error in transcription from the printed source to the web based page displays.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #30
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‘O Jaanewaale’ is kind of an unheard film from 1948. Searching for the next installment in this series of Mukesh songs, I come across this film, which probably I would have simply overlooked otherwise. Produced under the banner of Navhind Pictures, Bombay, it is directed by S Sardesai. The star cast includes Geeta Desai, Trilok Kapoor, Umakant, Pande, Mehar Sultana, Manchi Thoothi, RB Rohini, and Master Chandrakant. The music of this film is by a music director whose name sounds totally unfamiliar – Ali Hussain Moradabadi, a name that appears on this blog for the first time today. The film has seven songs, penned by three poets by the names Kaifi, Mustafa an S Sardesai. However, there is no specific information that links a poet’s name to each song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #29
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The tapestry of the fables of love is never compete without the legendary saga of the flame and the moth – much better represented in the Urdu zubaan as Shama aur Parwaana. Somehow, the English equivalents of some of the more profound words and concepts in Hindi and Urdu, simply do not carry the same weight and substance. The English equivalents are a poor excuse to express that which is alien to that language. Shama and Parwaana are an example of such translation dilemmas. There seems to be no adequately authoritative word in the English language to convey the same sentiments in totality.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #28
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And so wrote the scribe – “Yaadon Ka Sahaara Na Hota, Hum Chhod Ke Duniya Chal Dete” .

Thirty seven years to date. The life and the world has moved on, as it always does. It is the everyday drudgery and the process of existence, that makes life continue with what it is. But it is the memories of the sounds of dear ones that make life beautiful, and livable. Memories, that are frozen in time, for they are past and will never be alive and here again today. And yet, these memories live, in the minds, in remembrances, and in the sounds captured in technology. Ah yes, it is these sounds that make is possible to exist, with the drudgery of everyday existence.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #27
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O what a gem this song is. I tracked this song as part of this series, and heard it for the first time recently. Probably the most beautiful song with the theme of ‘Mere Sapnon Ki Raani’. There is the iconic ‘Mere Sapnon Ki
Raani, Roohi Roohi Roohi’
song from the film ‘Shahjehaan’ (1946), sung by Saigal Sb. After 39 years came another song that took the country by storm –“Mere Sapnon Ki Rani Kab Aayegi Tu”(‘Aradhana’, 1969). In between and thereafter, there are a few other songs with this theme, none so notable as these. And then we have this song in 1948, a rendering by Mukesh, in my opinion, which is simply the best of the lot.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Careers in the film industry span a spectrum that goes from one act wonders, to artists that spend a lifetime in the films, with active careers spanning four, five or six, or even seven decades. At the low end of this spectrum is a class of artists that flattered and zoomed like a shooting star, but then disappeared. Or if not disappeared, they stayed on in the industry without making any other significant impact or having their presence felt.
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