Archive for the ‘Songs of 1950s (1951 to 1960)’ Category
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6247 | Post No. : | 19321 |
Today’s song is from the film Usha Kiran-1952.
In the month of September-2014, I had started a series on this Blog, titled “songs from Artists’ name films”. It ran from 18-9-2014 to 8-10-2014. I covered 10 films like Madhubala-1950, Nargis-1946, Veena-1948, Renuka-1947, Madhuri-1932, Hurricane hansa-1937, Zubeida-2001, Kamla-1946 and Asha-1948. When I came to the 10th and the last film Usha Kiran-1952, I realised that actress Usha Kiran was not in the cast of that film. In all other films, then discussed, the titled actress was in its cast. I was shocked. Nevertheless, I wrote the article and sent it for posting. But then on, I became alert and checked all the films selected for any series, fully and carefully.
Read more on this topic…
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6246 | Post No. : | 19317 |
Today’s song is from a less known film with well known songs – Oonchi haveli-1955.
This social film was produced and directed by Dhirubhai Desai for his own banner Sharad productions, Bombay. Dhirubhai B. Desai was a Hindi and Gujarati film director. He was born in Kaliawadi,near Navsari,Gujaratrat, on 31-1-1908. He started at Sharda studios in 1927 by assisting A.P.Kapoor. He completed Gujarati film’ Maya no Rang’,which was left unfinished by P.V.Chavan and Sunder rao Nadkarni, when Bhogilal Dave took over his United Pics Syndicate in 1929. His early work was in silent films of action ( 17 silent films), in Sharada and later with Indulal Yagnik.
Read more on this topic…
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6245 | Post No. : | 19313 |
Today’s song is from the ” Kam sune – Unsune ” film Pensioner-1954.
When you say that ‘Colgate is No. 1 Toothpaste’, it does not mean that everyone in India uses Colgate. It only means that the majority of people use Colgate and hence it is called No. 1 toothpaste. The decade of the 1950s was known as’ The Golden Era of Film Music’. It did not mean that there were no films with mediocre or poor music. It only means maximum films had wonderful music. In this decade there were few – only few – films whose music was not famous, for whatever reasons. Today’s film was one such film.
In the war period from 1939 to 1945, the British Government in India had coaxed the filmmakers to make films which would help the war efforts. These were called ‘ Propaganda Films’ and the Government gave special subsidies and other concessions ( like extra quota of Raw Film at control rates) to the producer. During the 1950s the Indian Government wanted to boost the ‘Small Savings’ habit among the citizens. Some films were made upholding this scheme. Today’s film Pensioner-1954 was one such film.
Read more on this topic…
suno sunaaoon tumhen ek kahaanee
Posted on: August 22, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6244 | Post No. : | 19311 |
#the Decade of Fifties – 1951 – 1960 #
————————————————
(Lyricist Kavi Pradeep-35)
—————————–
Today’s Kavi Pradeep song is from the movie ‘Chandi Poojaa-1957’. Kavi Pradeep is also the singer of this song, and it gives me immense pleasure to add one more song sung by him on this blog.
This movie ‘Chandi Poojaa-1957’ was directed by Raman B. Desai for ‘New Precious Pictures, Bombay’. Dinu M. Desai was the Producer of this movie. The cast of this movie had Nirupa Roy, Manhar Desai, Prem Adib, Shanta Apte, Malay Sarkar, Sapru, Pande, Sangeeta, Narbada Shankar, Hansraj, Sudheer, Moni Chatterjee and others. ‘Chandi Pujaa or Chandi Poojaa-1957’ was passed by Censor Board on 19.07.1957. Geet Kosh Vol-III (1951-1960) mentions in the foot-note on the page of this movie that this movie ‘Chandi Pujaa’ was the last movie of actress Shanta Apte.
Read more on this topic…
Nainon mein barsaat chhaayee
Posted on: August 21, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6243 | Post No. : | 19307 |
Today’s song is from a Mythological film – HariHar Bhakti-1956.
1956 was the Silver Jubilee year of Indian Talkie Films. This year, the most successful films were entertainers. There were of course some films carrying social messages. One of them was ‘Jaagte Raho’ (‘Ek Din Ratre’ in Bangla), which tried to bring out the upper middle class hypocrisy in a metro city like Bombay. Initially, the film did not make any ripples, but after it won International awards, it became very popular. (People of other nations have to tell us that our film is good !). A social message, excellent music and solid story – the hallmarks of an RK film were all there in it.
Read more on this topic…
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6242 | Post No. : | 19306 |
#The Decade of Fifties – 1951 – 1960 #
————————————————————————
Today 20th August 2025 is the forty-first Remembrance anniversary of music director Avinash Vyas ((21 July 1912 – 20 August 1984). On this occasion I am presenting a song from the movie ‘Dashaavataar-1951’ where Avinash Vyas was the music director.
After getting associated with this blog I had got many opportunities to listen to and share the songs composed by Avinash Vyas ji. Though I was not aware of his great contribution towards Hindi Cinema and Gujarati Cinema and Non-Film music in Gujarati. In my childhood I must have watched many black & white Hindi movies where music was composed by Avinash Vyas, but I was unaware of this fact. However, the song ‘tere dwaar khadaa bhagwaan’ from ‘Waaman Avtaar-1955’ is my all-time favourite and I would also like to mention the songs from ‘Chakradhaari-1954’ which I watched during my stay at Nagpur (exactly nine years back around this time i.e. 15/16 August 2016) where I liked all the wonderful songs this movie has.
Read more on this topic…
Kholo man ka dwaar
Posted on: August 18, 2025
- In: Artist century song in blog | Blog century song | Century songs for the blog | Debut song of movie in the blog | Lata solo | Lata song | Rare song | Semi Classical song | Song from Unreleased Films of 1950s | Song not figuring in HFGK | Song not mentioned in Hindi Film Geet Kosh | Songs of 1950s (1951 to 1960) | Songs of 1960 | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 9 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 19300th song post in the blog. It is also the 4000th song of Lata Mangeshkar as a singer in the blog.
|
Blog Day : |
6240 | Post No. : | 19300 | Movie Count : |
5120 |
We in this blog have achieved several milestones, but this milestone is something in its own league. Today we are celebrating a humongous individual milestone. With this post, Lata Mangeshkar reaches 4000 songs as a playback singer in this blog !
More than one decade ago, She had touched 1000 songs in the blog as the blog itself touched 3000 songs. Imagine, today she alone touches 4000 songs in the blog.
I had run a series on Lata Mangeshkar’s songs (yearwise) in the blog. That series, which ran every monday for 63 weeks (viz for one year and three months). In that series we had an indepth look at the list of songs that Lata Mangeshkar had sung in Hindi movies.
Read more on this topic…
Nayee raanee jee ka raaj ho gayaa
Posted on: August 17, 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6239 | Post No. : | 19291 |
Today’s song is from a Mythological film – Tilottama-1954.
Made by Basant Pictures of Homi Wadia, it was directed by the Trick Master Babubhai Mistry. Music was by the multitasking expert S.N.Tripathi. The cast included Chitra, Kailash, Maruti, Babu raje, Indira Bansal, Heera Sawant, B.M.Vyas and a long list of small time actors, who were regulars in such films. The Lyrics were by G.S.Nepali.
Tilottama was an extraordinarily beautiful apsara from the Swarga. She was especially created by Vishwakarma on Brahma ji’s suggestion. The first chapter of mahabharata – The Adi Parva – mentions that Maharshi Narad detailed the story of Tilottama to Pandavas and warned them that one Draupadi as a wife to 5 Pandavas could become a cause of conflict and that they must be careful about it.
Read more on this topic…
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
|
Blog Day : |
6235 | Post No. : | 19275 |
Hullo Atuldom
Acclaimed actress of the 1950s, who was much-loved even after she hung-up her acting boots in 1970, turns a year older-enters her 93rd year on this earth on 13th August. She was loved as much for her acting as her proficiency in dancing- she is a trained, disciplined Bharat Natyam dancer. Recently, in February 2024, at age 90, she took part in Raag Sewa performance series at Ram Mandir, Ayodhya, with a Bharat Natyam dance recital, and its video soon became viral on social media. She is a lady (from the older generation) who’s work I simply adore. The spark in her eyes when she is dancing is something out-of-this-world.
She was born in Madras (present day Chennai) to Mandyam Dhati Raman and Vasundhara Devi – an actress of the 1940s (herself). She was primarily raised by her grandmother Yadugiri Devi. At age 7, she was chosen to perform a classical Indian dance for Pope Pius XII while her mother was an audience, in 1940, at Vatican City. She learned Bharatnatyam from V. Ramaiah Pillai and Carnatic music from D. K. Pattammal, K. V. Narayanaswamy, M. S. Subbulakshmi, K. P. Kittappa Pillai and other such learned teachers of those times, under the guidance of her grandmother.
Read more on this topic…




Recent comments