Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
“Chhoti Si Mulaaqaat” (1967) was a movie produced by a production house called Our Movies. Uttam Kumar, by now a legend in Bangla movies was the producer and the movie was directed by Alo Sarkar. The movie had Vyjayanthi mala, Uttam kumar, Yogita Bali, Rajendranath, Veena, Shashikala, Tarun Bose
Pratima Devi, Badri Prasad, Sulochana Chatterjee, Ratan Gaurang, Praveen Paul, Radheshyam,Sanjeev Kumar etc in this movie. This movie was based on a Bangla story “Agnipariksha” written by Ashapoorna Devi.
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“Paalki” (1967) is a Poonam Pictures presentation. It was directed by Mahesh Kaul and S U Sunny. The movie had Rajendra Kumar,Waheeda Rehman,Rehman, Johnny Walker, Murad, Rashid Khan, Nazir Hussain, Manmohan Krishna, Minoo Mumtaz, Pratima Devi etc in it.
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“Hum Deewaane” (1965) is by now an obscure movie. This B grade movie was produced by Young India Entertainers and it was directed by Bhagwan. Bhagwan himself played the lead role in this movie alongwith Chandrashekhar, Mumtaz, Anwar, Agha, Maruti, Iftekhar, Rajen Haksar, Helen etc.
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Aaj madhuvaataas doley
Posted on: November 7, 2011
- In: Duet | expression of love | Feelings of heart | Guest posts | Lata Mahendra Kapoor duet | Lata song | Mahendra Kapoor songs | Post by Sudhir | Semi Classical song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Translation by Sudhir | Translations by readers | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Presenting the song in response to the farmaish posted by Lalitha ji.
Stree (1961) is another classic creation by the legendary V Shantaram. The film depicts the story of Shakuntala and Dushyanta (from the epic Mahabharat). For V Shantaram, this was a remake of his earlier film Shakuntala (1943). Interestingly, the earlier film was made with Jayashree (mother of Rajshree) in the role of Shakuntala. At that time, Jayashree was married to V Shantaram. The 1961 remake featured Sandhya in the main role, and after divorce with Jayashree, Sandhya was now the wife to V Shantaram, who himself re-enacted the role of Dushyanta in the movie.
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Manoj Kumar’s career as a film actor and producer was looking down and out when “Shaheed” (1965) came as a respite. And with his next venture “Upkaar” (1967), Manoj Kumar hit the jackpot and he never looked back since.
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Deewaanon se ye mat poochho
Posted on: November 5, 2011
We in this blog discuss old songs that are well known as well not so well known and even seemingly non existent obscure songs. Despite discussing so many songs, there are still some extremely well known songs that are not yet covered. In case of many such songs, I thought that I had already discussed them, but I was wrong.
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Man re tu hi bataa kyaa gaaun
Posted on: November 4, 2011
There are occasions when a couple may have strained relations and they may not be on talking terms with each other. But they are required to put up a facade of normalcy in front of their acquaintances. This song is a lovely picturisation of that nature. It is a get together party and the friends of Rajendra Kumar want Jamuna to sing a song. Rajendra Kumar, who otherwise would not speak to her, is contrained to request her to sing a song. Jamuna, with a heavy heart, is forced to sing this song.
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Meri jaan na zulfen kholo
Posted on: November 3, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As we are trudging through lists of songs from various sources, as well as published songs on the internet, everyday there is a this ‘A haa’ moment when one comes across unheard, or heard-long-back-but-now-lost songs. These moments make this search and this journey worth its while. And the notable point is that these wonderful songs, now rare and obscure, mostly come from films which themselves are obscure. Their lack of success on the box office relegated their memory and the related information into depths of anonymity, and the music of such films also went the same way. The great consolation is projects like this blog, and the internet connectivity, that has provided the music lovers with a via media to publish and share the music that sits on forgotten vinyl records or music cassettes, probably stowed away in storage that is not often visited. These valued publications, and the ‘A haa’ moments they generate almost on a daily basis are a wonderful impetus for music lovers everywhere.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Reviving a wonderful qawwaali from one of those not so well known films, and yet a gem of a composition and a fabulous presentation. The film is Mujrim Kaun Khooni Kaun (1965). It is a social drama produced under the banner of Pratima Pictures, Bombay and it is directed by Ramneek Vaidya. The star cast includes Jairaj, Indira aka Indira Billi, Heeralal, Sapru, Shammi, Bela Bose, Asit Sen, Raj Mehra, Brahm Bhardwaj, Gopal Sehgal, Shyam Kumar, V Gopal, Mirza Musharraf, Sherry etc. The lyrics for this film are written by three poets viz., Anjum Jaipuri, Akhtar Romani and Naqsh Lyallpuri. This particular qawwaali is written by Akhtar Romani. The music composition is by Baabul – another one of the unsung talents that have produced absolutely A class music, but never really got their due recognition in the industry.
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Sajaayaa na karo phool baalon pe
Posted on: November 1, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
With this write up, I initiate a series of posts (at least ten, may be some more) to cover some very wonderful gems, and yet, very obscure and rarely heard songs of Mukesh. Mukesh, a voice filled with magic, a poignant and a simple, unpretentious sound. A voice that attracts with its sweet mellifluous tones. A voice that remains a unique rendition to date. Never up there is the top brackets like Rafi Saab or Kishore Da. And yet, the voice that has left an indelible mark on the Hindi film music. And also bequeathed scores of veritable gems for the listening pleasure of music lovers.
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