Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1954


“Bhai Sahab” (1954) is a movie I know well from my days of listening to “Puraani Filmon ke geet” on Radio Ceylon. The songs of this movie sounded like they were sung by K L Saigal but in reality they were sung by C H Atma, a K L Saigal devotee. The most well known song from this movie, viz Nazar ne keh diya afsaana mere pyaar ka has already been discussed in the blog.
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“Kasturi” (1954) was a Sargam Pictures presentation. This movie was directed by someone called Rajendra Kumar (not the movie actor I am sure). The “star” cast of this movie had Sajjan, Samson, Nimmi, Bipin Gupta, Anand Prasad, Alka etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was aware of the film Suhagan (1964) but never knew that one more film by the same name was released in 1954. In fact, I found that most of the websites including IMD jumbled the details of both these films in Suhagan (1954). As per Indian Film Trade website, the film was produced by Datta Dharmadhikari, a Marathi film veteran who has been known for producing and directing family drama films. Anant Mane, also a veteran Marathi film director, directed the film. The star cast included Geeta Bali and Jaswant in the lead role and Shyam Kumar, Sulochana, Vijaylaxmi, Janakidas in subsidiary roles.
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“Lakeeren” (1954) has by now ended up as an obscure movie, but that is not how it must have been during its time. It was a Sushil Pictures production and it was directed by Harbans. Starcast of the movie included big names like Ashok Kumar, Nalini Jaiwant, Pran, Durga Khote, Ramayan Tiwari, Cuckoo etc.
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It is not just I, but the regulars of this blog too keep coming across rare musical gems from Hindi movies.

Here is what Khyati Bhatt, a regular contributor to this blog, discovered recently. Like her, I too believe that this song has to be one of the most remarkable songs that Talat Mehmood has sung in his career. It is a twist of irony that a song as wonderful as this one should end up in obscurity whereas it deserves to be counted among the best known songs of Talat Mehmood.
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This article is written by Sadanand Kamath, a fellow enthusiast of hindi movie music and a regular contributor to this blog.

Janaury 31st is the death anniversary of Suraiyya who was India’s greatest female singer-actor of the post-partition period. While reading her profile and biography, I felt that her life had twists and tales worthy of making a full length feature film. For instance, her romantic involvement with Dev Anand, a dominating maternal grandmother who, apart from deciding her filmy career, played a spoilsport in her romantic relationship and finally her decision to quit films to live a life of seclusion, can be some of the ingredients for a cinematic presentation. Suraiyya’s life cycle can best be described in some of her own renditions like Laayi khushi ki duniya (Vidya) , Tere nainon ne chori kiyaa mera chhota sa jiya pardesiya (Pyaar ki jeet) and Raste pe ham khade hain dil e beqaraar le kar (Rajput) to Ye kaisi ajab daastaan ho gayi hai(Rustam Sohrab)(1963) and finally to Rahiye ab aisi jagah chal kar jahan koi naa ho (Mirza Ghalib) .
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