Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1960


When I was first exposed to Hindi movies as a young kid in 1960s, I noticed that the hero and heroine seemed to be the most miserable characters in the movie who looked sad and unhappy, and suffered at the hands of the villain (and/ or the society ) throughout the movie.
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16th november 1966 was the day when Roshan, then at the peak of his career expired all of a sudden. That happened exactly 45 years ago and lots of water has flown under the bridge since. His two sons managed to have reasonable careers in Hindi movies, with one of his songs following in his steps as a music director. and his grandson, who was born several years after his death became a superstar of Hindi movies. Today many people of the younger generation remember Roshan as the grandfather of Hrithik Roshan. As far as people of my generation as well as older generation is concerned, Hrithik Roshan is the grand son of Roshan and not vice versa. The fact that the first name of Roshan Lal Nagrath should be adopted as the surname by his sons and grandsons shows what a huge star Roshan was. His name sold, and it sells today, and it will sell long after Hrithik Roshan has retired.
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“Ek ke baad ek” (1960) is a movie which was produced by Raj Kala and directed by Raj Rishi. The star cast of the movie included names like Dev Anand, Tarla, S. K. Prem, Radhakrishan, Hiralal, Ravikant, Sharda, Prabhu Dayal, Madhu Apte etc.
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Has anyone heard of a Hindi movie by the name “Black Tiger” (1960) ? I certainly had not. But just because I had not heard about it does not mean that this movie did not exist. This movie was very much in existence and it was a quintessential B grade movie. It was produced by an imaginatively named production house called Highway Pictures. The movie was directed by the legendary director of such movies, namely Akkoo. The “star cast” of this movie includes such B grade superstars as Nazma, Azad, Nadira, Habib, Sheikh etc.
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In the morning today (21st october 2011), I became aware that today was the birthday of Shammi Kapoor. But today was also the day when time was at a premium for me. I managed to post two songs in the morning before getting busy for the rest of the day.
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“Madame Zorro” (1962), as the name suggests, is a quintessential B grade movie that very few people actually watch. And details about such movies are conspicuous by their absence. So our inhouse expert Mr Arunkumar Deshmukh has done a great public service by giving us all the details on this movie that we may ever need to know. Here is his fun take on this movie:-
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Besides being an exceptional production in terms of characterizations and performances, the epic Mughal-e-Azam (1960) created by K Asif, was a musical bonanza too. Of the twelve brilliant creations by Naushad Saab and Shakeel Badayuni, eight are already posted on this blog. Here is the ninth musical offering from this film – a wonderful qawwaali in the tradition of baitbaazi, by Shamshad Begum and Lata Mangeshkar. The setting of this qawwaali is as follows.
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Film Barsaat Ki Raat (1960) is a tale of romance and love, built around a poet’s dream, and a troupe of singers who specialize in qawwaali singing. The storyline progresses as two sub plots intertwined with each other. The first is about Bharat Bhushan and his romantic interest in Madhubala. And the second is about Shyama and her family, who are the troupe of qawwaali singers, and their progression in the qawwaali competitions. Besides the wonderful songs that have been created for this film by Sahir Ludhianvi and Roshan, there are three iconic, and very famous qawaalis in this film, that basically defined its popularity in the minds of film goers.
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