Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1960


“Madame Zorro” (1962), as the name suggests, is a quintessential B grade movie that very few people actually watch. And details about such movies are conspicuous by their absence. So our inhouse expert Mr Arunkumar Deshmukh has done a great public service by giving us all the details on this movie that we may ever need to know. Here is his fun take on this movie:-
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Besides being an exceptional production in terms of characterizations and performances, the epic Mughal-e-Azam (1960) created by K Asif, was a musical bonanza too. Of the twelve brilliant creations by Naushad Saab and Shakeel Badayuni, eight are already posted on this blog. Here is the ninth musical offering from this film – a wonderful qawwaali in the tradition of baitbaazi, by Shamshad Begum and Lata Mangeshkar. The setting of this qawwaali is as follows.
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Barsaat Ki Raat (1960) – just take away everything else, all the story, the screenplay, the characters, the histrionics, all the songs and music, and on screen plays, just take it all away, and leave just the three qawwaalis, and the greatness of this film will not be dimmed one bit. The three qawwaalis are the epitome of what this music and art form is all about. The first in the sequence, Nigaah e naaz ke maaron ka haal kyaa hogaa was discussed yesterday. The third, and the best known iconic qawwali of the three, Na to kaarwaan ki talaash hai…ye ishq ishq hai(Barsaat ki raat) has been discussed almost a little over three years ago, and then recently updated to its complete form. We are now left with the second offering in sequence, which is the subject of this post.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Film Barsaat Ki Raat (1960) is a tale of romance and love, built around a poet’s dream, and a troupe of singers who specialize in qawwaali singing. The storyline progresses as two sub plots intertwined with each other. The first is about Bharat Bhushan and his romantic interest in Madhubala. And the second is about Shyama and her family, who are the troupe of qawwaali singers, and their progression in the qawwaali competitions. Besides the wonderful songs that have been created for this film by Sahir Ludhianvi and Roshan, there are three iconic, and very famous qawaalis in this film, that basically defined its popularity in the minds of film goers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Again, a song to fall in love on the first hear itself. I heard this song only today morning, and it forced me to write this post. Another obscure film, another unheard gem of a musical creation.
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I had mentioned in an earlier discussion that Helen’s aspirations (if any) of playing mainstream rolers in Hindi movies (where mainstream roles means donning a sari /salwar kurta etc and singing songs that are the preserve of leading ladies) were realised on movies like “Cha Cha Cha” (1964) and “Lahu Ke Do Rang” (1979). She in fact won the Filmfare award for best supporting actress too, for her role in “Lahu Ke Do Rang” (1979).
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Among all the genres of songs that one can have in Hindi movies, rail songs are a genre that is quite fascinating. The rail songs are in fact a very interesting topic and I had done a long and deailed discussion on rail songs where I had discussed some 30 odd songs in my by now almost defunct blog.
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