Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1969


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the last remaining song from Anjaana (1969). It is a ‘Jeep’ song and happens right at the beginning of the film. I got a chance to see this movie on T V during a weekend. Much to my chagrin, they cut two songs from the movie. Somebody tell these T V channels that this is a 60’s movie not 80’s movie, hence the songs are not surplus and they are the main attraction. I could see the song situation in the scene’s leading up to the song, only to see the scene after the song next. My husband alerted me that they are cutting the songs, as the ‘bhai-bahen’ song Hum behnon ke liye mere bhaiyya was cut.
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“Beti” (1969) was a K P S Films Production. It was produced by K P S Singh and N P singh and directed by Harmesh Malhotra. The movie had Sanjay Khan, Nanda, Rajendra Nath, Asit Sen,, Madhumati, Shyama ,Sulochana Latkar, Kamini Kaushal, Raj Mehra, Ram Mohan, Shabanam, Sheela.R aka Sheila Ramchandra, Kishore Sahu, Randhir, Mirza Musharraf, Dulari, Jankidass, Lalita Kumari, Sujata, Niranjan Sharma, Narbada Shankar, Baby Sarika, Rajeev,Chinnoo, Master Rippee etc in it.
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“Chiraag” (1969) was a Suchitra Production movie. It was produced by Premji and directed by Raj Khosla. The movie had Sunil Dutt, Asha Parekh, Lalita Pawar, Om Prakash, Sulochana Latkar, Dulari, Kanhaiyyalal, Mukri, Birbal, Nazir Hussain, Snehalata, Ram Avtaar,Asha Nadkarni etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most of us are aware that a ghazal is a series of couplets (she’rs), each one being independent of others. In fact each she’r is a poem by itself. So theoretically, she’rs written by different poets (shaayars) can be woven to make it a ghazal. This is easier said than done as there are other parameters to make it a traditional ghazal. Normally, there are five essential aspects of a traditional ghazal. They are
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Recently four physics students of University of Leicester, UK carried out a study in British Parliament and found out that the hot air produced by the 650 parliamentarians in the house of commons generated 10.34 kW of energy, which if properly harnessed can light up as many as 1000 energy efficient bulbs or 200 conventional bulbs. This report was published under the title “Hot Air in the house of Commons”.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During the early phase of Talkie films, all other regional Film producers, particularly the Southern ones looked up to Hindi films to provide them with ‘ Inspiration ‘.
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“Mahal” (1969) , not to be confused with “Mahal” (1949) was a Roopkala Pictures production. It was produced by Mahipat Ray Shah and directed by Shankar Mukherji. The movie had Dev Anand, Asha Parekh, Farida Jalal,D K Sapru, Azra,Abhi Bhattacharya, Kamal Mehra, Sudhir, David Abraham, Sunder, Siddhu, Rajan Haksar, Ratnamala, Pratima Devi, Naina, Ram Singh, R P Kapoor, Manju, Uma Dutt, Nadir, Rehana Vakil, Murad etc in it.
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“Pyaasi Shaam”(1969) was a Kewaljeet production movie. It was directed by Amar Kumar. The movie had Sunil Dutt, Sharmila Tagore, Feroz Khan, Dhumal, Sunder, Feroz Khan, Vimal Ahuja, Anjali Kadam, Manmohan Krishna, Kamal Kapoor, Birbal, Om Prakash etc in it.
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“Pyaar Ka Mausam” (1969) was produced and directed by Nasir Hussain. The movie had Shashi Kapoor, Nirupa Roy, Asha Parekh, Bharat Bhushan, Tahir Husain, Asit Sen, Rajendranath, Iftakar, Rahul Dev Burman, Kishan Mehta, Madan Puri, Moolchand, Wasti, Ram Avtar, Faisal Khan, Dulari, Tabassum, Laxmi Chhaya, Rajinder Singh, Sujata, Suhail, Dhanna, Karen Lesley, Birbal, Shetty etc in it.
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