Posts Tagged ‘1970’
Dhal gaya din ho gayi shaam
Posted on: October 22, 2008
This song is also known as “dhal gaya din THUK ho gayi shaam THUK jaane do THUK jaana hai THUK“.
The lyricist Anand Bakshi had not included the word THUK in the lyrics. This additional word is there in the song thanks to the picturisation, where the heroine Leena Chandawarkar plays badminton with Jeetendra and the sound THUK is generated as the wooden racket hits the shuttlecock.
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“Kati Patang” was a movie based on a Gulshan Nanda novel of the same name. Gulshan Nanda incidentally was a very popular Hindi novelist. “Jheel ke us paar” was another of his novels that was made into another movie.
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The movie “Pavitra Paapi” is by and large forgotten. The fact that this movie had the lyrics and music by Prem Dhawan is also not known to many. But this forgotten movie has a song that is extremely well known.
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Prem ke pujaari ham hain
Posted on: October 19, 2008
I have mentioned that S D Burman, the music director tended to sing a song in his movies. Typically these songs used to be a philosophical/ introductory song played at the beginning of the movie with the credits and the spectators still rolling in.
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Ramchandra kah gaye siya se
Posted on: October 11, 2008
We are told that olden days were golden days and that the present day are much worse. The days of Ram Rajya were the stuff of dreams, and the present age of Kalyug has seen deterioration in human values, we are told.
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“Gopi” was one of the last movies with Dilip Kumar as the hero. In this movie, Dilip Kumar sings a few philosophical songs. This song “sukh ke sab saathi” is perhaps the best known of the songs of this movie.
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This is one of the iconic songs of the days when I was growing up as a young impressionable kid. This song was everywhere in 1970, blaring out from loudspeakers as well as radios.
As with most popular songs of those days, this song had appealed to all just on the merit of the audio. People like me had no idea which movie this song was from and how it was picturised. Laxmikant Pyarelal’s music and Anand Bakshi’s lyrics, along with Lata’s voice were all we needed to enjoy this song.
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This song from “Holi Aayi re” appeared as a solo as well as a duet in the movie. The solo song sung by Mukesh is the one that became more popular and I too like the solo song more.
Mukesh, as usual, paints a vivid picture of the feelings that the lyrics of indeewar seek to convey. The way his voice can almost make you enter the mind of the character and visualise what is going through there is simply amazing. There were those who said that Mukesh was classically not trained, but such people miss the real fact. The fact is, Mukesh’s ability to express different feelings in all their nuances was simply awesome and that was the reason why majority of his songs struck a chord with the listeners.
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Rajesh Khanna was just beginning his bull run as a superstar in late 1960s. Safar was one of the earlier movies of that time. That era coincided with an even bigger bull run begun by Kishore Kumar as a singer and R D Burman as music director. But the shape of things to come could not have been predicted from this movie. Here Mukesh sings for Feroz Khan ( yes, this Rajesh Khanna movie had Feroz Khan too ) and Kalyanji Anandji scores the music. One year later, it would all be about Rajesh Khanna, Kishore Kumar and R D Burman in a Rajesh Khanna movie.
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46 | Post No. : | 60 | Movie Count : |
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As timepass songs go, this must qualify as among the very best timepass songs of all time. The public at that time certainly enjoyed it, as shown by its Binaca geetmala ranking of number 4 in the Binaca geetmala final of 1970.
The topic of the song is an interesting one. Manoj Kumar is a country bumpkin and two girls decide to play matchmakers for him, and show him diferent girls. But Gangaram, our village bumpkin finds himself under severe culture shock on watching the modern girls of 1970, and expresses his disapproval in no uncertain way.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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