Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Farooque Kaiser


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Rafi Saab on the anniversary of his passing away today. And also, remembering Dara Singh ji, who left this earthly abode, nineteen days ago, 12 July earlier this month. This song brings to mind the memories of both these stalwarts together.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The personality personified in these two lines “Dil Hai Hamaara Phool Se Naazuk, Baazu Hain Faulaad” – that is the image of Dara Singh that I have always carried with me. A childhood hero, a super powerful man, who was always friendly and helpful for the needy, and was a scourge for the baddies.
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This article is written by sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The name Sulochana Kadam may not ring bells for many except for old Hindi film songs buffs. I was not aware of this name as a playback singer in Hindi film industry until I got a 78 RPM gramophone record of her song ‘mausam aaya hai rangeen’ from film ‘Dholak’ (1951) sometime in early 70s. But I was aware of the name Sulochana Chavan as the famous lavani singer of Maharashtra.
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“Madaari” (1959) was a quintessential B grade movie. Such movies normally remained confined to their dedicated fans and failed to register among the mainstream movie watchers. But in some rare cases, the songs of such movies became so popular that mainstream movie watchers were made to sit up and take notice.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today (19th november) is the birth anniversary of Dara Singh, the famous wrestling champion of free style format, and a majorly successful hero of B/C grade action films of the 60s. He continues to be active in films and TV serials, clocking a career that spans more than 50 years now in the industry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Dara Singh needs no introductions. The name, the face and the physique is very familiar to more than six generation of Hindi film audience, and especially the fans of Indian free style wrestling. Born on the 19th November, 1928, Dara Singh belongs to a Jaat Sikh family of Amritsar. As a teen ager, he grew into a gangling and muscular young man measured in at 6 feet and 2 inches, and the move for becoming a wrestler was almost natural. Trained in the traditional akhaaras of rural Punjab, he was very active in the wrestling circuit in the 40s and 50s, in India, as well as outside India. He is one wrestler who caught the fancy of the general public, and has been a popular figure in professional wrestling till 1983, when he retired from it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The general impression of a qawwaali is that is sung by a group of singers and musicians together. Either it is one group that is presenting, with one or two lead singers, a number of other singers providing the chorus, and some members of the group are playing the musical instruments. Or it is a presentation by two groups composed as described above, who may be competing with each other, in presenting ideas about a specific theme. This latter variation is called ‘baitbaazi’ .
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