Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Lata’


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my four decades of sojourn with old Hindi films songs, I have come across many admirers of such songs among my friends, office colleagues and also within my family circle. There were categories of admirers in terms of period songs, fans of some singers, lyricists. music directors etc. There was one more category of admirers who outscored other categories in terms of numbers. Members of this group, while being admirers of popular old Hindi film songs of golden era, were by and large ignorant of other details of the songs especially names of music directors and lyricists. I also noted that out of these details, they were least interested in knowing the names of lyricists.
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“Naaz”(1954) was a S K Films Production, S K Ojha was the producer and director of this movie. The movie had Ashok Kumar, Nalini Jaiwant, Murad, Arif, Tiwari, Veena, Nawab, S. Nazir, Amar, K. Sabir etc in it.
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I first became aware of Prem Dhawan in 1970s as the lyricist of the immortal patriotic song Jahan daal daal par sone ki chidiya karti hai baseraa from Sikandar e Azam. This song was composed by Hansraj Bahl. Subsequently I got to hear a few more songs which were written by Prem Dhawan and composed by Hansraj Bahl. Then I became aware of “Shaheed” (1965) and “Pavitra Paapi”(1970), where Prem Dhawan was the lyricist as well as the music director. And what nice song these two movies had !
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We have discussed a couple of songs from “Teesri Kasam” (1966) recently. In the course of that discussion, I have learnt the story of the novel called “Maare Gaye Gulfaam” which was picturised as “Teesri Kasam”. The movie has faithfully reproduced the flavour of the novel. The movie failed to find favour with the majority of the moviegoers during its first release, but the re-releases have seen the movie doing better.
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“Pyaar Kiye Jaa” (1966) was a Chitralaya Pictures production. The movie was directed by C V Sridhar. The movie had Kishore Kumar, Kalpana, Shashi Kapoor, Rajshree(South), Mehmood, Mumtaz, Om Prakash, Chaman Puri, Shivraj,Shyamlal, Veena Kumari, N.S.Bedi, V.D.Puranik etc. The movie turned out to be a big box office success.
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“Nirmohi”(1952) is an obscure movie by now. From the little information available about this movie, one can see that the movie was produced by Sheetal M and directed by Baij Sharma. The movie had Nutan, Sajjan, Raj Mehra, Leela Misra, Chaman Puri, Neeru, Amarnath, C. L. Kavish etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ever since I heard the songs from film ‘Badi Maa'(1945) about four decades ago, I have been a fan of music director Datta Korgaonkar (known as K Datta). It is stated that when his songs from ‘Badi Maa’ were heard by some of his contemporary music directors, they were so impressed by his compositions, especially ‘diya jalaaker aap bujhaaye’ that music directors like Shyam Sundar, Anil Biswas, Ghulam Haider and Rafiq Ghazanvi personally visited his house and congratulated him. During the last few days, I have been going through his songs on the internet and I found his compositions and orchestration of songs somewhat different from what was prevalent during his time. K Datta was active in the film industry between 1943-1956 during which time he composed music only for a dozen films but he churned out mostly good songs though they may not have become very popular among the masses. His last film as a music director was ‘Ajnabi’ (1966).
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