Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Om Prakash


Singing filmy songs is a career not only for playback singers but also for small time beggars etc in real life. We in these pages have discussed beggars singing Hindi movie songs on Mumbai local trains. I wonder if beggars still sing such songs on these locals, seeing how crowded these train are. Singing these songs on the roadside, or typically while seated under a tree on the streets is a much better option.
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It is often said that Hindi movies do not represent reality, rather they are make believe stuff. The fact is, they take stories that seem plausible enough and then add their own fancy unrealistic stuff. And since audiences tend to lap it up, they continue to churn out such movies till the taste of public changes. And this public taste does change with time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Om Prakash holds a special position amongst the comedy / character artists in the Hindi film world. Hailing from Jammu (born 1919), he started his acting career on stage. Then after a brief stint at the All India Radio in Lahore, he got his first major break in the movies in early 1940s, with the famous producer director DS Pancholi. He did some movies in Lahore, including Daasi, Dhamki, and Aayee Bahaar. After partition, he moved to Bombay. In a career that lasted a little over five decades, he is credited with acting in 300 plus films. Om Prakash has always held out on his own even in the presence of many leading lights of their times, having worked with the three great actors of 50s and 60s, down to working with Big B in the 1980s. And his repertoire is not limited to small, comedy roles only. He has a fair share of pivotal roles that he played in many movies during his career; in fact the success of many movies is attributed to his roles, viz. Chupke Chupke, Julie, Sharaabi, Namak Halaal, Gopi, Sadhu aur Shaitaan, Annadata, Buddha Mil Gaya etc.
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This post is written by Raja, a fellow enthusiast of Hindi movie songs and a regular visitor of this blog

There is rarely an excuse required in Hindi movies for a song. Birthday or wedding celebration parties (with the ubiquitous piano), the “tribal” dance scenes, club dances, hero-heroine scenes out in beautiful natural surroundings, the pining scenes and the mujra scenes – these are all well-established occasions waiting for a song to happen.
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Out of all the modes of public transport, tri wheeler Cycle rickshaw (popularly called Rickshaw) has been one of the most popular mode of transport of most Indians for several decades. This kind of rickshaw is ubiquitous in Indian cities even today, except in some metropilital cities where it is not allowed. You can see cycle rickshaw in Old Delhi, but not in New Delhi, for example.
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