Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sahir Ludhianvi


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ever since Mughal emperor Sahajehan built the Taj Mahal in memory of his beloved wife Mumtaz Mahal, it has become a symbol of eternal love. In terms of its architecture and grandeur, it is regarded as the eighth wonder of the world. It is estimated that nearly four million tourists- both domestic and foreigners visit Taj Mahal annually. For young couples, visiting Taj Mahal is like visiting the temple of love.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was in Kohima (Nagaland) during the first week of December last year to see the week long annual Hornbill Festival. The festival showcases the rich tribal traditions and culture of Nagaland including folk dances, music, sports etc. One day of the festival was reserved for the folk dancers and musicians of all the north-eastern states. My main interest was photography during the festival events and also capturing the tribal village life in the real sense by visiting a nearby Naga village. But some of the dances and musical performances became so rhythmic and foot tapping that I was completely engrossed watching them and in the process I missed taking pictures of some of those events. Surely, some of the dance and musical performances would have been a source of inspiration for Bollywood music directors and choreographers. I also observed that the younger generation In Kohima was very much into music. There are many rock music bands in Kohima. Even in a tribal village, it was a common sight to see young boys and girls moving with guitars.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my school days, some Hindi films with English titles such as ’12’o Clock’, ‘Black Cat’, ‘Marine Drive’, ‘Gateway of India’, ‘Tower House’ were released between late 50s and early 60s. I used to wonder as to why Hindi films should have English titles. Perhaps, it was one of the ploys of the production houses to create some curiosity about these films among the prospective audience and lure them to theatres. I was also curious about these films but those days we would be permitted to see only a couple of films during summer and Diwali vacations and that too only one or two select films. I had no occasion to see these movies when they were released and I have no idea about their fate on the box office. Probably these films did not run for long time.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Last night, on our way back home after attending a marriage reception, I heard a song ‘simti huyi ye ghadiyaan’ in a FM Radio channel in our car. I had heard this song a few years back but I was not able to recall the name of the film, lyricist and music director except that I could recognise the voices of Lata Mangeshkar and Mohammed Rafi. After getting nowhere to seek the answer, I asked my sister who was travelling with me and who has a good knowledge about old Hindi film songs, whether she knew about the song. Initially, she thought that I was testing her knowledge on the old Hindi film songs. It was only when I said in all seriousness that I did not know anything about this song other than the singers that she started applying her mind on my question.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ramesh Saigal who had produced and directed socially relevant films like ‘Shikast (1952) and ‘Railway Platform (1956), ventured in to make one more such film based on the Russian novelist Dostoevsky’s ‘Crime and Punishment’. The film was PHIR SUBAH HOGI (1958). Raj Kapoor and Mala Sinha were the lead actors in this movie with Rehman, Jagdish Sethi, Leela Chitnis, Nana Pansikar and Mubarak in the supporting roles. The songs were written by Sahir Ludhianvi and composed by Khayyam. As far as I know, Sahir Ludhianvi teamed up with Khayyam for the first time in this film.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Laila Majnu” was the debut film for Ranjeeta. For a number of year after I saw “Ankhiyon ke jharoke se” she was my favorite. I made it a point to see all her films, even those obscure movies with Mithun Chakravarty and music by Bappi Lahiri. I saw her films right upto “Rajput” (1981). Than she sort of dropped out of scene. There may have been a few more films, but I dont know. I dont remember how, but ” Ankhiyon ke jharoke se” I might have seen on T. V. only. ‘Rajput’ we had all seen in the theatre. That was a time when Amitabh Bachchan was in full flow. We would see all his films, not as soon as they released, but it was usually after the school exams were over and on the day of the last paper or the weekend. My father would book the tickets in advance. “Do aur Do paanch” onwards all films of Amitabh Bachhan were a must watch for all of us. They usually had a long run a theatre, unlike what happens now. If you want to see a movie in the theatre you have to do it within a few weeks. If dont manage to, then it will be gone from all the nearby movie halls.
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The fact that this “Amaanat”, starring Manoj Kumar and Sadhana was described as a 1977 release always intrigued me and many others since the songs of this movie were popular from much earlier. The timeless classic song, viz. Matlab nikal gaya hai to pahchaante nahin is from this movie and I recall hearing this song since my pre teen years i.e. right from early 1970s if not earlier.
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I have often mentioned it that lyrics are the soul of songs. One of the main reasons why the songs of the golden era went on to become timeless classics was that great importance was given to lyrics of the songs. There have been instances when the music directors patiently waited for the lyricist to come up with the lyrics of the song.
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