Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Sharmila Tagore


“Pyaasi Shaam” (1969) is a Kewaljeet Productions movie which was directed by Amar Kumar. The cast of this movie included names like Sunil Dutt, Sharmila Tagore, Feroz Khan, Anjali Kadam, Dhumal, Sunder, Vimal Ahuja, Manmohan Krishna, Kamal Kapoor, Birbal, Om Prakash etc.
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These days I have begun to look at Rafi-Lata duets with renewed interest. My interest has been aroused after I learnt some interesting statistics about the number of duets the two have sung together. It is estimated that the duo have sung about 410 odd duets. It excludes those songs in which some other voices were also present. And it also excludes multiple version songs (viz. same song sung separately by the two).
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Atul has just brought to my notice that Kishore Kumar’s birthday falls on 4th August. He wanted me to write up a song on this occasion – how could I possibly refuse? For one, it is for Atul’s blog and therefore an honour to be part of it in any possible way. Secondly, it is for Kishore da – and he’s always been close to my heart too. So there was no second thought – and here I am, typing away furiously on my keyboard.
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O P Nayyar was at the peak of his musical and professional prowess in 1950s. By 1960s, he was on the decline. But even then, he continued to create some sublime music till late into 1960s. I in fact feel that his compositions are arguably of better quality, even if they did not become as popular as his compositions of 1950s.
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“Mausam” (1975) is a movie that is known as much for the acting of Sanjeev Kumar and Sharmila Tagore as for its music. Unfortunately Madan Mohan, the music director of the movie was not alive to see the success of this movie. For much of his life, movies embellished by his wonderful songs would bite the dust as the box office, and ironically, the movies released after his death, viz “Mausam” (1975) and “Laila Majnu” (1976) turned out to be hit movies riding on the music of these movies.
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I just realised two facts. One fact is that the hair of leading ladies in Hindi movies play an important part in Hindi movies, especially in songs. when the Hero needs to sing a song in praise of her, what are the things about her that he can mention? He will sing about her face- likening it to Chaand(Moon), he will sing about her eyes, likening them to deep lakes. Another important body part that find much mention in the paens that hero sings for the lady are her hairs, which are called “zulf” in Hindi song parlance and they are often likened to Ghata (viz black rain bearing clouds). Heroine being compared to moon,lakes, cloud ! Hindi movie lyricists must have paid enough attention in their geography classes, it would seem to me, at least when these geographical topics were being discussed.
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“Chhoti Bahu” (1971) is a movie that had Rajesh Khanna and Sharmila Tagore in it. I have not seen this movie so I have no idea about the story of this movie, though the title indicated that the movie may have something to do with ladies making sacrifices for the family honour etc.
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My readers may have noticed that I have been discussing lots of songs written by Indeewar these days. My readers (if they are interested in cricket) may also know that world cup cricket is also being played these days. so, to borrow a term from cricket, Raja ( a fellow cricket enthusiast) has also noticed that I am giving Indeewar much of the strike. The idea is to help Indeewar complete his century of songs in this blog.
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Kishore Kumar, who made his debut as a playback singer in 1948 remained on the fringes for the first two decades of his singing career. It was in 1968 that he burst into the Hindi playback scene like a Tsunami that swept away everything in its wake.
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