Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Tere mere sapne


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5688 Post No. : 18205 Movie Count :

4953

In this article, I have taken up for discussion, ‘Tere Mere Sapne’ (1996) which was the first Hindi film produced by Amitabh Bachchan Corporation Limited (ABCL) after it commenced operations sometime in 1994. Before I discuss the film, it is necessary to dwell upon as to why Amitabh Bachchan felt setting up a film production and distribution company, how the Company fared and how the Company went into near bankruptcy. I think, ABCL is one of the appropriate case studies for the students of business management to understand what went wrong with ABCL and how Amitabh Bachchan turned the corner from near bankruptcy to the star of the millennium.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3727 Post No. : 14668

ये किसने गीत छेड़ा॰ ॰ ॰

There is always a freshness – a freshness as fresh as the cool early morning breeze. Pick up any film, and you will find this freshness wash all over you, as the music and the songs of that film play. Be it “Nadiya Kinaare Heraaye Aayi Kangna”, or “Naina Diwaane, Ik Nahin Maanen”, or “Thandi Hawaayen, Lehra Ke Aayen”, or “Ye Raat Ye Chandani Phir Kahaan”, or “Phaili Huyin Hain Sapnon Ki Baahen”, or “O Nigaahen Mastaana”, or “Mehfil Mein Aaye Wo Aaj Dheere Se”, or “Khoya Khoya Chaand”, or “Dil Ka Bhanwar Kare Pukaar”, or “Haule-Haule Jiya Dole”, or “O Mere Bairaagi Bhanwra”, or “Megha Chhaaye Aadhi Raat”, or “Sun Ree Pawan, Pawan Purvaiya”, or “Sandhyaa Jo Aaye Mann Ud Jaaye”. . . the list seems to be endless.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3475 Post No. : 13960

“मैं लेखक हूँ, लेखक”।

The year – 1956. The film – that zany, crazy, fun and pathos filled runaway hit titled ‘Funtoosh’. Remembered today for a fantastic portfolio of songs. And a very sensitive and effective performance by Dev Anand.

The film has a noisy opening inside a mental asylum. Dev Anand, one of the inmates, is being released to the outside world. He knows himself, as do others, only as ‘funtoosh’. Apparently he has endeared everyone in that blessed place, for when he leaves, everyone offers him a gift, piling him and his pockets with trinkets, small tokens, a hat, a pair of sunglasses, garlands, rings and what not. From a world that is upside down compared to the outside, ‘funtoosh’ makes a grand exit on a tricycle, smoking a pipe.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3474 Post No. : 13953

The film ‘Tere Mere Sapne’ is an intense personal favorite, as are many of Vijay Anand’s films. This film is a very sensitive, rational and balanced view of the healthcare systems in our country, especially in the rural areas. Of course, the time frame is of 1960s (the film released in 1971). The medical profession and healthcare systems have seen unbelievable transformations, especially the brazen and vulgar commercialization of this profession, that was once considered a hallowed service of the people. But maybe more of that later.

I like this film, in all its aspects. I know when this film was released, there were many articles in magazines and newspapers, trying to find and point out technical and medical faults with the film’s many medical scenarios. It was like pointing out the defects in a mango, that one is no doubt enjoying, but still complaining that the skin of the mango is too thick or too thin. 🙂 My counter to this discussion was – please, hold on, this is a film, a dramatization of human situations. The director is trying to tell a story, about a very important profession in the society, attempting to exhibit certain ground realities, and also trying to suggest some approaches. It is not a treatise on anatomy or cardiology, that should be scientifically perfect, but does not tell a story.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3457 Post No. : 13870

 

phoolon ke rang se
dil ki kalam se
tujh ko likhi roz paati

Nirantar Neeraj’ – the name of a stage program that has been created by the Ibaadat group, on the life and works of this distinguished poet of this sub continent. [Ed Note: Ibaadat Foundation (www.ibaadatindia.org) is a non-profit group of lovers of poetry and film music, who conduct regular stage shows in various cities. Each of their programs is focused on an eminent poet. ‘Nirantar Neeraj’ was first staged in Delhi, in September 2014.] When I read the title of the, it enamoured me so much. A feeling of profundity follows the sound of this title.

Gopaldas Saxena ‘Neeraj’, turns 92 today. We all wish for him continued – ‘nirantar’ – time of good health, comfort and above all, creative passions.
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Tere Mere Sapne (1971) was produced and directed by Vijay Anand. The movie had Dev Anand, Hema Malini, Mumtaz, Tabassum, Leela Misra, Mumtaz Begum, Premnath, Dulari, Rajpal, V. Gopal, Uma Dutt, Jankidas, Ravikant, Bhagwan Sinha, Sundershan Sethi, Soni, Agha, Sapru, Mahesh Kaul, Jayshree T., Paro, Vijay Anand etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Under the banner of Navketan ( Navketan Films, Navketan International and Navketan Enterprises), there were many films which have become immortals. Films like ‘Nau Do Gyarah (1957), ‘Kaala Baazar (1960), ‘Tere Ghar Ke Saamne’ (1963), ‘Guide’ (1965) and ‘Jewel Thief’ (1967) have been known for the good story and screen play, good music and fast paced direction from Vijay Anand in particular, the song picturisation in these films. Each of his films germinated from new ideas.
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