Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Vasant Dev


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5514 Post No. : 17960 Movie Count :

4869

As per Hindu mythology, the Sun god is travelling in the sky on a chariot pulled by seven horses. After pulling the chariot for a long time, the six horses are tired. It is the seventh horse who remains and continues to pull the chariot signifying it to be the horse of dreams and aspirations for the future. In 1952, Dr Dharamvir Bharati published his novella, ‘Suraj Ka Saatvan Ghoda’. I read the novella in full which is available online. The novella is written in narration style in which the protagonist, Manik Mulla narrates to his three friends, three separate romance stories relating to three girls. What is of interest is that Manik Mulla is not only the narrator of the stories, but he is also the characters in all the three stories who loves these three girls at different points of time in his life. As Agyeya said in his foreword to the novella, ‘Suraj Ka Saatvan Ghoda’ is not the one story comprising three stories, but three stories constituting one story. The author, in his introduction, has revealed that during his early period of writing, he was influenced by Marxist objectives rather than hardcore Marxism. In this novella, some indications of that objectives can be inferred.  The full novella in Hindi can be read here.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5510 Post No. : 17955 Movie Count :

4867

#the Decade of Seventies – 1971 – 1980 #
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# (Debutant movie -Konduraa – 1977)
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# Desh ki mitti ki khushboo – 4 #
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Today’s song is from the movie ‘Konduraa-1977’.

I discovered this song and this movie a few months ago while I was searching for Bhupinder Singh songs. The post however got delayed for various reasons.

“Konduraa (The sage from the sea/Maanas Ka Maharshi)” was directed by Shyam Benegal for ‘Ravi Raj International, Madras’. It was produced by K. Venkat Rama Reddy.
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This article is written by Dr PradeepKumar Shetty, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5315 Post No. : 17433

#the Decade of Eighties – 1981 – 1990 #
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(The movie – ‘Saaraansh-1984’)

“Saaraansh-1984” is a landmark movie in the careers of director Mahesh Bhatt and debutant actor Anupam Kher.

The two songs in the movie were composed by Ajit Varman. A detailed writeup on him was posted in the blog, penned by Peevesie’s mom jee.
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This article is written by Dr PradeepKumar Shetty, a fellow enthusiast of Hindi movie music and a new contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Dr PradeepKumar Shetty makes his debut in the blog as an article contributor with this post.

Blog Day :

5315 Post No. : 17427 Movie Count :

4758

#the Decade of Eighties – 1981 – 1990 #
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(The movie – ‘Saaraansh-1984’, and tribute to Singer Bhupinder Singh)

Some movies touch you deeply, pull at your heart strings and get embedded permanently in your very being. It could be due the theme, the direction, or in the majority of the instances, the performances.

A few that have had such an effect on me are BOOT POLISH, MOTHER INDIA, SAHAB BIBI AUR GHULAM, DOST, KASTURI NIVASA (Kannada), MAUSAM, MOONRAM PIRAI (original Tamil version of Sadmaa), MASOOM, NAYAGAN, RUDAALI, BLACK.

The movie that is making its debut on the blog today is one such movie.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5232 Post No. : 17226 Movie Count :

4701

14.11.2022

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (movie – Raja Rani Ko Chahiye Paseena-1978)
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Today 14th November is celebrated as a ‘children day’ all over the country. It is the birth anniversary of our First Prime Minister Jawahar Lal Nehru.

We pay our tributes to the Country’s first Prime Minister today and enjoy this song with a message on this special day.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4356 Post No. : 15678

“One good thing about music, when it hits you, you don’t feel pain”.

Thus spoke Bob Marley (1945-1981), the famous Jamaican singer and songwriter, about the power of music. From the most casual to the most formal, every activity, every endeavor of human existence is in one form or another, quite inextricably linked with music. Music pervades our lives and our beings. In many an instance, music appears quite unexpectedly in our lives.

Back in 1981, the Minister of Culture of France was a gentleman by the name Jack Lang. He appointed Maurice Fleuret as the Director of Music and Dance. One observation Maurice had about the cultural ethos of France – “the music everywhere, the concert nowhere”. He conducted a sample survey of the French population. The survey brought out some very interesting results; the most important one was which established that almost half the population was adept at playing one or another type of musical instrument.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4323 Post No. : 15611

Hullo Atuldom

These days we have people from all walks of life connecting with each other over video calls, chat groups coming together on various online platforms etc. Similarly there are people who are going ‘live’ on Facebook and YouTube. On these ‘live’ days they showcase their talents in singing and dancing etc. I have watched a few and must say, rather admit, that this period of Lock-down is helping everyone rediscover their passion in singing and other art forms. All the best to all of them

Some videos of these ‘live’ acts are doing the rounds on the social media called Whatsapp. My husband forwarded me one such video which had the South Indian stalwart SP Balasubramaniam singing one of his popular songs from the 1979 Telugu movie ‘Shankarabharanam’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3982 Post No. : 15069

In some cases, it is the voice – some people will impress you, attract you with their voice. Girish Karnad’s voice has one of the most relaxing sound quality that I have heard. And his presence, his demeanor, his being in a scene, on screen or on stage, always had the same expression of comfort and relaxation as his voice. Seeing him, listening to him, one could never imagine if this person could be moved to a hasty or an impatient action.

He passed away, the day before. The news said that he was 82. I was surprised, it couldn’t be. Over the years since I had first seen him live in a drama in Delhi – almost a millennium ago, and then through films and media images, he always seemed to be the same, never changing, nor ageing. Be it the memories and images from the 60s, 70s, or even recent. He always appeared to be the same.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, 21st June is designated as the World Music Day. The reminders checked in quite late in the afternoon today. The historical details about this event are available on the internet, and our dear Arun ji has also summarized them in a brief post on the Whatsapp group.

As I set down thinking about this event, and to search out an appropriate song for today, my mind almost immediately went to the 1985 film ‘Sur Sangam’.  In my mind, this is probably the best film on the theme of classical music, in the recent decades. Times are past that classical music and the legends of this art form used to be the central themes of many a film, especially from the historical perspective, in the decades that coincide with the golden era of Hindi film music. Historical persona such as Tansen and Baiju, Narsi Mehta and Meerabai, Kalidas and Soordas, Kabir and Rani Roopmati have been central themes and central characters of many a film till the decade of 1970s. Beyond that, I cannot easily recall a film whose theme and storyline is based primarily on classical music.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

DRISHTI (1990) was produced and directed by Govind Nihalani who was also the cinematographer of the film. The star cast included those actors who at that time, were usually associated with parallel cinema. Shekhar Kapoor and Dimple Kapadia were in the lead roles of husband and wife while Mita Vashisht and Vijay Kashyap were in the roles of another couple. Irfan Khan, Neena Gupta, Navneet Nishan and Tabassum Mansoori had small but important roles in the film. It is said that the film was a remake of a TV Series ‘Scenes from a Marriage’ (1973) directed by Ingmar Bergman. The film failed at the box office but was critically acclaimed. The film won the National Film Award for the best feature film in Hindi.
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