Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for May 2011


When I listened to “Puraani Filmon Ke Geet” programme of Radio Ceylon in 1970s between 7-30 AM to 8 AM, the last song of the programme was reserved for K L Saigal. Now that I think about it, there were a few standard K L Saigal songs that were recycled repeatedly in this programme. I have a feeling that all the K L Saigal songs that were played in that programme have been covered in this blog. I am now in fact covering those K L Saigal songs that are lesser known and which were rarely played in the above mentioned programme .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

With this post, we celebrate the 3900th song on this blog. Congratulations all. And wow, what a lovely musical journey it has been since the blog was started as a result of an online conversation between two cricket enthusiasts, Atul ji and Raja ji. After having sampled 3900 gems, the large ocean of Hindi film music still beckons for many many more songs to be discovered and re-discovered.
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“Balam” (1949) is a movie that had actors like Agha, Nigar, Suraiyya, Masud, Jayant, Wasti etc in it. This movie had a mainstream storyline in it. And it is interesting to note that a mainstream movie like this was directed by Homi Wadia.
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When one watches a movie which is particularly powerful and deals with human suffering, I for one cannot bear to watch it. Forget watching such movies, I find myself unable to watch the relevant songs from such movies as well.
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Many of the songs of Hindi movies deal with rather “advanced” topics viz Husn, Ishq,Pyaar,bewafaayi etc. Youngsters and those young at heart often much prefer songs that deal with much simpler topics, viz topics dealt in their schools, such as alphabets, arithmetics etc. 🙂 There may be school kids who would disagree with me, but there is no denying the fact that songs that deal with A,B,C (or their Hindi/urdu equivalent) or “ek do teen” often become quite popular.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Talat Mehmood started his musical career in 1939, singing ghazals on All India Radio, Lucknow. He had formally trained in music under Pt. SCR Bhat at the Morris Music College in Lucknow. His voice caught the attention of HMV, with whom he produced many records of non filmi ghazals. His records started gaining popularity, and in 1944 came the phenomenal hit, “Tasveer Teri Dil Mera Behlaa Na Sakegi”, which continues to be a very popular number on ghazal selections even today. The Calcutta film industry took notice and Talat moved to Calcutta. Initially, in Calcutta, he recorded many Bengali songs both for films and non-films, under the name ‘Tapan Kumar’. Talat as a person, had a handsome and commanding appearance and was offered cameo roles in the movies. In 1949, he moved to Bombay. After the release of “Aarzoo” (1950) and the unbeatable hit “Ae Dil Mujhe Aisi Jageh Le Chal”, composed by Anil Biswas, there was no looking back.
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