Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for June 2011


This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Parbat Pe Apna Dera (1944) is one of the more important creations of V Shantaram. The film deals with the concept of ‘maya’ the enduring allurement of the material world that spares no one. The theme also deals with the consequences fo desires, which are mostly painful and damaging. Briefly, Ulhas is an ascetic who lives alone on a hilltop, and does not allows any visitors or passersby to come to him. Once, Vanmala chances to come face to face with this ascetic, in one of her treks. She is injured, and the ascetic has some cure that relieves her of pain. She is the daughter of a rich person, probably used to having her way. She insists on continuing to meet Ulhas, against his wishes, and continues to bring him gifts, almost setting up a household on the hilltop, once where there was an abode of renunciation. One thing leads to another, and the ascetic ties the nuptial knot with this rich lady, leaves his ‘parbat’ (symbolically the high vantage point of human experience), and comes down to ‘civilization’ to live with his newfound family.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

It is said that illustrious poets and their marvelous, amazing poetry has existed and will continues to exist till the end of time. Alas, the divinity that was bestowed by the cadence of KL Saigal’s rendition, was reserved for a privileged few. Any piece of poetry that was fortunate enough to be sung by this singer, came to life in his voice, as nothing else ever before or after him. From the simple, to the truly inspired creations of famous poets, each rendering was as if the singer himself was living the very life that the verse manifested. There may be words to describe the voice and the tone of KL Saigal, but there is no words, no comparison to the vitality and the liveliness that his voice imparted to the words.
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Most nice songs usually become popular. Or is it really so ? There is much legwork involved before the songs of a movie can become popular. The movie, as well as its songs need to arouse the curiosity of public before their release. For that the movie and its songs need to be marketed. In case the movie has saleable stars and the movie is made by a well known production house with deep pockets, then the songs of that movie stand a good chance of being heard.
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I have recently come across a song from a movie called “Daanaa Paani” (1953). Hardly any information is available about this movie and the brief information available about this movie is faithfully reproduced in all sites. The information being, this movie had Bharat Bhushan, Meena Kumari and Shashi Kapoor in it. When one does maths, Shashi Kapoor must be all of 14 years old at the time this movie was released. So it is not as if he was carrying the movie on his shoulders.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A soft song of separation from the 1952 movie, Hyderabad Ki Naazneen. Arunkumar ji has provided a brief about this movie in one of his earlier comments. I reproduce it here with some edits.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

The film ‘Musafir’ (1957) is one of the most endearing movies for me. It is a remarkable and a representative perspective of the cycle of life. It is about a now forgotten era when our society was still sensitive to human values and faith was the bedrock of all relationships. The film brings forth reality of small town and the simple middle class folks of the 1950s engaged in punctilious fulfilling of their daily routines of life. Many of us, who toiled ceaselessly (or have seen our parents toil) after the 1947 partition to bring up their families in the 50s and 60s, would easily relate to these themes.
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