Archive for May 2025
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6156 | Post No. : | 19013 |
Today’s song is from a Bilingual film – Nagad Narayan-1943.
NAGAD NARAYAN (1943) was produced in Hindi and Marathi by Baburao Pendharkar under the banner of New Huns Pictures. The Marathi title of the film was ‘Paisa Bolto Aahe’ (1943). Both the versions of the films were directed by Vishram Bedekar. The star cast in the Hindi version included Leela Desai, Baburao Pendharkar, Kusum Deshpande, Nayampalli, Masood, Pratima Devi, Shakir etc.
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Ganga ghat ka paanee piyaa hai
Posted on: May 25, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6155 | Post No. : | 19012 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet #
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Today 25th May 2025 is the twenty-seventh Remembrance Anniversary of composer Laxmikant Kudalkar (03.11.1937-2505.1998) of the Laxmikant-Pyarelal duo. He passed away at the age of sixty years. As a tribute to him we will have a song composed by them fifty years ago i.e. from 1975.
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Dharm kee khaatir bik gayaa raaja
Posted on: May 25, 2025
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6155 | Post No. : | 19011 |
#the Decade of Sixties – 1961 – 1970 #
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(Lyricist Kavi Pradeep-15)
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Today’s Kavi Pradeep song is from the movie ‘Harishchandra Taramati-1963’. The music for this movie was composed by the music duo Laxmikant-Pyarelal who were new to film industry and the young music directors then. This film was their second movie after ‘Paarasmani-1963’.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6155 | Post No. : | 19010 |
Today’s song is from the film Gaon-1947. This was a film by Jamuna productions, Bombay and it was directed by Dwaraka Khosla. The music was by Khemchand Prakash. The lyrics were by D.N.Madhok. The cast was Karan Dewan, Indu, Mishra, Tiwari, Khaleel, Ram Singh, Leela, Anant, Shekhar and many others.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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6154 | Post No. : | 19009 | Movie Count : |
5071 |
#the Decade of Eighties – 1981 – 1990 #
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(Birthday – Music Composer-Rajesh Roshan)
Today 24th May 2025 is the seventieth birthday of music director-lyricist Rajesh Roshan(born on 24.05.1955). His music composed for Hindi movies is part of growing years of people like me who were born in late sixties or early seventies. Many of his compositions have been pure nostalgia for me and same might be the case for many people like me. Rajesh Roshan has carved a niche for himself in the history of Hindi Film Music. There is a long list of his compositions that I like very much, and as and when possible I have also shared such songs on this blog.
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Dil jaley to koi kyaa karey
Posted on: May 24, 2025
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6154 | Post No. : | 19008 |
Today’s Asha Bhosle song is “Dil Jale Toh Koi Kya Kare” from Call Girl (1974), which is penned by Naqsh Lyallpuri and composed by Sapan Jagmohan.
“Call Girl-1974” was directed by Vijay Kapoor for Mukesh Movies, Bombay. It was produced by Mukesh Khanna.
It starred Zahira, Vikram Makandar, Iftekhar, Urmila Bhatt, Shekhar Purohit, Minoo Mehtab, Reddi, Mansaram, Satyajeet, Shefali, Jankidas, Heena Kausar and Kuljeet.
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Daare jaa daare jaa daare jaa
Posted on: May 23, 2025
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
6153 | Post No. : | 19005 | Movie Count : |
5069 |
In this article, I have picked up for discussion Gautam Ghosh’s film, ‘Yaatra’ (2007) which comes under the ambit of the parallel cinema. The meaning of the film’s title in the context of the story is ‘transition journey’. This is a complicated film. The audience is likely to get confused as to how much of the story in a novel narrated by the protogonist is real and fictional when he narrates the story to a fellow traveller, an upcoming film-maker. Some parts of the story are autobiographical in nature while some are creative imaginations and thus fictional in nature. The transition from fiction to fact in the novel is so blurred that the upcoming film-maker gets confused. In the end, the film-maker decides to give his own perspective of the story in his screenplay when he decides to make the film based on the novel.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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