Archive for the ‘Asha Bhonsle solo’ Category
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Fabulous Foot Tappers – 4
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Once in an interview, Hemant Kumar had the following to say about the very interesting working style of Rajendra Krishan – “. . .once the recording date got fixed, he would keep in touch with the music director. He would come and meet regularly in the studios. But he won’t work. One day, it will be a lunch outing at a place which offers a famous specialty. The next day it will be something else. The recording date is drawing near, but the lyrics are nowhere in sight. One day he will come to studio then go to the races. When just two or three days would be left before the recording date, we would start pestering and pressurizing him. He would then just smile and go sit in quiet corner, and then come back after 15 or 20 minutes with the completed song.”
Remembering Rajendra Krishan on his birth anniversary today (6th June). Born in 1919, he would have been 97 years old today.
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Haay haay thhanda paani
Posted on: May 12, 2015
This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
After celebrating R. D. Burman’s 500th song on the blog with the grand medley of English songs from Bombay to Goa (1972), we are coming to the last song from this movie to be covered on this blog.
The name of the movie suggests that this is a road movie. As usual a road movie needs to have a main character, who undergoes a transformation and realizes his/her past mistakes and comes back to the straight and narrow. The main character of this plot is Mala (Aruna Irani). She is on the run after having witnessed a murder. She boards a bus, which goes from Bombay to Goa.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Maa Ka Aanchal” (1970) was produced and directed by Jagdev Bhambri for Harintaraj Films. The movie had Sanjeev Kumar, Abhi Bhattacharya, Anjana(Mumtaz), Leela Mishra, Jagdev, Sheela.R., Satpal Nishan, Sushma, Johnny Whisky, V.Gopal, Gopal Segal, Amol Sen, Dilip Dutt, Deena Nath, Master Rattan, Abdul, RajKumar Dutt, Abdul etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Seven years, nineteen films, a celebration wedding that was the talk of the tinsel town, and then handing over the torch to the next generation. That about sums up the career of the once beauty star – Babita. Greetings to her on the 67 birthday today (20th April).
The short lived career, however, was a scintillating one. She appeared opposite to practically all the top heroes in the industry at that time, and did a number of musical romantic films, as could have be the draw for the young and beautiful lady. It is known that GP Sippy first offered the role of Sheetal, the young widow with child, for his upcoming film ‘Andaz’ (1971) to Babita. After some in-family discussions, she turned down the role, possibly considering that it might work to be a negative for her career. Another youngster, Hema Malini, took on the role. Hema Malini had made her debut in 1969, three years after Babita’s debut (‘Dus Lakh’, 1966). Both are of the same age though, having the same year of birth. The trajectories of their subsequent careers and lives, tell their own stories.
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- In: Asha Bhonsle solo | Asha Bhonsle songs | Biography of artists | Biography of lyricist | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Happy song | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
aaye bahaar ban ke
lubhaa kar chale gaye. . .
These lines would apply to so many artists, especially those whose careers in the industry have been short lived, or curtailed for various reasons. But whatever is the measure of the duration of their work in the industry, it is their creations that continue to delight us, and keeps the memories alive. Even if it is one song. And the fun part is the process of discovery that continues. Some of these lesser known artists ended up working for lesser known banners and films. Their music would only sometimes make it to the mainstream and popular cinema. Most of the time they created songs for movies that remained unknown and obscure. Today, when we dig up such unheard gems, that first encounter is such a charm and a pleasure.
Gopal Bahadur Singh is one such songwriter, whose work mostly remained confined to religious an stunt action films in the 1950s and 60s. We are more familiar with his pen name – Gopal Singh Nepali or GS Nepali, the poet who gave us the timeless bhajan – “Darshan Do Ghanshyam Nath Mori Ankhiyaan Pyaasi Re” in the film ‘Narsi Bhagat’ (1957).
Remembering GS Nepali on the anniversary of his passing away today (17th April).
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all at Atuldom
So the world (Atuldom I Mean 😉 ) has changed in the period when I was away in Mumbai. There has been a change on many fronts.
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Tum bade wo ho
Posted on: April 11, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MISSING GEMS FROM THE GOLDEN 50s….Song No-14
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Today’s song is from a 1958 film-Night Club.
With great determination and very much reluctantly, have moved away from the songs of 1957. As I mentioned I had shortlisted 17 songs from this year alone. It was ridiculous ! With songs from other years, the series would have become a marathon of about 30 odd songs. This is not acceptable to me. Stretching ONE theme for such a long time,in my opinion loses its meaning,charm and writer’s interest. We have already enjoyed 5 Gems from 1957. This much laxity was enough for 1957. The balance songs, I am sure,will find their way to this Blog,anyway.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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