Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Biography of artists’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 3-Shridhar Parsekar
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Hindi film music is like an ocean. As many rivers merge into the ocean at various stages, regional music from various parts of India is assimilated in HFM(Hindi Film Music). Initially it was the Marathi stage/natya sangeet and Parsee theatre which influenced HFM. In the East, it was Rabindra sangeet and Nazrul Geete thate made the basis of film songs. In the Lahore centre it was the Punjabi style after Khazanchi-1941.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the early era of the Talkie, most films were based on Mythology, History or Fantasy stories. As the years went by,the films were made on social themes and still later the films were produced on the stories written in their ‘story departments’ weaving mystery, humour, misfortune and heroics imaginatively.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Lesser known singers- Singer 9 (Utpala Sen)
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BANGLA is a very sweet language. Many times I wonder whether Bengali sweets are sweeter or the Bangla language. I have never tried to answer this question myself, because I liked both.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

On the occasion of Kishore Kumar’s birth anniversary on August 4th, the wheel of time(kalchakra) takes me back to my teens when I used to listen to Radio Ceylon’s programme on old Hindi film songs. On the first day of every month, the first song that was played on this programme was din hai suhaana aaj pahli taarikh hai from the film ‘Pahli Taarikh’ (1954). That was the time when I came to know about Kishore Kumar as a singer. It was a revelation to me later from the film ‘New Delhi’ (1956) that he was not only a singer but an actor also. With his many subsequent films in 50s and early 60s, I had taken it for granted that he was a comedian who sang mostly fun songs and that too for himself.
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Today (3 august) is the birth anniversary of Shakeel Badayuni (3 august 1916- 20 april 1970). The combination of Shakeel Badayuni as a lyricist as Naushad as a music director was one of the most common and most successful lyricist-music director combinations of the golden era of Hindi movies. They worked together in as many as thirty movies.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

June 9, 2012 is the birth centenary of the music director Vasant Desai whom I regard as a man who worked in Hindi film industry on his own terms without being a part of the rate race among his contemporary music directors. Being a devotee of the traditional music, he did not succumb to the lure of money in composing music for mass appeal.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the ‘forgotten’ music directors of the golden era, Snehal Bhatkar is remembered for his immortal song kabhi tanhaayion mein yoon hamaari yaad aayegi. In my case, I remember him for an additional reason. Somehow I felt that he had an unique personality. I am not a face reader 🙂 but when I saw Snehal Bhatkar for the first time on TV some time in 90s (on one of the Marathi channels) he appeared to be to be a self contented man. He was in the TV programme to witness the renditions of some of his popular filmy and non-filmy songs by some young and budding singers. Sitting in the front row with his trade mark white Gandhi cap, he was enjoying the rendition of his songs without any nostalgic reactions on his face. Whenever I see his photographs – old as well as new ones, I get the same impression of a contented man.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This article is the 6000th song post in the blog. This article is the 1000th song for for Asha Bhonsle as a playback singer.

The year – 1997. For the first time ever (October ’97), an Indian artist is being honored as the ‘Artist of the Month’ by MTV channel on cable TV. At the age of 64, a Maharashtrian housewife who loves to cook, and is a grandmother, Asha Bhosle graced the honors. And mind you, this recognition is voted for by the MTV audience, a population that primarily consists of teen agers. At an age when most people in many walks of life are either retired or contemplating a more relaxed and sedate life, this diva of Hindi film music, went on to completely reinvent herself. At the age of 64, with a new makeover, she rose once again to become the queen of funky pop.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my earlier stage of baptism to Hindi film songs of the golden era, whenever I came across some new songs I liked, I would want to know the name of the film, singers and themusic directors ( in that order) of the concerned songs. I never enquired about who wrote these likeable songs. One song that made me to know the name of the lyricist was “main zindagi ka saath nibhaata chala gaya” from HUM DONO(1961). This song virtually introduced me to a great Urdu poet and lyricist Sahir Ludhianvi. I feel shy to reveal here that though I liked those iconic songs of PYAASA (1957) but that did not trigger my brain to enquire as to who wrote those melancholic and the soul searching songs. As I came to know later, those songs were written by Sahir Ludhianvi.
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