Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘expression of love’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Mamaji-1942. This film was directed by Narottam Vyas, who also wrote its Lyrics. Harishchandra Balimusic director and the film cast was Lalita Pawar, B.Nandrekar, Yaqub, Jeevan,Nana Palshikar, Marutirao Pehelwan etc.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pehchaan”(1970) was produced and directed by Sohanlal Kanwar. The movie had Manoj Kumar, Babita, Balraj Sahni, Sulochana, Sunder, Sailesh Kumar, Chand Usmani, Tiwari, Asit Sen, Mohan Choti, Daisy Irani, Lata Bose, Madhui Apte, C S Dubey etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 25
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The box office success of the first muslim social film ‘Qaidi’ (1940) produced under the banner of Film Corporation of India (Calcutta), led to the production of a spate of muslim social films like ‘Najma’ (1943), ‘Ismat’ (1944), ‘Phool’ (1945), ‘Pehli Nazar’ (1945), ‘Zeenat’ (1945), ‘Nek Parvin’ (1946) and many more. GHAZAL (1945) was a muslim social film with a light comedy touch, produced and directed by Zahoor Raja under the banner of Raja Movietone. The star cast included N Charlie, Leela Chitnis, Zahoor Raja, Radha Rani, Nagendra Majumdar, Razia Bano, Ram Piyari, Shakir, Jahangir, Noor jahan etc. It appears that Leela Chitnis was paired with N Charlie and Zahoor Raja with Radha Rani in this movie.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi : The Incomparable (II) – Song No. 03
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Sometimes when I am contemplating a post and thinking about how to start and what to write in a song post, there are those long forgotten thoughts and sayings or some impressions formed in earlier decades that come to mind. Today, though was very hectic for me, since morning I was on the move, and the heat in Mumbai was not helping. Some how all these factors culminated in me getting a headache by lunch time, which kept worsening as the day wore on. But in the office I had certain urgent things to see to, plus to meet certain people. Changes and advancements in one’s career, though one actively seeks and strives to achieve, also bring about the need of all sorts of adjustments and getting acquainted with new responsibilities. It was one of those days, where the transition was for me to absorb and to look ahead with positivism. But for the headache. Eventually I did kill it with paracetamol. So tomorrow is going to be a new day, promising and bright, God willing.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lata’s Songs NOT YET covered on our Blog – 2
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‘Subhadra’ (1946) produced by Prafulla Pictures, Bombay and directed by Vinayak, is a mythological film with the star-cast consisting of  Prem Adeeb, Shanta Apte, Meenakshi, Shantarin, Usha Mantri, Prabhakar, Majumdar, Ishwarlal, Yakub, Salvi, Jog, Daamu Anna Mavlankar, Nimbalkar and Lata Mangeshkar.  Three lyricists, Pt. Indra, Pt. Sudarshan and Moti BA, had written the songs of this film, and the music was set by veteran Vasant Desai.  It is a well-known fact that before becoming a full time playback singer, Lata acted in few Marathi and Hindi films for financial need to support her family.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 17
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‘झ’
“झुका झुका के नज़र यूं उठाई जाती है”

jab bhi ye dil udaas hota hai
jaane kaun aas paas hota hai

These lines tickle the strands of the mind often, when in the moods of a tranquil nothingness – sometimes in the moments just as the self is drifting into sleep, or sometimes, on a journey in a relaxed coziness with nothing particular to do, or sometimes on lonely walks in the evenings. And the mind wonders, trying to put a face to a distant thought – “jaane kaun aas paas . . . hai”. That face is almost never distinct. Whose presence it is that I feel – the mind is yet to discern, and ascribe substance to the tenuous wisps that almost form the image, but then always fails to bring into a distinct focus. And the mind wanders, continues to seek – an unfinished image, trying to capture an elusive face, and a name that keeps bumping tantalizingly close to the edges of memory, yet always remains just a breath away from my grasp.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 11
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Meerabai, right from her childhood was totally immersed in ‘Prem-Bhakti’  of her ‘Aaraadhya Dev’  Krishna. She suffered lots of humiliations and even an attempt of poisoning in her life. Ultimately she renounced everything and became a ‘Jogan’ in real sense.  As she migrated from Mewaad, Rajasthan to  Dwarika, Gujarat she has written many devotionals in many languages viz. Hindi, Mewaadi and Gujarati.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Apraadhi Kaun”(1957), as the title suggests, was a whodunnit genre of movie where a murder takes place and the audience is kept in suspense about the identity of the murderer till the last reel.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In our life, we come across many strange things. There are many occasions when we feel disappointed when we don’t find or get what we had expected. This also teaches us not to get misled by external appearances. There are occasions when we find that our neighbour named Shanti Lal is a loud mouth and very quarrelsome person or visit a hotel called Sheraton, only to find that it is a dirtiest and a third grade joint inside !

In case of a person, at least it is understandable, because no one knows how the child will grow like. I knew one Rikshawala in Hyderabad whose name was Nizam. But when the name of a film is misleading, you not not only get disappointed but feel cheated as well!
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo atulites

A very quiet weekend here for me after two weekends of extreme activity. So here I am penning (typing) my thoughts.
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