Archive for the ‘expression of love’ Category
“Murder in Circus” (1971) was produced by B K Adarsh and directed by A Salaam under the banner of Adarshlok. The movie had Sujit Kumar, Jayamala, A. N. Ansari, Bela Bose, B. M. Vyas, Shetty, Sapru, Rajan Haksar, Dilip Dutt, Daisy Irani, Kundan, Baby Poonam, Rajan, Akash etc in it.
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Sajanwa prem kahaani
Posted on: September 11, 2013
- In: Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Mukesh songs | Post by Sudhir | Rare song | Shamshad Begam songs | Shamshad Begam-Mukesh duet | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
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The Voice of Mukesh #31
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Yesterday I had posted a lovely duet song from the film ‘O Jaanewaale’ (1948). With reference to certain online resources, Mahesh ji wanted to check whether the music director behind this song is Pankaj Mullick. I was surprised to see this query. But I was able to unravel it quickly. Appears that the online resource that Mahesh ji referred to has an error. The name of the film is correct, but the remaining details are picked from a Geet Kosh entry that is one after this film. Hence the confusion. This is a careless error in transcription from the printed source to the web based page displays.
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Do nain tihaare do nain hamaare
Posted on: September 7, 2013
“Pardesi” (1941) was a Ranjit Movietone production. It was directed by Chaturbhuj Doshi. The movie had Motilal, Khursheed, Snehaprabha Pradhan, Billimoria, Bhagwandas etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It is a song from film-SUHAG SINDOOR-1953. It is sung by composer Shailesh Mukherjee for Music Director Suresh Kumar, a joint Music Director of this film.
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Rasiyaa aa aa jaa rasiyaa
Posted on: September 5, 2013
“Fariyaad” (1942) was produced by Ranjit Movietone and directed by Jayant Desai. The movie had Ishwarlal, Shamim, Mubarak etc in it.
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- In: Actor-Singer song | Duet | expression of love | Feelings of heart | Kishore Kumar songs | Multiple version song | Rare song | Shamshad Begam songs | Shamshad Begam-Kishore Kumar duet | Song sung by three or more singers | Songs of 1940s (1941 to 1950) | Songs of 1949 | Yearwise breakup of songs
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“Rimjhim”(1949) was a Hindustan Cine Production movie. It was directed by Ramesh Gupta and Sushil Sahu. The movie had Kishore Sahu, Mubarak, Ramola, Mohana, Jankidas, A. Shah, Narmada Shanker, Amir Banu, Mumtaz Ali etc in it.
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If one has to classify songs on the basis of their popularity then we have extremely well known timeless classics on the one end of scale to totally obscure forgotten gems on the other end of the scale. In fact, one can liken them to human settlements, that vary from extremely densely populated to extremely thinly populated. So one can say that iconic well known songs like “Mere sapnon ki raani kab aayegi tu” is like a metropolitan city, say Mumbai. On the other end, we have deserted places that few people know about. Visiting some of these thinly populated/ deserted places could be extremely rewarding. Forgotten songs of Hindi movies are very much like that.
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“Raaz” (1967) was a Sippy Films Production. It was directed by Ravindra Dave. The movie had Rajesh Khanna, Babita, I S Johar, Khurshid, D. K. Sapru, Kamal Kapoor, Ratnamala, Narmada Shankar, Asit Sen, Meena T., Laxmi Chhaya, Surjeet Bedi, Rahul, Harindranath Chattopadhyay, Pandharibai, Harbans Darshan M. Arora etc in it.
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Parwaane ho parwaane
Posted on: August 31, 2013
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
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The Voice of Mukesh #29
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The tapestry of the fables of love is never compete without the legendary saga of the flame and the moth – much better represented in the Urdu zubaan as Shama aur Parwaana. Somehow, the English equivalents of some of the more profound words and concepts in Hindi and Urdu, simply do not carry the same weight and substance. The English equivalents are a poor excuse to express that which is alien to that language. Shama and Parwaana are an example of such translation dilemmas. There seems to be no adequately authoritative word in the English language to convey the same sentiments in totality.
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