Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6354 Post No. : 19699

Today’s song is from an absolutely obscure film – Maldar-1951.

I called it an absolutely obscure film, because except what is given in the HFGK, no other information on this film is available anywhere – neither in any books nor anywhere on the Internet. Even the film booklet is not available (either not printed for cost saving or less number printed to economise). It just came and went.

It was a Debut film for Amit Mitra – Director, Satish Bhatia – Music Director, Usha Bhatia – Playback singer, Roshan Joshi – Playback singer and Pran – Lyricist. Since we do not know the credits for other departments, we are unaware of that part.

The cast of the film was Balraj Sahni, Smriti Biswas, Chhabi Biswas, Neelima and others. The 8 songs of this film, composed by Satish Bhatia were quite nice but not good enough to compete, stand out or remain in memory compared to the other songs of the Golden Era of Film Music. 1951 had offered much more melodious songs by well known composers.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19697

“Jawaab”(1970) was directed by Ramanna for RR Pictures, Madras. The movie had Ashok Kumar, Meena Kumari, Jeetendra, Leena Chandavarkar, Prem Chopra, Jyothi Lakshmi, Ulhas, Aruna Irani, Rajan Haksar, Leela Mishra, Prem Kumar, Madhumati, Kanhaiyya, Lakshmi, Pandey, Indra Acharya,Mehmood etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19696

In Sindhudurg district of Maharashtra and in Goa, there used to be Devdasi (servants of God) customs under which select girls (especially trained singers and dancers) were attached to local temple for temple duties. Since they were regarded as wedded to the deity of the temples, they were expected to live a life of celibacy. They were supported by the patrons of the temple which included royalties. However, with the abolition of royalties, the Devdasi custom as envisaged in the beginning came under financial strain, forcing them to rely on rich patrons, sometime becoming their mistresse. The girls born out of such relationship were initiated into Devdasi customs.

In 1970, Jaywant Dalvi, a Marathi novelist, playwright and journalist, who was from the South Konkan region, published his novel, ‘Mahananda’ highlighting the burning issues in Devdasi customs in the Konkan region of Maharashtra as evolved over a period of time, now almost extinct. The story is about a city-based college lecturer, Babulnath (Babul for short). He while on a visit to his native village, falls in love with Mahananda (Mannu for short), a daughter born out of Devdasi custom. However, her mother opposes their marriage as Mahananda is destined to serve the temple as Devdasi. It is a tragic love story which is doomed from the beginning due to societal pressures and superstitions resulting in the emotional turmoil for the affected lovers. The end result is that Mahananda is betrayed by her own mother due to her superstitions and later by Babul due to his timid nature though he remains unmarried.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19693 Movie Count :

5162

Hullo Atuldom

Back to writing a post after a full month, last one was on 6th November to pay tribute to Sanjeev Kumar. In this period I have been getting gentle nudges by our Guruji, enquiring about the lull in my writing. He even suggested that I strike a deal with Sadanandji, about pacing our landmark posts (at that point Sadanandji was four short of his century). I assured Arunkumarji that by the time I get back to writing Sadanandji would have hit his century and gone far ahead; he is sitting on 1014 currently.

I have been a little pre-occupied attending a few weddings, accompanied with learning to shake a leg for the dances to execute at the pre-wedding sangeet and other wedding related celebrations. A few of my nephews got married in this wedding season.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6353 Post No. : 19691

As usual, I cannot keep away from Rafi songs for long. I stumbled upon this movie in the list of songs movie-wise and saw only 7 songs are posted out of 12. The movie is Mastani (1955), the middle of 50’s decade when Rafi Sahab was still finding his niche in the industry and was adding variety of flavourful spices in each new song, he sang for each new actor. The talent of instilling mischief and new murkiyan in the rendition, became the highlight of each music score, who ever be the composer. It also put the other male playback singers in the shade because none could compete. Not the old brigade of singers of 40’s, who sedate style of singing was soon to become obsolete. Mid 50’s was also the time when music score with Rafi sahab as solo male singer started.

Some thought he could find his core strength in playback and people can bracket him into a comic singer, or a theme song singer, or faqeer baba singer. But it was soon clear, that there was no genre of song that the MD could compose and Rafi Sahab could not sing. This was the voice of hero, in romance and sadness, voice of the character actors, and voice anyone else having a song to sing in the films script.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19690 Movie Count :

5161

This movie Baazi(1984) is making a debut in the blog with this song.

The title “baazi” is very popular with many movies made with this title.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19689

Pancham’s Music – Eighties-to-Nineties (1981-1994…) Duets-2

Today’s duet song is from the movie ‘Hum Hain Laajawaab-1984’. It is another Kumar Gaurav starrer movie from the eighties having some good music by R.D. Burman.

“Hum Hain Laajawaab-1984” was directed by Mohan Saigal for ‘Milan Movies, Bombay’. It was co-produced by Jawaharlal Bafna-C.D. Mehta-Vasant Doshi-and Mrs. B.N. Shah. This movie was passed by the Censor Board on 21.08.1984. The cast of this movie has Kumar Gaurav, Padmini Kolhapure, Shakti Kapoor and Monty. They were supported by Kalpana Iyer, Kamal Kapoor, Prem Kalra, Yunus Parvez, Rakesh Bedi, Kiran Wairale, Ravindra Kapoor, Vikas Anand, Mohan Choti, Sudhir Dalvi, Jagdish Raj, Mushtaq Merchant, Birbal, Shivraj, Gauri Verma, Viju Khote, Manmouji, Sunil Dhawan, Bhola, Praveen Kumar, Shakeel, Ranveer Raj, Suhail Khan, Baby Dadi, Master Vikas, Master Ravi and others. Mayur and Huma had a special appearance in this movie.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6352 Post No. : 19688

Today’s song is from a Mythological film-Mordhwaj-1952. This film was produced by M.N.Gautam and directed by a B grade film specialist Balwant Bhatt. Music was by a Debutant, Narayan (Datt). The cast included Durga Khote, Prem Adib, Ram Singh, Tiwari, Shashi Kapoor, Manju, Leela Mishra, Bindu, Neeru etc etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6351 Post No. : 19684

Today’s song is from the Historical film Padmini-1948. Made by Punjab Film Corporation, it was produced and directed by its owner Wali Saheb. All the 11 songs of this film were also written by Wali Saheb. The Music Director was Ghulam Haider. The cast of the film was Mumtaz Shanti ( wife of Wali Saheb), Ashok Kumar, Mumtaz Ali, Samson, Maya devi, Neelam, Sultana, A. Shah and others. The story of Padmini is very well known and is available easily on the internet, hence I am not going into that.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6351 Post No. : 19683 Movie Count :

5159

#the Decade of Thirties – 1931 – 1940 #
————————————————————————
(Debutant Movie-‘Double Cross-1938’)

Today I am presenting a song from a movie of 1938. Regulars on this blog will be surprised to see a write-up from me presenting a song from a movie which is around eighty-seven years old. I have been sharing older songs but this must be the oldest of them. I had come across this song more than a year back.

This song is from the movie ‘Double Cross’ from the year 1938. Most of us are aware of the movie titled ‘Double Cross-1977’. This movie of 1977 has a song that is part of my childhood and I had shared that song on this blog. Adding songs from movies with same title is one of my missions, and that is the reason for this post as well. With this post ‘Double Cross’ of 1938 joins the ‘Double Cross’ of ‘1977 🙂 on the blog.

“Double Cross-1938” was directed by M. Bhawnani for ‘Bhawnani Productions, Bombay’. M. Bhawnani was also the story writer of this movie. The cast of this movie had Bimla Kumari, S.B. Nayampalli, Faity (Fatty?) Prasad, Ameena, David, Kishore, A.S. Gyani, R. Dilawar, Master Hussain, Rai Mohan and others. This movie has eight songs as listed in Geet Kosh Vol-I (1931-1940). However the lyricists name is not known for this movie. Music for this movie was composed by Pt Badri Prasad and Walter Coffman was the ‘orchestra organizer’(as mentioned in Geet Kosh). Singer’s names for all the eight songs are mentioned in Geet Kosh. They are Gauhar (Bikaner), Bimla Kumari, Bashir Qawwaal, Faity Prasad, and Ameena.

It will be interesting to know if all songs from this movie can be located. So far, only this song is available. It is a duet song and one of the oldest example of a ‘nok-jhonk’ song.

Let us now listen to this song. The man likens himself to vegetables and likens his sweetheart to sweets. 🙂 Faity Prasad and Ameena are the singers of this song. Lyricist is not known whereas music is composed by Pt Badri Prasad.

I was not able to note correct words at some places.I would request knowledgeable readers to kindly suggest the correct words at those places.

Only audio of the song is available. Seeing that the singers had also acted in the movie, one can guess that the song was picturised on themselves in the movie.

With this song, let us welcome ‘Double Cross-1938’ on this blog !!!


Song-Suno pyaaree suno pyaaree zaraa aaahistaa aahistaa (Double Cross)(1938) Singers-Fatty Prasad, Ameena, Lyricist-Unknown, MD-Pt Badri Prasad

Lyrics

suno pyaaree ee
suno pyaaree ee
zaraa aahistaa aahistaa
suno pyaaree ee suno pyaaree ee
zaraa aahistaa aahistaa

tere milne se main
???
agar pahle main kathal thhaa to
ab main rah gayaa bhaataa
chalaa do prem pichkaaree
zaraa aahistaa aahistaa

bukhaar aayaa hai mujhko prem kaa
ae jaan meree pyaaree
tere paanee chhidakne se
huyee hai aur bedaaree
na kar aashiq kee tu khvaaree
zaraa aahistaa aahistaa

hua King kong hai
Shaitaaan yaa ulloo gadhaa hai tu
manaa karne pe bhee jo
sar ko mere kha rahaa hai tu
naa karnaa mujhse hoshiyaaree
zaraa aahistaa aahistaa

meree chamcham
meree barfee
meree revdee
meree paapad
agar tujhko sataaun main to
de denaa mujhe jhaapad
banaanaa meree ???kaaree
zaraa aahistaa aahistaa

ye sun lo phir
mere nanhe se dil ko gar sataaoge
banegee khub gat apne kee
ye ki aap paaoge
jab aayegee meree baaree
zaraa aahistaa aahistaa

suno pyaaree ee
suno pyaaree ee
zaraa aahistaa
aahistaa

(laughters)

————————
Khvaaree
contemptibleness, meanness, baseness, vileness
abjectness, friendlessness, wretchedness, distress


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