Archive for the ‘Feelings of heart’ Category
Tere nainon mein nindiyaa
Posted on: August 22, 2016
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Lata’s Songs NOT YET covered on our Blog – 10
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DIDI, a social film of 1948 was Produced by Navbharat Films, Bombay and Directed by Mukund Masurekar. The unique thing that struck me was that Mukund Masurekar was not only the Director but also gave music for the film. Arunbhai in the comments of a solo song from the film by Geeta Roy on this Blog, gave this information about Mukund Masurekar:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Recently, Tommydan55 has uploaded the film PREM KAHAANI (1937) with some cleaning and restoration works relating to both the video and the audio. The full film is here. The result was that I got motivated to watch the movie without much of the strain on my eyes. What a film! As against my expectation of a slow moving story of the film which was my experience in most of the films of the 30s, this film was different. The slick editing of the film ensured that the story moved in a pace comfortable for viewing. This may be the reason as to why I could watch the movie in one sitting which I seldom do especially in respect of old classic Hindi films of 30s and 40s. The DVD/VCD of the movie is of 1 hour 30 minutes which means that the film has been heavily edited for DD/VCD including a couple of songs. But I did not find much issue with the continuity of the story.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Ever since talkies came in to being in 1931, there have been some classical and semi-classical female singers who got attracted to Hindi film industry as actor-singers and playback singers in the 1930s and the 1940s. Begum Akhtar, Mukhtar Begum, Indubala, Roshanara Begum, Mallika Pukhraj, Saraswati Rane etc were some of the names that come to my mind. However, their filmy careers was short and soon they returned to the concert singing as their main vocation.
One of the lesser known names in this category of singers was Sundarabai of Poona.
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Phool uthhi band kali
Posted on: August 20, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
PARISTAAN (1944) was produced under the banner of N R Acharya Art and it was directed by Mahesh Kaul. The star cast included Pahadi Sanyal, Anjali Devi, Kamal Zamindar, Ranjeet Kumari, Sunalini Devi, Master Amritlal, Moni Chatterji, Padma Banerjee etc. From the title of the film, probably many people may guess that it was a film belonging to fantasy genre. But it turned out to be a slapstick comedy though the story by Vaju Kotak was not less than a fantasy.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (14 august 2016) is the death anniversary of our beloved actor, Shammi Kapoor.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Missing Films of 1960s – 26
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There is a lot of discussion, heated debate, controversy etc. etc. on plagiarism. Given that the entire structure of the music world is founded on simply seven basic notes. Yes, we go on to sub notes and compound notes, and then ragas (combination of notes). But to the uninitiated, and untrained in classical music (like myself), it seems well nigh impossible that one can continue to keep on creating new songs and do not repeat a melody. Every day, hundreds, maybe thousands of new songs are born. It is really an amazing wonder that we do not find many more replications, than we already do.
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- In: "Aankh" song | Calling the beloved | Devnagri script lyrics by Sudhir | Expecting the beloved | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Missing the loved ones | Post by Bharat Upadhyay | Songs of 1960s (1961 to 1970) | Songs of 1970 | Suman Kalyanpur NFS | Suman Kalyanpur solo | Suman Kalyanpur songs | Waiting for love | Yearwise breakup of songs
- 3 Comments
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Sureeli Suman – 16
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This is the last but one song from the album ‘Swar Bahaar’, for which I have repeatedly discussed the details, in this series. Music Director Shyam Sharma has provided appropriate lilting tune to the lyrics of Anjaan.
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- In: "Aankh" song | Calling the beloved | Devnagri script lyrics by Avinash Scrapwala | expression of love | Feelings of heart | Guest posts | Love song | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1950s (1951 to 1960) | Songs of 1958 | Sudha Malhotra solos | Sudha Malhotra songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today we add one more movie in our endeavor to bring ‘movies with same titles’ on the blog. Today’s movie is ‘Chaltaa Purzaa-1958’
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- In: "Broken heart" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Ira Nigam Solo Song | Ira Nigam Song | Lover's Complaint | Lyrics contributed by readers | Post by Sadanand Kamath | sad song | Songs of 1940s (1941 to 1950) | Songs of 1950 | Yearwise breakup of songs
- 4 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The playback system came in to vogue some time in 1935 in Bombay film industry. The system really got stabilized only from early 40s. At that time, among the female playback singers, Ameerbai Karnataki, Rajkumari, Zohrabai Ambaalewaali and Shamshad Begum dominated the Hindi film industry. There were other playback singers like Parul Ghosh, Zeenat Begum, Hamida Bano, Naseem Akhtar, Mohantara Talpade, Dilshad Begum etc. While a few among them had migrated to Pakistan, others playback singers either could not stand against the competition with the well- established playback singers or they had to give up their careers, probably for domestic and personal reasons.
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