Archive for the ‘Free Spirit Song’ Category
Main Dhool Ka Udta Baadal
Posted on: July 17, 2023
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5477 | Post No. : | 17899 | Movie Count : |
4848 |
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The Voice of Mukesh #73
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The search for songs of Mukesh continues as we close in on his last set of remaining songs that are yet unpublished on the blog. With the current count (prior to this post) at 818, there still is a good number of songs to be tracked and brought on board. The revised and updated Mukesh Geet Kosh (compiled by Shri Harish Raguvanshi of Surat) which was released in November of 2020, puts the number of Hindi songs identified at 980. The breakup of this number is given as
Film songs – 897
Version songs – 4
Non-film songs – 79
There are another 73 songs identified and listed in the Mukesh Geet Kosh, which are film and non-film songs in regional languages.
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Ae Mere Dil, La La La La
Posted on: October 6, 2022
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5193 | Post No. : | 17173 | Movie Count : |
4690 |
I first met him on screen in 1971. The film was ‘Mere Apne’, a story of a destitute old lady fallen on to hard times, intersecting with gang wars between young street smarts. I had heard his name before. In 1968, when Sunil Dutt launched his younger brother Som Dutt via his home production ‘Man Ka Meet’, one also read in the news that another new face was being introduced – name Vinod Khanna.
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- In: "Panchchi" song | Free Spirit Song | Group Dance | Guest posts | Hemant Kumar songs | Manna Dey songs | MD-Singer Song | Post by Avinash Scrapwala | Simply joy | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1969 | Sulakshana Pandit Songs | Yearwise breakup of songs
- 2 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5090 | Post No. : | 17016 |
‘Raahgeer’ (1969), is a production from Geetanjali Chitradeep, Calcutta. It was directed by Tarun Majumdar. The movie has Biswajeet, Nirupa Roy, Asit Sen, Sandhya Roy, Vasant Chowdhury, Shashikala, Padma Chauhan, Anwar Hussain, Pahari Sanyal, Master Prasenjit, Ifthekar, Kanhaiyyalal, Chaman Puri, Savita Chatterjee, Ram Avtar, Rashid Khan, CS Dubey and others in it.
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- In: Baag/Bagiya song | Devnagri script lyrics by Sudhir | Feelings of heart | Free Spirit Song | Guest posts | Lyrics contributed by readers | Post by Avinash Scrapwala | Songs of 1970s (1971 to 1980) | Songs of 1972 | Vani Jairam solo songs | Vani Jairam songs | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4927 | Post No. : | 16766 | Movie Count : |
4625 |
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 159 # Missing Films of 1972 – 04#
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Today’s song is from the 197’ movie ‘Do Gaj Zameen Ke Neeche’.
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Chale jaise hawaayen sanan sanan
Posted on: January 9, 2022
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4923 | Post No. : | 16756 | Movie Count : |
4621 |
Hullo Atuldom
This post is courtesy my youngest sister. We were on this telephonic chat and she was asking me about my new hobby/addiction and how it is coming by. In the conversation she mentioned about the how she appreciated Dilip Kumar in the song”Nain Lad Jaihe To Manwaa Maa Kasak Hoibe Kari” – his dancing to be more exact. She spoke about how the dance was almost continuous like a single shot song. And my reply to her was that the song from “Jewel Thief”Hothon Mein Aisi Baat Main Dabaa Ke Chali Aayi” is an ideal example of a song in a single-shot and how Vyjayanthimala has danced and cameras were strategically placed to catch every movement and moment. To this my sister replied that being a trained classical dancer it would not have been so difficult for Vyjayanthimala but see Dilip Kumar dance in ‘Ganga Jamna’.
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Geeton Ka Sansaar Yahaan Par
Posted on: July 19, 2021
- In: Blog Anniversary Song | Celebration Song | Devnagri script lyrics by Sudhir | Free Spirit Song | Guest posts | Happy song | joie de vivre | Lyrics contributed by readers | Meena Kapoor solo | Meena Kapoor songs | Post by Sudhir | Revelry song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
- 6 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4749 | Post No. : | 16484 |
So. Finally it is official.
We are teenagers now, the first step into the growing up years. The childhood years left behind and now the coming of age years are starting.
What started off as a ‘let’s-try-it’ hobby run with the simplest of the simple philosophical musings – “Miley Na Phool To Kaanton Se Dosti Kar Li“, has come of age today and has blossomed into a huge tree with thousands of branches spread out, with roots that are deep and strong, and are full of conviction. A tree that provides shade in terms of solace to the lovers of music, which in turn are spread out all over the globe. This is the world tree of music and songs. This is a tree that has a flavor for every palate, a tree that has fruits of everlasting tastes for the connoisseurs, a tree that conserves and perpetuates that enchanting phenomena that is the lovely Hindi Film Music – this is a tree that has many different meanings and many different treasures for the seekers of pleasure in music. There is a whole universe of music that has settled itself around this tree. Although the desires abounded for flowers, but when none were forthcoming this direction, the protagonist settled for the proverbial thorns to start with. That humble gesture ensured that flowers of all shades and colors, and also, flower bearers of all tastes and wonders, kept on coming together one by one, till a complete orchestra of performers was formed, and the bandwagon got its name.
Thirteen years and counting. And if you talk of counting, here are some counts that will really make you happy with wonder.
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- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Drunkard song | Duet | expression of love | Feelings of heart | Female drunkard song | Free Spirit Song | fun timepass song | Guest posts | Light hearted song | Lyrics contributed by readers | Party song | Post by Sudhir | Shamshad Begam Asha Bhonsle duet | Shamshad Begam songs | Song used in more than one film | Songs of 2010s (2011 to 2020) | Songs of 2011 | Yearwise breakup of songs
- 1 Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4354 | Post No. : | 15673 | Movie Count : |
4363 |
Songs Repeated in Hindi Films – 20
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It is like cherry picking a hit parade – the repeat songs are almost always the popular hit songs that have made a serious mark on the collective memory of the audiences and lovers of Hindi films and film songs. And this song is no exception. Rather this song has been so popular – with its catchy lyrics and a very hummable melody – that one hears this song being used in many different avatars outside of the film frame – remixes, revival melodies, even background music for recorded dance performances. One can find such samples online on YT.
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Bambai Bambai Bambai Bambai Bam
Posted on: June 11, 2020
- In: Arun Joglekar Songs | Free Spirit Song | Fun lyrics song | fun timepass song | Guest posts | joie de vivre | Lyrics contributed by readers | One singer singing for several actors | playful song | Post by Sadanand Kamath | Ravindra Sathe Songs | Simply joy | Song of Introspection | Song sung by three or more singers | Songs about a place | Songs of 1980s (1981 to 1990) | Songs of 1990 | Songs picturised in cities | Tyagraj Khadilkar Songs | Vinay Mandke Songs | Yearwise breakup of songs
- 5 Comments
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4346 | Post No. : | 15656 | Movie Count : |
4357 |
So far I have discussed three of the six feature films which Sai Paranjpye has directed in her filmy career – ‘Sparsh’ (1980) in “Geeton Ki Duniya Mein Sargam Hain Hum“, ‘Chashm-e-Baddoor’ (1981) in “Is Nadi Ko Mera Aaina Maan Lo” and ‘Saaz’ (1997) in “Baa. . .dal Ghumadh Badh Aaye“. In this article, I take up one more film by her – ‘Disha’ (1990) which, is not well known to the public at large. Sai Paranjpye accords this film as her best feature film in terms of excellence in all the main departments of the film making – story, screen-play, dialogues, direction, and the acting contributions from all the actors associated with this film.
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Shehron Mein Wo Baat Kahaan
Posted on: April 11, 2020
- In: Chorus song | Devnagri script lyrics by Sudhir | Free Spirit Song | fun timepass song | Guest posts | joie de vivre | K L Saigal Film songs | Lyrics contributed by readers | Miss Molina Song | Pahadi Sanyal Song | Post by Sudhir | Rare song | Song of 1935 | Songs of 1930s (1931 to 1940) | Yearwise breakup of songs
- 2 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4285 | Post No. : | 15533 |
Divinity remembered today. Divinity – as in the voice of the divine – KL Saigal.
A hundred and sixteen years ago, this day, 11th April in 1904, was born a child who would be a legend within his own lifetime, short as it was, and forever be one. The legend continues to sustain more than a hundred years hence. The sound of the songs rendered by him continue to enchant generation after generation of listeners whose constancy of devotion has not, cannot be influenced by the superfluity of singing voices that have also performed since then. Saigal is Saigal, in his own might, in his own dimension – a voice that has not been matched in its depth, in its sentimental expression, and the effect it has on the minds and hearts of the listeners.
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