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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘RD Burman


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3598 Post No. : 14361

Atul ji, in many of his posts presenting Kishore Kumar songs from the eighties has mentioned this, that though the golden era of music was over by the beginning of eighties, still many gem songs also happened to be created in the decade of eighties, and particularly in case of Kishore Kumar songs. And one of the reasons for this may be because Kishore Kumar’s peak period started in 1970 and lasted till his death in 1987.

I am presenting one such song today which is from the 1984 movie ‘Farishta’. Movies by this name have also been released in earlier decades, notably in 1958 and 1968, we had movies with the same title.

This film was Pran Saab’s presentation for his home production Sikand Films (which I was not aware of till writing of this post). It is directed by Sunil Sikand (Pran Saab’s son), who was also the producer and story writer of this movie. He also co-authored the screenplay with Tapan Chakravarty.

The cast of actors includes Ashok Kumar, Kanwaljeet Singh, Master Raju, Ambika Shourie, Danny and Pran. Bharat Bhushan, Azaad and Master Rajiv Bhatia also have supporting roles in this movie. Smita Patil makes a special appearance in this movie. The movie introduced – Shera – a wonder dog in this movie.

(Other credits: Sudesh Iyer was the Chief Assistant Director; David Dhawan was the editor; of this movie; Gyandev Agnihotri wrote the scenario; and the dialogues were written by Pradeep Roy Choudhary. It was passed by Censor Board on 13.10.1983.).

Lyrics for this movie are written by Anand Bakshi and the music is composed by RD Burman. Kishore Kumar, Amit Kumar, Suresh Wadkar, Anuradha Paudwal and Master Vivek Bajaj gave their voices to the songs in this movie.

Let us now enjoy today’s song sung by Kishore Kumar which is performed on screen by Pran Saab. Master Raju and others can be seen in the picturization of this song. With this song the movie ‘Farishta’ makes its debut on the blog today.

zamaane mein koyee hamaaraa nahin. . .

Song – Zamaane Mein Koi Hamaara Nahin (Farishta) (1983) Singer – Kishore Kumar, Lyrics – Anand Bakshi, MD – RD Burman

Lyrics

zamaane mein koi
hamaara nahin
kisi ka bhi hum ko
sahaara nahin

zamaane mein koi

zamaane mein koi
hamaara nahin ee
kisi ka bhi hum ko
sahaara nahin

naseebon ke kaale
savere to hain
garibon ke ghar mein
andhere to hain
naseebon ke kaale
savere to hain
garibon ke ghar mein
andhere to hain
koi chaand koy sitaaraa nahin
kisi ka bhi hamko
sahaara nahin

sabhi ke liye ek
duniya hai ye
hamaare liye gham ka
dariya hai ye

sabhi ke liye ek
duniya hai ye
hamaare liye gham ka
dariya hai ye
bhanwar hi bhanwar hai ye
kinaara nahin
kisi ka bhi hamko
sahaara nahin

kahin se kisi ne na
awaaz di
rahe chup khuda aur
bhagwaan bhi
kahin se kisi ne na
awaaz di
rahe chup khuda aur
bhagwaan bhi
bhagwaan bhi
kisey hum ne ja kar
pukaara nahin
kisi ka bhi hamko
sahaara nahin
sahaaraa nahin
sahaara nahin

———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————
ज़माने में कोई
हमारा नहीं
किसी का भी हमको
सहारा नहीं

ज़माने में कोई

ज़माने में कोई
हमारा नहीं
किसी का भी हमको ओ
सहारा नहीं

नसीबों के काले
सवेरे तो हैं
गरीबों के घर में
अँधेरे तो हैं

नसीबों के काले
सवेरे तो हैं
गरीबों के घर में
अँधेरे तो हैं
कोई चाँद कोई
सितारा नहीं
किसी का भी हमको
सहारा नहीं

सभी के लिए एक
दुनिया हैं ये
हमारे लिए ग़म का
दरिया हैं ये

सभी के लिए एक
दुनिया हैं ये
हमारे लिए ग़म का
दरिया हैं ये
भंवर ही भंवर है ये
किनारा नहीं
किसी का भी हमको
सहारा नहीं

कहीं से किसी ने ना
आवाज़ दी
रहे चुप खुदा और
भगवान् भी

कहीं से किसी ने ना
आवाज़ दी
रहे चुप खुदा और
भगवान् भी
भगवान् भी

किसे हमने जाकर
पुकारा नहीं
किसी का भी हमको
सहारा नहीं
सहारा नहीं
सहारा नहीं

 

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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3525 Post No. : 14162

Hullo Atuldom

Remembering today a producer- director who started his career in Bollywood in the year 1948. Our in-house encyclopaedia has already enlightened us that this was as a writer for an AR Kardar film of Filmistan. The other Filmistan movies that carry his name as writer are ‘Anarkali’ (1953), ‘Munimji’ (1955), and ‘Paying Guest’ (1957).

Recently Zee Classic ran a series which was hosted by the writer-lyricist Javed Akhtar called ‘Classic Legends’ which tried to give an insider’s view on the legendary film personalities. I happened to see the episode which featured this writer- producer- director or to put it in one phrase “Film Maker”.  Javed Saab talked about the various genres under which films are made in India and said that this particular film-maker made movies in a genre called ‘Rom-Com Musical’.

The person whom we are remembering today on his 15th death anniversary – Nasir Hussain, was one who thought up this kind of entertaining movies. But then we had ample doses of romance and comedy in all movies made in India and music is a must for our movies be they suspense thrillers or murder mysteries, or even vendetta movies.

Nasir Hussain gave us all these ingredients in equal measure in many of his movies. So, what if ‘Yaadon Ki Baarat’ (1973) was vendetta of a boy who witnessed his parents’ murder. We still had seven songs in the movie of which 3 were romantic. Similarly, ‘Teesri Manzil’ (1966) had Asha Parekh trying to solve her sister’s death – so, it can be called a murder mystery. This movie too had 6 songs of which 2 were pure romantic numbers and one was a total comedy, in addition to all the situational comedy that kept occurring through the movie. Then he also made movies where the family gets separated in the first few minutes and then the poor protagonist -simply put ‘the hero’ – goes through the paces of the movie trying to look for his lost mother or father, wooing the wealthy heiress, singing a few songs in the process etc. Almost all of Nasir Hussain’s movies followed the same story in the sixties. He changed his storyline somewhat for ‘Caravan’ (1971) and ‘Bahaaron Ke Sapne’ (1967), later on in the mid-eighties we had ‘Manzil Manzil’ (1984) with the story of a separated family coming back together in the climax. The later part of the seventies had two Nasir Hussain movies with only romance and songs as their backbone – ‘Hum Kisise Kam Nahin’ (1977) and ‘Zamaane Ko Dikhana Hai’ (1981).

There were a few constants in Nasir Saab’s movies namely – Majrooh Sultanpuri, Asha Parekh, Rajendranath, and a character that used to walk-in swinging a racquet calling himself Subodh Mukherjee. Of course, from the 1966 ‘Teesri Manzil’ RD Burman was his constant for music direction, an association that lasted for almost 19 years till the 1984 ‘Zabardast’. Even when his son Mansoor Khan took over the direction of movies of Nasir Hussain Films ‘Qayamat Se Qayamat Tak’ (1988) and ‘Jo Jeeta Wahi Sikandar’ (1992) Nasir Saab continued to write the script and dialogues. He was possibly the first to have back-to-back songs or four songs-in-a-row kind of situations – remember “Megha Re Bole Ghanan Ghanan” and “Bade Hain Dil Ke Kaale” (film ‘Dil Deke Dekho’, 1959). “Aap Ke Kamre Mein Koi Rehta Hai” (‘Yaadon Ki Baraat’, 1973) had three parts to it.  And then of course the foursome “Chaand Mera Dil“, “Aa Dil Kya Mehfil Hai Tere”, “Tum Kya Jaano Mohabbat Kya Hai” and “Mil Gaya Hum Ko Saathi” came all together in ‘Hum Kisise Kam Nahin’ (1977).

On going through the list of Nasir Hussain’s movies posted on our blog I find that many of his movies have already been Yippeee’d. ‘Hum Kisise Kam Nahin’ has been shown as having 5/6 songs posted. On reviewing the list, I found that the one song from the four-song medley has been posted. Which means it is not 5/6 but 5/9 posted.

Let us enjoy this second song from the dance competition medley. Not in this clip, but towards the end of the this four song medley, Amjad Khan also makes an entrance into this scene.

Thank you Nasir Saab for leaving us enjoyable movies

Song – Aa Dil Kya Mehfil Hai Tere Kadmon Mein (Hum Kisi Se Kam Nahin) (1977) Singer – Kishore Kumar, Lyrics – Majrooh Sultanpuri, MD – RD Burman
Chorus

Lyrics (Provided by Sudhir)

aa
dil kya
mehfil hai tere
kadmon mein

aa. . . dil kya
mehfil hai tere

duniya ki bahaaren tere liye
chaand sitaare tere liye

ho ho ho ho

jaan e ada
oo ho ho ho
jaan e ada
jaan e wafaa
tujh pe main fida
ho ho ho
ho jaan e wafaa
tujh pe main fida

ho oo oo
aa. . . dil kya
mehfil hai tere
kadmon mein

aa. . . dil kya
mehfil hai tere

duniya ki bahaaren tere liye
chaand sitaare tere liye

ho ho ho ho

jaan e ada
oo ho ho ho
jaan e ada
jaan e wafaa
tujh pe main fida
ho ho ho
ho jaan e wafaa
tujh pe main fida

ho oo oo
aa. . . dil kya
mehfil hai tere
kadmon mein

aa. . .

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

दिल क्या
महफिल है तेरे
कदमों में

आ॰॰॰ दिल क्या
महफिल है तेरे

दुनिया की बहारें तेरे लिए
चाँद सितारे तेरे लिए

हो हो हो हो

जान ए अदा
ओ हो हो हो
जान ए अदा
जान ए वफा
तुझ पे मैं फिदा
हो हो हो
हो जान ए वफा
तुझ पे मैं फिदा

हो ओ ओ
आ॰॰॰ दिल क्या
महफिल है तेरे
कदमों में

आ॰॰॰ दिल क्या
महफिल है तेरे

दुनिया की बहारें तेरे लिए
चाँद सितारे तेरे लिए

हो हो हो हो

जान ए अदा
ओ हो हो हो
जान ए अदा
जान ए वफा
तुझ पे मैं फिदा
हो हो हो
हो जान ए वफा
तुझ पे मैं फिदा

हो ओ ओ
आ॰॰॰ दिल क्या
महफिल है तेरे
कदमों में

आ॰ ॰ ॰

 


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3505 Post No. : 14085

‘Saas Bhi Kabhi Bahu Thi’ (1971) is different from the serial ‘Kyun Ki Saas Bhi Kabhi Bahu Thi’ which came a long time after the movie. The movie was an all-round entertainer. We would not get anything less in a movie where Om Prakash heads the cast and the hero (Sanjay Khan in this case) plays a second fiddle to Om Prakash and Jagdeep. Plus, when the mirch-masalas Lalita Pawar and Shashikala spice up the whole setup, it is but natural that the lead cast (Sanjay Khan and Leena Chandavarkar) become secondary – their presence being needed for the romantic interludes.

I must confess I was unaware of this movie till a few years back – till 2014 to be exact. I chanced upon it on one of the umpteen satellite channels. The title made me sit through what turned out to be an enjoyable family- entertainer (as they used to be called back then) which didn’t make you start crying halfway through. A family-entertainer essentially was one which one could see with the entire family and the viewer will be preached about how to maintain family relationships and a few ladies in the audience will be seen crying into their hankies. This movie was not like that.

So, coming to today’s song we have Om Prakash playing a Sadhu Baba and Sanjay and Jagdeep are his chelaas (I think it means students) with Sunder playing an assistant. In the movie Sanjay is Om Prakash’s son, Sunder – his servant and Jagdeep is Sanjay’s saala (brother-in-law). The song has Shashikala and Lalitha Pawar as ladies who have come with queries to the “antaryaami baba”. Through the song we get a gist of the movie. The song is in the voice of Manna Dey written by Rajendra Krishan, with music composed by RD Burman.

One song from this movie was discussed in 2016 by our Avinashji. On the occasion of Om Prakash’s passing away anniversary today; we shall see him the way he was largely-loved by the public. It is 20 years since he passed away.

In those days we used to live in Chembur, Bombay (not yet Mumbai then) and both Om Prakash and Ashok Kumar lived not very far from where we were. Those were the days when it was still cable TV and not satellite TV. And what did the cable operator providing service to our apartment do, he just stopped service for the day and put up a notice on black card— to enable the public in the area to attend the funeral of our beloved “jija ji” (as Om Prakash’s character was in “’Chupke Chupke”) we are suspending our service for a day. That was how much he was loved.

We can remember so many of his memorable characters – starting from ‘Guddi’ (1971) (that is where I noticed him first) to all his characters in Hrishikesh Mukherjee movies, to ‘Ghar Ho To Aisa’ (1990) (that is the last time I saw him in a movie). Of course, his career spanned 42 years and starting from movies made in Lahore in 1942 to “Ghar Ki Izzat” in 1994 he was a co star to every actor – big or small- and gave his best no matter the size of the role as in ‘Purab Aur Paschim’ (1970).

Thinking of Jija ji today on his anniversary

Song – Suno Re Saadho Ye Sansaaram Ultam Paltam Ho Gaya (Saas Bhi Kabhi Bahu Thi) (1970) Singer – Manna Dey, Lyrics – Rajendra Krishan, MD – RD Burman
Chorus

Lyrics

baaba-leeka

hey..ey
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
bam bam leharey bam bam
bam bam leharey bam bam
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
bam bam leharey bam bam
bam bam leharey bam bam

dekho re dekho
dekho re saadho
kalyug ki naari ka namoona
apni hi santaan ko is ne
kas ke lagaaya kaisa choona
apni bahu ko bete se apne
sau gaj door sulaya
prabhu kripa se
phir bhi is ne
chaand sa pota paaya
bolo
bam bam leharey bam bam
phir se
bam bam leharey bam bam

dhanya hai saadho
ye devi bhi
chidiya jaisi bholi bhali
rang birange pankh hai iske
chonch magar hai kaali kaali
apni boodhi saas ko is ne
ghar se maar bhagaaya
jab ye saas bani to is ko
bahu ne mazaa chakhaya
ho bolo
bam bam leharey bam bam
phir se
bam bam leharey bam bam

hey..ey
suno re saadho ye sansaaram
ultam paltam ho gaya
kahaan ki bhakti
pooja paatham
thokam thaakam ho gaya
ho bolo
bam bam leharey bam bam
bolo
bam bam leharey bam bam

bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam
bam bam bam
babam bam babam

———————————————————
Hindi script lyrics (Provided by Sudhir)
———————————————————

बाबा-लीका

हे॰॰ए
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
बम बम लहरे बम बम
बम बम लहरे बम बम
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
बम बम लहरे बम बम
बम बम लहरे बम बम

देखो रे देखो
देखो रे साधो
कलयुग की नारी का नमूना
अपनी ही संतान को इसने
कस के लगाया कैसा चूना
अपनी बहू को बेटे से अपने
सौ गज दूर सुलाया
प्रभु कृपा से
फिर भी इसने
चाँद सा पोता पाया
बोलो
बम बम लहरे बम बम
फिर से
बम बम लहरे बम बम

धन्य है साधो
ये देवी भी
चिड़िया जैसी भोली भाली
रंग बिरंगे पंख हैं इसके
चोंच मगर है काली काली
अपनी बूढ़ी सास को इसने
घर से मार भगाया
जब ये सास बनी तो इसको
बहू ने मज़ा चखाया
हो बोलो
बम बम लहरे बम बम
फिर से
बम बम लहरे बम बम

हे॰॰ए
सुनो रे साधो ये संसारम्
उल्टम पल्टम हो गया
कहाँ की भक्ति
पूजा पाठम
ठोकम ठाकम हो गया
हो बोलो
बम बम लहरे बम बम
बोलो
बम बम लहरे बम बम

बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम
बम बम बम
बबम बम बबम


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3457 Post No. : 13865

#the Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet #60 # Missing RD Burman movies of 1971-1980
—————————————————————————————————-

 Today 4th January is the twenty third ‘Remembrance Day’ (27th June’1939- 04th January’1994) of the ‘versatile genius’ RD Burman or our beloved Pancham Da. On this occasion here is a song from the movie ‘Rani Mera Naam’ from  1972.

The film was directed by KSR Das for ‘Balkrishna Movies, Madras’. It had Vijaylalita, Premnath, Ajit, Madan Puri, Anwar Hussain, Iftikhaar, Natrajan, Jagdeep, Jayshree T, Faryal and Baby Sridevi. Vinod Mehra did a special appearance in this movie. Nazir Hussain, Sulochana, Pandari Bai made guest appearances while Ashok Kumar and Om Prakash made friendly appearances in this movie.

This movie has four songs penned by Majrooh Sultanpuri and composed by RD Burman. There are three solos of Asha Bhonsle, and one duet song sung by Asha Bhonsle and Manna Dey.

This movie was passed by Censor Board on 19.04.1972. By introducing this movie on the blog, we are adding one more of RD Burman’s missing movies from 1971-1980 on the blog.

As it happens with me while introducing a new movie on the blog, this time also, I was in dilemma about the song to be shared first. Finally, I decided to go by the first song in the movie as listed in HFGK. This song is picturized on Faryal – the yesteryears’ actress who has performed many dances including many cabarets in those days.The video link also gives her date of birth which is 3rd November 1945, which matches with her date of birth an mentioned on the anniversary page of the blog.

I am not aware much about her personal life. I remember watching her in many movies of the seventies. I would request knowledgeable readers to throw more light about the actress and her movies and on the songs of this movie ‘Rani Mera Naam’. I am reproducing below the information about her as available and taken from Wikipedia. The page is available here

 

Faryal (born 3 November 1945 in Syria) is an Indian film actress and dancer of mixed Indian and Arabic descent working in Hindi films. She was a popular Bollywood cabaret dancer and actress in the 1960s and 70’s.

Faryal was born in the Damascus area of Syria on 3 November 1945 to an Indian father and a Syrian mother. She completed her education at Loretto Convent, Simla, Cathedral High School and St. Xavier’s College, Bombay. Faryal worked for a while as an air hostess in Air India before joining films. She is a product of the ‘Filma­Iaya School of Acting’.

Faryal entered Bollywood in 1965 in the black-n-white movie ‘Zindagi aur Maut’, as a lead role opposite Pradeep Kumar. This film contained famous song “Dil Laga Kar Hum Ye Samjhe” sung solo by Asha Bhonsle and Mahender Kapoor. Both these songs are available on YouTube. Faryal was liked by people and resulted in her getting lead role in film ‘Biradari’ (1966) opposite Shashi Kapoor. The movie was a total flop. She was noted for her role as a cabaret dancer in the movie ‘Jewel Thief’ released in 1967. After the movie’s release, offers started pouring in. In an interview in 1973, Faryal stated that “Ever since Goldie cast me in that glamorous dancer’s role in Je­wel Thief,  film makers have looked upon me as an “excel­lent cabaret dancer”.” Whereas in reality I have never learnt dancing,” “I don’t even like dancing; I rather hate it”. At first afraid of being typecast, Faryal was reluctant to accept the numerous offers that she received soon after the release of Jewel Thief. But gradually she realized that if she refused the roles there were ten others ready to replace her. And now the bath tub scene in ‘Apradh’ released in 1972 had given me an even worse image”. Faryal retired from movies in 1984 after her performance as the girlfriend of Jeetendra in ‘Gold Medal’.

 Let us now enjoy the song under discussion …

 


Song – Andhera. . . Aur Kuchh Nahin Teri Kahaani Mein (Rani Mera Naam) (1972) Singer – Asha Bhosle, Lyrics – Majrooh Sultanpuri, MD – RD Burman

Lyrics

andheraa aa
andheraa
andheraa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to
pyaar ki
aag hi lagaa le
zindgaani mein

aa
andheraa aa
andheraa
andheraa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to pyaar ki aag hi lagaa le
zindgaani mein

tu ru oo ru tu ru ru tu
ru ru tu ru ru tu
ru ru tu ru ru tu
ru ru

ru ru oo
ru tu ru ru tu
ru ru tu ru ru tu
ru ru tu ru ru tu
ru ru oo hoo oo

jab to mazaa hai
tere liye koyi bharti hon aahen
kahin khoyi khoyi
aye jeena nahin
jeena akele ae
marna nahin
marna akele
samjhe jaaneman
jab to mazaa hai
tere liye koyi bharti hon aahen
kahin khoyi khoyi
ye bhi na ho to
kya rahaa jawaani mein
andheraa aa
andheraa aa
aur kuchh nahin teri kahaani mein
aa aa
ho sake ae
to
pyaar ki
arey aag hi lagaa le
zindgaani mein

koyi nahin to aa
o mere baanke
rakh le mujh hi ko dil se lagaa ke
ae ae
chaahe isme tu bhi jal jaa
tere tan se
mil mil jaaye
jwaalaa aa saa badan
koyi nahin to aa
o mere baanke
rakh le mujh hi ko dil se lagaa ke
kar le koi ujaala zindgaani mein
andheraa aa
andheraa
andheraa
andheraa
andheraa
aur kuchh nahin teri kahaani mein
aa aa
ho sake to pyaar ki
arey aag hi lagaa le
zindgaani mein
———————————————————
Hindi script lyrics (Provided by Avinash Scrapwala)
———————————————————

अँधेरा आ
अँधेरा
अँधेरा
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
आग ही लगा ले
जिंदगानी में

अँधेरा आ
अँधेरा
अँधेरा
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
आग ही लगा ले
जिंदगानी में
तू रु ऊ रु तू रु रु तू
रु रु तू रु रु तू
रु रु तू रु रु तू
रु रु
रु रु ऊ
रु तू रु रु तू
रु रु तू रु रु तू
रु रु तू रु रु तू
रु रु ऊ हूँ ऊ
जब तो मज़ा है
तेरे लिए कोई भरती हों आहें
कहीं खोयी खोयी
ए जीना नहीं
जीना अकेले ए
मरना नहीं
मरना अकेले
समझे जानेमन
जब तो मज़ा है
तेरे लिए कोई भरती हों आहें
कहीं खोयी खोयी
ये भी ना हो तो
क्या रहा जवानी में
अँधेरा आ
अँधेरा आ
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
अरे आग ही लगा ले
जिंदगानी में

कोई नहीं तो आ
ओ मेरे बांके
रख ले मुझ ही को दिल से लगा के
ए ए
चाहे इसमें तू भी जल जा
तेरे तन से
मिल मिल जाए
ज्वाला आ सा बदन
कोई नहीं तो आ
ओ मेरे बांके
रख ले मुझ ही को दिल से लगा के
कर ले कोई उजाला जिंदगानी में
अँधेरा आ
अँधेरा
अँधेरा
अँधेरा
अँधेरा
और कुछ नहीं तेरी कहानी में
आ आ
हो सके तो
प्यार कि
अरे आग ही लगा ले
जिंदगानी में


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today is the 5th remembrance day of Rajesh Khanna – the first and only Superstar of Hindi cinema. Today I present on our blog, another lovely nice – hummable song from the movie ‘Bundalbaaz’, sung by Kishore Kumar and Lata Mangeshkar.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Have you ever wondered. . .

how a song gets constructed?

and why a song is termed as a tip of the iceberg?

You must now be thinking – this is a peculiar but a very interesting intro to the 134th century post on the blog. So yes, before getting into the discussion on the proposed topic, congratulations are in order. Welcome all to the 13 thousand 4 hundredth post on our blog. The musical bandwagon rolls on – toiling, pleasing, emotionally invigorating – it continues to move tirelessly. Because. . . because music – must be there. The world, this nature – all are moving to a rhythm, and a melody. Music is instilled in everything every entity we know, we touch, we think of. But come to think of it, we do not often think of this world that way i.e. music in everything, everyday of our lives. We are so consumed with the process of existence and living day to day, that we forget to stop and smell the flowers (or smell the coffee, if you are in America). And the music of life gets hidden behind the other sundries. Often we forget to think about it.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Last of the Music Moguls. Not that there have not been more prolific artists and music directors after him. One can readily name a few – Anu Malik, AR Rahman, Ilayaraja. But me, personally speaking, will not put the follow on ‘champs’ in the same bracket. Something ended when he left us, twenty three years ago. Times were-a-changing even as the 1960s played itself out. And he himself was singularly instrumental in that transformation.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In a calendar year we celebrate special anniversaries of personalities related to HFM in almost all the months. Moreover, we pay our respect and homages on the remembrance day of such personalities too.

We also celebrate birth anniversaries of our team members and their family members and other ‘special days’ in their life, through posts/songs on the blog.
Read more on this topic…


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a year since the last song of “Baalika Badhu” (1976) was posted. That song “Arey Doli Mein Sawaar Sajni Ka Pyaar” was in the vocals of R D Burman. It was on RDB also called Panchamda’s birthday. That was a baraat song full of fun and frolic. Today we will have one more song- a patriotic song in the voice of the legendary Mohammad Rafi. It is written by Anand Bakshi.
Read more on this topic…


This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

As I write out this post today, I have strong emotions attached to it.

It is a huge honour for me to write this post. I have to thank Atul for giving me the opportunity to do so.

Just a few days ago, Atul sent me an e-mail asking me if I could do a write-up for Kishore Kumar’s 1000th song on this blog. And of course, I immediately mailed back “Sure”. I wouldn’t miss this opportunity – it is indeed a very special occasion and a huge honour for me.
Read more on this topic…


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(© 2008 - 2018) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for more than nine years. This blog has over 14400 song posts by now.

This blog is active and online for over 3600 days since its beginning on 19 july 2008.

Total number of songs posts discussed

14430

Number of movies covered in the blog

Movies with all their songs covered =1146
Total Number of movies covered =3932

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  • 10,451,456 hits

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Blog Start date: 19 july 2008

Active for more than 3500 days.

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