Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Guest posts’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5612 Post No. : 18090

Kaun kambakht hai jo bardaasht karne ke liye peeta hai… main to peeta hoon ke bas saans le sakoon.

This famous dialogue in the film, ‘Devdas’ (1955) was written by Rajinder Singh Bedi, the Urdu short stories writer, playwright and the novelist. In the aftermath of the partition, he had landed in Hindi film industry mainly for the betterment of his financial conditions apart from creative contributions to the extent possible. But once he knew the realities that the film writers have no much freedom, Rajendra Singh Bedi turned producer-director in Hindi films to fulfil his creative desire.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5611 Post No. : 18089

Today’s song is from the film Paataal Bhairavi-1952.

The film was a dubbed version of the original Telugu film made in 1951. The film was a creation of Vijay Vauhini studios of Madras. It was produced by B.Nagi Reddy and Chakrapani (He is the same person who was the editor of various versions of ‘Chandamama’ magazines). This studio was situated in Vadapalani- a suburb of Madras city. In 1980, I had an opportunity to see this studio and meet Chakrapani in the ‘Chandamama’ office, through one of my friends in Madras.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5610 Post No. : 18088 Movie Count :

4922

Ayushman Khurana and Bhumi Pednekar were paired together for the first time in ‘Dam Laga Ke Haisha’ (2014) which I have already discussed on the Blog. Their chemistry clicked from the very first film together which seems to have been liked by the audience as per the box office indicator. ‘Shubh Mangal Saavdhan’ (2017) is their second film together. Other supporting cast included Seema Bhargav, Neeraj Sood, Chittaranjan Tripathy, Brijendra Kala, Supriya Shukla, Sanjay Singh etc.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5609 Post No. : 18087

Today’s song is from the film Sangam-1954.

The first film with the title ‘Sangam’ was made in 1941, the second in 1954 and the third one in 1964. The most famous was the 1964 film with Raj Kapoor, Rajendra Kumar and Vyjayanti Mala. It was a Love triangle film with very good songs, composed by Shankar-Jaikishen.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5608 Post No. : 18086 Movie Count :

4921

Hindi film audience may be acquainted with Pearl Padamsee (1931 – 24/04/2000) for her good performances in Basu Chatterjee’s films, ‘Khatta Meetha’ (1977) and ‘Baaton Baaton Mein’ (1979). She was also seen in Shyam Benegal’s ‘Junoon’. But more than an actor in Hindi films, she was an eminent theatre personality who, in colloboration with Alyque Padamsee, propped up a vibrant English theatre in Mumbai for over 4 decades.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5607 Post No. : 18085

Hullo Atuldom

Like they say in some sponsored programs, I shall also say:- today’s song has been selected with the help of my daughter who is known as Peevesie to the followers of the blog. (I always feel we should acknowledge all those who help us). She is the one who pointed out that the director of the film (Paheli 2005) from which today’s song is, was someone who tried his hand at films which didn’t have the regular run-of-the-mill stories.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5607 Post No. : 18084 Movie Count :

4920

While discussing the films, ‘Gharaonda’ (1977) and ‘Dooriyaan’ (1979), the name of Bhimsain gets noticed. Both these films were produced and directed by him whose specialisation was in animation films. His foray into feature film was a journey into uncharted waters for him. In the event, both these films became cult-classics. Thereafter, he made only one Hindi film, ‘Tum Laut Aao’ (1983) and bid goodbye to Hindi films. He devoted rest of his life in improving the standard of animation films in India. I have come across about a dozen of videos on the development of animation films in India and all of these mention about the contributions Ram Mohan and Bhimsain in the field of animation films in India.

Remembering Bhimsain Khurana (24/11/1936 – 17/04/2018), a devoted animation filmmaker whose 87th birth anniversary falls today.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5604 Post No. : 18080

#the Decade of Sixties – 1961 – 1970 #
———————————————————————

The song being discussed in this article is from the movie ‘Golden Eyes-1968’. It was a movie belonging to the genre of ‘spy thriller’.

I was under the impression that ‘jasoosee’ movie is a ‘detective’ movie. ‘Detective’ and ‘spy’ appear synonymous, but now I have learnt that there is a difference in their purpose and ‘modus operandi’.:) I think ‘spying’ is more correct word here. 🙂 I had always liked to watch movies of this genre. During my childhood days I used to read and like the detective stories of ‘Inspector Dhananjay’ written by Baburao Arnalkar very much. (Interested readers can read more about him in this article written by our respected In-house Encyclopedia Shri Arunkumar ji on the blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5604 Post No. : 18079 Movie Count :

4919

Producer-director-writer, Basu Chatterjee is one of the earliest filmmakers who brought up middle-class related issues on the big screen with films like ‘Saara Aakaash’ (1969), ‘Piya Ka Ghar’ (1971), ‘Rajnigandha’ (1974), ‘Chhoti Si Baat’ (1975), ‘Chitchor’ (1976), ‘Baaton Baaton Mein’ (1979) and many more. He has also made film with other genres of which ‘Kamla Ki Maut’ (1989) was critically acclaimed. But the film failed at the box office. He went back to his favourite genre of middle class family drama with light comedy, and made for Doordarshan a telefilm, ‘Hamaari Shaadi’ (1990). About 3 months back, Doordarshan uploaded the film in digital format on one of the video sharing platforms, with improved audio-visual quality.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5602 Post No. : 18077 Movie Count :

4918

Buddhadeb Dasgupta (11/02/1944 – 10/06/2021) has been a well-known director of many off-beat and ‘middle of the road’ Bangla films, some of which have earned him the National Film Awards and other awards. I was not aware that he had also directed 3 Hindi films, ‘Andhi Gali’ (1984), ‘Bagh Bahadur’ (1990) and ‘Anwar Ka Ajab Kissa’ (2014) until recently when I heard a song from his third Hindi film. The reason for this film’s obscurity was that it never got theatrical release though the film was certified by the Censor Board on September 8, 2014, for its India release. However, before that it was premiered on October 17, 2013, at BFI, London Film Festival. In October 2020, EROS NOW released the film on OTT platform. The cast consisted of Navazuddin Siddiqui in the main role with Makrand Brahme, Niharika Singh, Ananya Chatterjee, Pankaj Tripathi, Ekavali Khanna, Amrita Chattopadhyay, Masood Akhtar etc.
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