Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 8
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ROOP REKHA (1948) was a film that I was not aware of until I heard mp3 clip of a song from the film. An advertisement of the film which appeared in one of the issues of ‘Filmindia’ 1948 revealed that the film was produced by Padam Maheshwari under the banner of Chitrakala Mandir and it was directed by Samar Guha. Veena Kohli and Rehan, probably new comers, were in the lead role supported by Asha Poshley, Smriti Biswas, Durga Mota, Ajmal, G N Butt etc. I have no idea as to which genre the film belonged to but going by another advertisement of the film which says ‘Burning Punjab brings out the challenge picture of 1948’, the story appears to be based on the social impact on Punjab immediately after the partition.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 7
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PRITHVIRAJ SANYUKTA (1946) was the first film from Shalimar Pictures belonging to historic genre after producing social genre films like ‘Ek Raat’ (1942), ‘Prem Sangeet’ (1943), ‘Man Ki Jeet’ (1944) and ‘Ghulaami’ (1945). The film had Prithviraj Kapoor and Neena in the lead roles of Prithiviraj Chauhan and Sanyukta (Sanyogita) respectively. The other main characters were played by Tiwari (Raja Jaichand) and Bharat Vyas (Chand Bardai, Court poet), Cuckoo played the role of a court dancer. The film was released in May 1946.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In July 2014, when the Blog was celebrating a milestone of 10,000 songs, I had written an article on Mallika Pukhraj and discussed her iconic nazm  Abhi To Main Jawaan Hoon. At that time, I had heard almost all ghazals, nazms and thumris rendered by her and available on the websites. One of her ghazals which I liked for very unique style of rendition was “Dillagi Meri Koi Kya Jaane”. Surprisingly, a good quality video of her rendition of this ghazal was available on YT. I was under the impression that Mallika Pukhraj sang this ghazal in Wadia Movietone’s film ‘Kahaan Hai Manzil Teri’ (1939).  I liked her rendition so much that I decided that I would attempt an article on this ghazal for the blog some time later. However, after a couple of months or so, I found to my dismay that the said video of the ghazal was deleted from YT.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 6
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GHULAAMI (1945) was produced under the banner of Shalimar Pictures owned by W Z Ahmad and directed by Mohan Wadhwani. The star cast included Renuka Devi, Masud Parvez in the lead role with the supporting cast of Tiwari, Rajkumari Shukla, David, Bharat Vyas, Mumtaz, Anwar, Ramavatar etc. The film had 9 songs written by 4 lyricists – Bharat Vyas (5), Akhtar-ul-Iman (2), Majaaz Lucknawi (1) and Josh Malihabadi (1) which were set to music by S K Pal. The DVD/VCD of the film is not available. All I know about the film from a photograph was that it was a patriotic film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 5
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Continuing my search for some rare songs which are not available on YT, I came across mp3 clip of a song ‘bah dheere dheere naiyya’ from the film ‘Paraaye Bas Mein’ (1946) on Dr Surjit Singh’s Website. Pran and Asha Posley were in the lead roles in the film. The film had 7 songs written by two lyricists – Tufail Hoshiyarpuri and Aziz Kashmiri and were composed by two music directors – Niaz Hussain Shami and Vinod. It is said that originally, Pandit Amarnath was to compose the songs for the film. Due to deterioration of his health, Vinod and Niaz Hussain were entrusted with music direction.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Lat uljhi suljha ja baalam
haathon mein mehandi lagi hai mori

Maathe ki bindiya bikhra gayi mori
Apne haath sajaa jaa baalam

Pag paijhaniya uljha gayi mori
Apne haath lagaa jaa baalam

The above is the original bandish written by saint-poet Chandrasakhi and composed in Raag Bihag.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

main dhoondhta hoon jise wo jahaan nahin milta
nayi zameen naya aasmaan nahin milta

Begum Akhtar recorded this ghazal written by Kaifi Azmi (at the age of 11) for Doordarshan just a few days before she left for heavenly abode on October 30, 1974. And this turned out to be her last recording for Doordarshan.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 4
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I have been looking for some rare songs which are generally not available on YT. Some of them are gems which are required to be brought to the notice of the wider section of the admirers of Hindi film music. Thanks to some of the collectors of old Hindi film songs and also thanks to internet technologies, such gems can now be stored in mp3 format and easily shared. One of the websites which has become a kind of a store house of old Hindi film songs in mp3 format is Dr Surjit Singh’s Website. With a large collection, the attendant problem is in searching for the required songs/films. One must be extremely patient in searching for the required songs or films as the records of mp3 clips have not been maintained in any particular order as of now.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 3
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The first time I heard the name of the film ‘Prarthana’ (1943) was sometime in 2012 when I wrote a short write-up on Jahanara Kajjan, singer-actor of 30s and 40s, for the Blog with her song tumre darshan ka nainaa taras gaye re in Raag Gaud. Since then, the only additional information I could get about this film was that it was a social genre film. The film’s VCD/DVD is not available.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Forgotten Melodies of the 1940s – 2
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In the history of Rajputs, the name of Panna Dai has become immortal because of her supreme sacrifice. I first came to know about the story of Panna Dai in the Rajput history lesson during my school days. The only thing I remember of the story till a few days back was that Panna Dai sacrificed her own son to save the future Maharana of Mewad, Udai Singh for whom she was the Dai (Nanny). The detailed story of the 16th century nursemaid Panna Dai is available on Wikipedia.
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