Archive for the ‘Post by Sudhir’ Category
Nazar milaao pataa chalegaa
Posted on: June 2, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Aakhri Sajda (1977) is the last movie for which Sajjaad Hussain composed music.
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Raat jaa rahi hai
Posted on: May 28, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor of this blog
Late 1940s, and especially the year 1949, is considered to be a watershed year in the annals of Hindi film music. considered by many to be the dawn of the Golden Age of Hindi film music,
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Kisi se mili hai nazar be iraadaa
Posted on: May 27, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
This is a gem of a ghazal presented in Mujra style. Once again, very beautiful, almost semi classical composition. The words are lovely, and the music is just wonderful. As with the other song picturised on Helen, the quality of on screen situation and picturization is average. However, the song is mesmerizing, if one listens only to the audio, without any visual distractions.
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Bhor aayi gayaa andhiyaaraa
Posted on: May 23, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
It has been variously said that there is a song in Hindi movies for practically any occasion, any situation, any profession, in short, there is a song for probably just anything. One just has to look for it long enough. The list of categories of songs on this blog itself is evidence that there are absolutely zany and unthinkable situations for which there are songs in Hindi movies. So, is there a song for cleaning dishes? I am sure there are more than one song in domestic or business situations wherein dishes are being cleaned with music and singing. How about cleaning dishes and utensils to classical music? :D)
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- In: Amitabh Bachchan present (without lip syncing) | Amitabh Bachchan songs | Artist's debut song/ movie | Background song | Guest posts | Inspirational song | Mahendra Kapoor solo | Mahendra Kapoor songs | Post by Sudhir | Songs of 1960s (1961 to 1970) | Songs of 1969 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The general memory of the 1969 movie, Saat Hindustaani, is linked to the fact that it was the debut movie for Amitabh Bachhan. However, in my mind, this movie is more associated with the writer director Khwaja Ahmed Abbas or KA Abbas. The Wikipeadia page on Abbas Saab contains very interesting information about this personality, e.g. fact like his family tree is traced back to Ayub Ansari, a close associate of Prophet Mohammed, and that his grandfather was one of the prominent soldiers in the 1857 uprising against the Britishers and a martyr, sentenced to be blown on a cannon, and that Abbas Saab is the great great great grandfather of Shahid Kapoor. Besides these familial facts, Abbas Saab has been a prolific writer and journalist, and a noted story writer and film maker in Hindi Cinema. His column ‘Last Page’ in ‘Blitz’, the Bombay based newspaper, ran from 1935 to 1987, the longest running column in the history of Indian journalism. He wrote 73 books in Hindi, Urdu and English, and is considered as one of the premier Urdu short story writers of the 20th century.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A wonderful “searching-for-a-lost-one” song. The movie is Chaalis Din (1959) with a reasonably good set of actors, i.e. Premnath, Shakeela, Nishi, KN Singh, Maruti, Shammi, Chaman Puri, Kuckoo etc. This particular song is picturized on Shakeela as the main singer on screen, supported by Shammi and Maruti. Maruti looks very different and somber, unlike his comical sidekick roles that he has played in many movies of Dara Singh, Sheikh Mukhtar etc.
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Pyaasi hirni ban ban dhaaye
Posted on: May 18, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The 1965 movie Do Dil is a standard fare lost-and-found prince heir to the kingdom throne, palace intrigues, and struggles to get control of the kingdom. It was a time in the Hindi movies that on just seeing the name Pran in the credits of a movie, one could predict the main plot of the movie in a jiffy. Almost a similar situation in this movie. The heir to a certain kingdom goes missing as a child, and is presumed dead. Pran, a relative of some sort to the main lineage, is the most eligible person to succeed and ascend the throne. Then out of the blue, Biswajeet appears, and claims to be the long lost child and the actual heir to the throne. The storyline beyond that moves on a very predictable course.
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Chhaayi ghataa bijli kadki
Posted on: May 18, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Here is another gem of a duet from the film Apna Haath Jagannath (1960). Three song from this movie are already discussed in these pages. This one is a fun filled duet by Kishore and Asha Bhosle. I had seen this song many years ago on Doordarshan in the Chitrahaar program. The words and the music was all lost from memory, just the visual of Kishore Kumar walking, and being followed by a lady in a car remained in the mind. Recently, browsing through YouTube, I chanced to see this visual as the thumbnail image, and lo, I found this lost friend once again.
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Ye hai jeewan ki rail
Posted on: May 17, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
With this post, we celebrate the 3900th song on this blog. Congratulations all. And wow, what a lovely musical journey it has been since the blog was started as a result of an online conversation between two cricket enthusiasts, Atul ji and Raja ji. After having sampled 3900 gems, the large ocean of Hindi film music still beckons for many many more songs to be discovered and re-discovered.
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Sach bataa tu mujhpe fidaa
Posted on: May 16, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Talat Mehmood started his musical career in 1939, singing ghazals on All India Radio, Lucknow. He had formally trained in music under Pt. SCR Bhat at the Morris Music College in Lucknow. His voice caught the attention of HMV, with whom he produced many records of non filmi ghazals. His records started gaining popularity, and in 1944 came the phenomenal hit, “Tasveer Teri Dil Mera Behlaa Na Sakegi”, which continues to be a very popular number on ghazal selections even today. The Calcutta film industry took notice and Talat moved to Calcutta. Initially, in Calcutta, he recorded many Bengali songs both for films and non-films, under the name ‘Tapan Kumar’. Talat as a person, had a handsome and commanding appearance and was offered cameo roles in the movies. In 1949, he moved to Bombay. After the release of “Aarzoo” (1950) and the unbeatable hit “Ae Dil Mujhe Aisi Jageh Le Chal”, composed by Anil Biswas, there was no looking back.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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