Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today’s date, 14th March, is an anniversary of another sort, very intimately related with Hindi films and Hindi film songs. Today is the 82nd anniversary of the birth of the Hindi film song. It was this day, that the first talkie film of the Hindi screen was exhibited for the first time. The film is ‘Aalam Ara’, and the first public exhibition of this film occurred on 14th March, 1931, at a theatre named Majestic in Bombay. With the release of this film, the silent moving pictures acquired a voice, the story acquired the spoken word, and the medium changed forever with the infusion of the most significant element in the repertoire of Hindi cinema – music and songs.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1957. The time in the Hindi film industry when the big name banners prominently ruled, and the success and recognition of film music was the domain of the high profile music directors. An era with a lot of stories of how Filmfare awards were influenced, and how the privileged songs were made to climb to the top of Binaca Geetmala list. In such a time and such an era, an ‘unprivileged’ song rapidly climbed the charts of popularity, completely defying the set commercial conventions, and confounding the hold of hierarchical tradition of established big names in the industry, it became the no. 1 song of 1957 at the top of Binaca Geetmala charts. The film – an unimpressive and an unremarkable socio-religious drama by the name of ‘Janam Janam Ke Phere’. The song – an unmatchable and a very endearing duet by Rafi Sb and Lata Mangeshkar – “Zaraa Saamne To Aa O Chhaliye”, an unlikely song of a human being’s search for the Almighty. The deep and impressive words of Bharat Vyas tuned to a lovely melody by a master craftsman of classical and folk genre – Shrinath Tripathi, better known as SN Tripathi.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The world of non-film songs is altogether another dimension that is both very prolific, as well as very endearing. If we try to go after the non film domain, it would definitely turn out to be many times bigger than the film song domain. Rightly so, because in that domain there are no limits other than that the song does not belong to any film. On this blog, we are showcasing the non film genre also. But we are following an unstated selection criteria – that the singer(s) and or creators of the non film songs are otherwise associated with films. This criteria makes the expanse of the non film songs being covered (on this blog), both manageable and familiar.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We missed a major anniversary three days ago. Remembering (belatedly) the litterateur, and the famous poet and lyricist, Pt. Narendra Sharma. 28th February, 2013, is the 100th birth anniversary of this illustrious man of letters. Narendra ji was born in 1913 in the village called Jehaangirpuri, in the vicinity of Bulandshehar in Uttar Pradesh, in a Brahmin Gaud family. He was a bright student. Despite losing his father at a very young age, he continued his education, while doing part time work to support himself. In 1936, he completed his Masters in Hindi Literature from Allahabad University.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 500th writeup in the blog !

Gosh, it has been a long trek already, and the night is very late as I complete the preparation and the write up for this post. And I am thinking about the 29 months, that seem to have flown by already. I had signed up for getting email notifications from this blog on 1st October, 2010, and today, it is exactly 2 years and 5 months. And what a heady and euphoric journey it has been so far. And all along the way, it has been raining music – most wonderful, and the best. Many beloved and favorites, many loving memories refreshed again with the help of friends on this bandwagon, and yes, so many, oh so many unheard gems to fall in love with on the first hear.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Dev Anand’s dedication and commitment to the medium and the industry is well visible to all. Past the seventies when the box office appeal had shifted to the likes of Amitabh Bachchan, Dharmendra, Shashi Kapoor, Jeetendra, Sanjeev Kumar, and Vinod Khanna etc., he continued to be at the helm of film making, and continued to produce and direct films with an uncanny regularity, all the way till his departure from this world. Majority of his later films did not attract much critical or commercial attention, but nonetheless, that did not deter him from his work and his passion.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering (belatedly) Vijay Anand on the anniversary of his passing away (23 Feb, 2004).

Really very few artists and film makers in the industry have been as versatile as Vijay Anand has been. Active in the industry since the early 1950s, Vijay is the youngest of the three Anand brothers. He did have an advantage of two elder siblings, Chetan Anand and Dev Anand, having made a place for themselves in the industry, when he also decided to take the plunge. And under the umbrella of his illustrious seniors, he had the opportunity to delve and develop a multi faceted career. In a career that spans more than five decades, Vijay Anand, or Goldie as he was known to his friends, made his mark as a screenplay and dialogue writer, as a director, as a producer, as an editor, and as an actor. His works are limited, given the span of his career, but the quality of his work speaks for itself. The films he has directed are outstanding, and he is acknowledged as the best director for picturization of songs, in the Indian film industry. In this aspect of film making, which is supremely significant given the musical nature of Indian cinema, he is without a peer.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Talat Mehmood (24 february 1924- 9 may 1998) on the anniversary of his birth today(24 february 2013).

The soft velvety voice that has lent itself to a wonderful array of musical creations, and made an indelible mark in the annals of Hindi film and non-film music. Whether the song is of happiness or it is of sadness, the first thing that comes to mind on hearing Talat Sb’s voice begin to sing, is a feeling of utmost comfort. A feeling that releases all other compulsions in the mind, and the mind wants to sit back and relax and just listen to this soft sound serenading the matters of heart.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1976 film ‘Aarambh’ may not be a very well known film, but it does carry a unique distinction. It remains the only Hindi film for which the music has been scored by the famous Anand Shankar.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was looking up the list of anniversary names on google. Well, of course, I wanted to find out what the 75th anniversary is celebrated as. Now, the fact that 25th is Silver and 50th is Gold, is well known, and well established. Beyond that, going to 75th and on to 100th, I find differing opinions. Many folks would refer to 100th as the Diamond Jubilee, with no specific preference for the 75th. Then again, there are folks who want to celebrate the Diamond Jubilee at the 75th itself going to non specific things like ‘Diamond+Pearl’ Jubilee for the 100th. I am not much convinced with this sequence. Then I found one reference where the 75th anniversary is referred to as Platinum Jubilee. Now this I would think, is a better reasoning. We keep the Diamond for the 100th, and celebrate the 75th as Platinum – more expensive than Gold, but less expensive that Diamond. Makes sense?
Read more on this topic…


Total visits so far

  • 17,948,591 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,929 other subscribers
Support the blog

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 July 2008

Active for more than 6000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory