Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘joie de vivre’ Category


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One thing about life that amazes me is its unpredictability. Let me explain. See when I got the email from Sudhirji in April 2014 informing me about the approaching 10K milestone I had decided to send as many songs as possible to Atul for reaching 10000 as soon as possible. And in right earnest I sent 4 songs over a week in my (personal) “March unto 10000” mission. And I must say Atul was good to me by posting all of them instantly. Then came my unexpected tour of Delhi; and I took a break from my list of romantic songs and sent a Delhi based song. This is one incident that proves that we plan something and we end up doing something else.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I joined the Blog sometime in July 2011 and I have completed 5 years of my association with the Blog. How the wheel of time passes so quickly!  Atul ji, the founder of this Blog, must have also felt the same when he realised that this Blog would be completing its 3000th day today (4th October 2016).

Congratulations to Atul ji and his bandwagon for reaching another milestone of running this Blog for 3000 days. I had said in my couple of earlier write-ups as well as in the comments section in the Blog that it is not an easy task to run a Blog with a commitment to discuss at least one song per day.  It is most gratifying to note during my 5 years of association with the Blog that Atul ji has almost adhered to that commitment. If one goes by the daily average of the postings of the songs, the Blog has attained over 4 songs per day.  This is a unique Blog in the sense that it has not remained ‘dormant’ even for a day!
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paapi”(1953) was directed by Chandulal Shah for Ranjit Movietone, Bombay. The movie had Raj Kapoor and Nargis in lead roles, with Raj Kapoor playing a double role. The movie also had Dulaari, P Kailash, Maruti, Ramesh Thakur, Amarnath, Mehar Banu, Shrawan Kumar, Butaram Sharma etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Heera Moti”(1959) was based on Munshi Premchand’s story “Do Bailon Ki Katha”. This is a story of two bullocks owned by a poor farmer couple.

The story is told from the point of view of the bullocks.

The movie was produced by Pravin Desai and directed by Krishan Chopra for Rupalaya production. The movie had Balraj Sahni, Nirupa Roy, Baby Naaz,Helen, Cuckoo, Ashim Kumar, Shubha Khote, P.Kailash, Rashid Khan, Baij Sharma, Moolchand, Charubala, Bhola etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The strongest image that remains in the mind is that of the film director Sinha Saab, a bedraggled man in tattered garments, with ruffled grey hair and white beard, a leathery skin on face lined with wrinkles that appeared much before time – a young person who aged too rapidly for his years. With help of a walking stick, he climbs down from the shadows of the scaffolding where he has perched himself, watching the action on the floor below – the same floor where once, not too long ago, he was the ringmaster, and everyone bowed to him. Not anymore. Today, he is a ‘has been’, who lost his touch of Midas, and the same world that once clamored to him, has quickly forgotten and relegated him, literally, to the garbage heap.

With difficulty, he negotiates the narrow ladders that lead down from the scaffolding to the studio floor. Once there, he shuffles to the chair, his chair, in the days of glory; the chair with the word ‘Director’ written across its back. He sits. And then he is immobile, never to get up again, never to wake up.

When the crowd of workers return after lunch, everyone is shocked to see this grimy old man, sitting motionless in the director’s chair. Everyone is known to him, but today no one recognizes him, now that he is gone. None, save one light-boy, who remembers and recognizes his earliest benefactor – Sinha Saab.

The power of these images and these sequences now have a cult following, not only in India but worldwide. Remembering Guru Dutt on his seventy seventh anniversary. (9th July)
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

What happens when a tragedy queen acts opposite a comic genius ? The tragedy queen begins to act cheerful. Thus we have seen a cheerful Meena Kumari opposite Kishore Kumar in several movies of 1950s.

Even Kishore Kumar’s elder brother acting opposite Meena Kumari could have the same effect on her. “Farishta” (1958) was a Pancholi Production movie. It was directed by Ravindra Dave. The movie had Ashok Kumar, Meena Kumari, Mubarak, Anita Guha, Sohrab Modi, Mehmood, Nana Palsikar, Sheikh Murad, Mridula etc in it.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When I was a kid, I lived in a small township where we had a medical centre as part of the facilities within the township. It was manned by a fine doctor, Dr. Sinha. He was from Bihar, never spoke much, but his diagnosis was excellent. He never over-dosed patients – I remember he would often send me back home without prescribing any medicines at all. To my disappointment! 🙂 I’d get well on my own, within a day or so.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gharaana”(1961) was directed by S S Vasan for Gemini Pictures, Madras. The movie had Rajendra Kumar, Asha Parekh, Raj Kumar, Devika, Minu Mumtaz, Bipin Gupta, Lalita Pawar, Agha, Shubha Khote, Kanhaiya Lal, Krishna Kumari, Vijay Laxmi, Randhir, Moppat Raja etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Door Chalein”(1946) was directed by Phani Majumdar for Durga Pictures, Bombay. The movie had Naseem < Kamal, Damyanti, Balraj, Rajkumari, Agha, David, K C Dey etc in it.
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Forgotten Melodies of the 1940s – 40
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MOHABBAT KI JEET (1943) was produced under the banner of Girdhar Bahaar Productions and it was directed by Ramanlal Desai. The star cast included Nadia, Navinchandra, Leela Pawar, S Nazir, Shaqir, Agha, Munshi Kanzar, Vasantrao Pehlwan etc. From the star cast it can be safely assumed that the film belonged to the genre of stunt/action. I have no idea about the story of the film. But Nadia being the heroine in the film, one can expect that the story of the film would revolve around her role of striking out the forces of evil and restore goodness to the society. She would generally attain this by doing spectacular stunts and acrobatics which would please the front benchers in the theatres.
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