Archive for the ‘Kishore Kumar solo’ Category
Om Shanti Om
Posted on: February 6, 2009
Late 1970s and early 1980s was the time when Bollywood was in the grips of disco craze.
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Pyaar pe koyi bas to nahin hai
Posted on: February 3, 2009
Most movies that are remembered by future generations are those which are made by established film makers with established personnel. It is rare to find a movie made by novice filmakers with novice personnel hit the jackpot. Most of the time, such movies fail miserably, and quite deservedly too.
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Sama hai suhaana suhaana
Posted on: February 2, 2009
Here is a popular song from 1970s, which I liked but then I lost track of it, as the song got forgotten.
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Ek do teen chaar
Posted on: February 1, 2009
I knew that Johny Walker has sung in the voice of Rafi. But I was not aware that he had sung a song in the voice of Kishore Kumar too. Now I know.
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Kishore Kumar is mainly known for singing happy, bubbly kinds of songs but he was an allrounder.
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Ye laal rang kab mujhe chhodegaa
Posted on: January 30, 2009
This song is indeed the reason why we remember this movie called “Prem Nagar” to this date. The movie, which turned out to be a box office disaster despite boasting of the biggest names of the industry viz Rajesh Khanna and Hema Malini, had a story line that failed to appeal to the movie goers.
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For most people living outside Bombay, Bombay means movie actors. When I was first going to Bombay as a 11 year old kid, my school mates were convinced that I was going to meet Hema Malini there.
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I know an acquaintance who would casually go to a “paan” shop, buy “paan” and talk to the “paanwaala” in an UP Bhaiyya style. If he saw a Baraat coming up with the Baraatis dancing, he would nonchalantly join the Baraat and dance a few jigs himself.
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This song is a festival song, a “holi” song to be precise. Everyone is seen with some gulaal applied on their faces, and Rajesh Khanna is seated with Asrani. Rekha, with gulaal applied on her cheeks as well, comes with a lota full of bhang and pours Asrani some of it. Rajesh Khanna also proffers his glass forward. Rekha, not interested in pouring him the intoxicant, thrusts the lota on Rajesh Khanna’s hands and departs on a huff, only to be stopped on her tracks when a song begins.
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“Do Raaste” was full of great songs of different moods. Most of the songs were happy songs, full of song and dance.
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