Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lord Krishna related songs’ Category


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 3
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Since I have many non-film geet, gazals and devotionals of Sumanji, I will be alternating them with her film songs in this series ‘Sureeli Suman’.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Baap Bete”(1959) was produced by A V Meiappan and directed by Raja Paranjpe for AVM Productions, Madras. The movie had Ashok Kumar, Shyama, Chitra, Baburao Pendharkar, Kanhaiya Lal, Lalita Pawar, Jagdeep, Ramesh Rao, Vinod Sharma, Krishnkant, Nana Palsikar, Jagdishraj, V D Puranik, Vasant Ghorpade, Rajendra Kumar Singh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shikaari” (1946) was directed by Savak V Vacha. The movie had Ashok Kumar, Paro, Leela Mishra, Rama Sukul, S L Puri, Kishore Kumar etc in it.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 23 # Duet – 6 # Kishore Kumar – Lata Mangeshkar #
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Festivals are integral part of our culture and traditions. And the films, songs associated with mythological themes, festivals are integral part of nostalgia of music lovers like me and those who grew up listening such songs in their respective ‘formative years’ of life.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gokul Ka Chor”(1959) was produced by Sharad Pai and directed by Vasant Painter for Roopvani Films, Bombay. This partially colour film had Kumkum, Romi, Heeralal, Manorama, Mohan Choti, Ratnamala, Vasantrao Pahalwan, Lalit Kapoor, Pal Sharma, Madhav Kale, S K Shukla, Vishwas, Madhu Apte, Sulochana etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Maala”(1941) was produced by Prakash Pictures and was directed by Mahendra Thakur and P.Jairaj (actor). The movie had Miss Rose, Jayant, P Jairaj, Nazir, Heera, Lallu Bhai, Daya bai, Munshi Khanzar etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Prem Nagar”(1940) was was produced and directed by M Bhavnani. The movie had Bimla Kumari, Ramanand, Husn Bano, Rai Mohan, Fanty Prasad, Nagendra, Girish, Salu, Sheil Prabha, Gulzar etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Geet” (1944) was produced by A R Kardar and directed by S U Sunny. The movie had Chanda, Shahu Modak, Nirmala, Amir Ali, Shakir Ali, A Shah, Zahid Ali etc in it.

Seven songs from this movie have been discussed in the past. Here is the eighth song from “Geet”(1944) to appear in the blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 20
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Just in his early twenties, he was already managing a music school in Lahore.  And HMV had already released a few records of non-film songs composed by him.  In 1944, he was twenty eight, when he headed to Bombay, with aspirations to be a music director in the film industry.

Remembering Hansraj Behl on the anniversary of his passing away (20th May).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 17
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The versatility of a writer, especially a song writer, is a direct reflection of his well rounded awareness and understanding of the many aspects of this life and the society that we live in.  Getting into the industry, and writing for the regular social and romantic themes is one level of expertise.  The next dimension to that is to move away from the conventional lines and create unusual verses.  Like the path breaking new sounds that RD Burman created in the 1970s.  An example of a neo+ song that comes to mind is the striking “Dam Maaro Dam” from the 1971 film ‘Hare Rama Hare Krishna’.  The theme and the expressions in this song, well reflect the then ongoing hippie ‘revolution’ that had swept around the globe, starting from west in the second half of 1960s, and making its way east, as an undefined quest.  The song represents the moods of rebel thoughts that drove this movement.  Taking in the changes that were coming along with the newer generations, Anand Bakshi wrote the simple lyrics of this song, that at one time, had become the signature beat for the hippie people.

Remembering Anand Bakshi, on the day of his passing away today (30th March).
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