Archive for the ‘Lyrics contributed by readers’ Category
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In olden days, communctions and transportation facilities were not what they are today. Most people used to remain confined to their native places for much of their lives and they did not know how people lived in other parts of the world. So they would be curious to find out about the other parts of the world. One would do that by watching movies and also by talking to people who may have come from other places.
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- In: "Aankh" song | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Duet | expression of love | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1970s (1971 to 1980) | Songs of 1972 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rafi Sb – In The Seventies – 4
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(1972 – Duet)
Here is the duet that I have selected from 1972. Another peerless and lovely memory from the radio listening days. A song that is softly composed and softly rendered in a leisurely pace. Asha Bhosle accompanies Rafi Sb in the singing. The film is ‘Parchhaaiyaan’, the lyrics are by Majrooh Sultanpuri and the music composition is by RD Burman. On screen, this song is performed by Vinod Khanna, a new comer heroine, Reshma. A name that I am not familiar with at all. Apparently she appeared in not many films. Given the on screen presence, it is likely she did not make any lasting impressions at all.
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Reshma jawaan ho gayee
Posted on: September 5, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rafi Sb – In The Seventies – 3
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(1972 – Solo)
Coming to the 1972 installment of this series. The song that I have selected is in the same genre as yesterday’s solo. Yesterday, it was “Ye Shor Hai Gali Gali, Ke Wo Jawaan Ho Chali”, telling about a young lass stepping into the age of youth. The song today tells the same story, this time about a girl named Reshma.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Keemat” (1946) was directed by Nazeer Ajmeri for Kardar productions. The movie had Sulochana Chatterji, Amar, Sofiya, Badri Prasad, Shakeer, Anwari, Nazeer Bedi, Ameer, Sharda, Kesarbai, Nawab, A Shah etc in it.
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Ye jo ladki hai
Posted on: September 3, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rafi Sb – In The Seventies – 2
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(1971 – Duet)
The decade of the seventies brought in some significant changes in the landscape of Hindi film song. For one, it was the spectacular rise of Kishore Kumar as a playback singer.“Mere Sapnon Ki Raani” happened in 1969, and after that we see a meteoric rise in Kishore Da’s playback singing performances. The second significant aspect is the accompanying rise of the new age music spearheaded by music directors like RD Burman and Bappi Lahiri. The generations were changing, and the new generations lapped on the new age music coming from this new crop of composers. Sadly, however, the demise of melody was also acknowledged to have occurred in this decade.
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Ye shor hai gali gali
Posted on: September 3, 2014
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rafi Sb – In The Seventies – 1
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(1971 – Solo)
Now, the maxim of proposes and disposes applies so well to the inception of this new series. Totally unplanned and unexpected for me that I am initiating it today. So here is how it transpired.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naag Mandir” (1966) was directed by Shantilal Soni for Mayur Pictures, Bombay. The movie had Mahipal, Vijaya Chaudhary, Indira Bansal, B M Vyas etc in it.
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Baad e saba kuchh to bata
Posted on: September 2, 2014
- In: Artist century song in blog | Blog century song | Century songs for the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lata solo | Lata song | Lyrics contributed by readers | Post by Sudhir | Rare song | Songs of 1950s (1951 to 1960) | Songs of 1957 | Yearwise breakup of songs
- 10 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 10200th song post in the blog.
Posts like this come really once in a while. I would like to call them million dollar posts. Or rather ‘laakh rupaye ki baat (post)’ – because ‘Phir Bhi Dil Hai Hindusatni’. 🙂 🙂
Congratulations to all fellow band-wagoneers and welcome to the next century milestone. We are Ten Thousand and Two Hundredth post today. And the march continues. Generally, when we come to century posts, we have celebrations connected to it. Almost always, we have at least one anniversary that we connect with a century post, or we have a certain artist also complete a century or a multi century individual milestone along with the blog century milestone. Occasionally we have a double celebration connected together, which actually makes three milestones – the blog century post, and two other important celebrations – combinations of artist anniversaries and / or artist century posts.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (2 september 2014) is the birth anniversary of Sadhana, the heart throb of millions of movie watchers in 1960s.
A few of her movies that were started in late 1960s had to be held in abeyance because Sadhana suffered from an ailment that affected her face. This, plus the fact that time and tide waits for none, meant that she was a pale shadow of her earlier self when she returned back after getting healed. Time had passed her by in the interim. Shooting of a few of her incomplete movies were resumed but it was too late by that time and these movies failed at the box office.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Zohrabai Ambalewaali has completed her century of songs in the blog. She had sung more than two hundred songs in her career, so we still have lots of her songs remaining to be discussed.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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