Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Melancholic song’ Category


“Rangeeli” (1952) was an M & T Production movie. It was directed by Najam Naqvi. This obscure movie had Raj Kumar, S. Nazir, Leela Misra, Yakub, Rehana etc in it. I presume that the Raj Kumar of this movie is one of the lesser known Raj Kumars.

Ps-Mr Harish Raghuwanshi, the compiler of Mukesh Geetkosh and a regular of this blog informs me that this movie in fact was the debut movie of the famous Raj Kumar. So this Raj Kumar is in fact the well known “Jaani” Raj Kumar.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is another solo of Rafi Sahab from the film “Laila Majnu” (1976). This is a ghazal picturized as a doli song with Majnu following Laila’s doli in the desert and singing this song , imploring Laila to take with her, the prayers of the one who has been left desolate in her love. This is among the last few compositions of Madan Mohan. Lyricist is Saahir Ludhianvi. Master of ghazals as Madan Mohan is known as, this is a brilliant creation of all three legends. A teetotaler simpleton, a cynical intellectual and a broken genuis alcoholic. A strange combination if there were any.
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“Krorepati”(1961) was a Saigal Brothers Production. It was produced by Om Prakash Saigal and directed by Mohan Saigal. The movie had Kisore Kumar, Shashikala, Kum Kum, K. N. Singh, Anoop Kumar, Mirza Musharaff, Radhakishan, Haroon, S. Bannerjee, Ramlal, Shamlal, Brahm Bharadwaj, Daya Devi, Pal Sharma, Prem, Dev Chand etc in it.
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“Mastaana” (1954) was a Black and White movies production. It was directed by H S Rawail. The movie had Motilal, Nigar Sultana, Kuldip Kaur, Chandrashekhar, Yashodhara Katju, Sunder, Rinkoo, Gope, Chaman Puri, Master Romi, Tiwari etc in it.
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“Mahal” (1949) was a Bombay Talkies production. This movie was directed by Kamal Amrohi who was making his debut as a director in this movie. This movie was the first Hindi suspense movie and it was made in an extremely professional manner. When the movie begins and credits roll on the screen against the backdrop of a spooky looking mansion (Mahal) and accompanied by suspenseful background music, each and every name that appears on the screen turns out to be legendary name, be they actors or background personnel. For example, choreography of dances in this movie was done by Pt Lachchu Maharaj, while the cinematographer of this movie was Josef Wirsching.
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