Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


“Yaadon Ki Kasam” (1985) was directed by Vinod Dewan and this movie had Mithun Chakrabory, Zeenat Aman, Shakti Kapoor etc in it.

I am not much aware of this movie since this movie is from a time when my bloackout period for Hindi movies has already begun. So I was neither aware of this movie nor its songs.
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“Mela” (1948) was a blockbuster movie of its time. It was a Wadia Films Production. It was produced by S U Sunny and Hila Wadia and directed by S U Sunny. The movie had Dilip Kumar, Nargis, Jeevan, Roopkamal, Amar, Rehman, Baby Zubaida, Nurjehan, Chandabai, Allaudin, Khalil, Abbas, Maqbul Jr., Gulam Mohmed Jr. etc in it.
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“Laawaris” (1981) was Produced and directed by Prakash Mehra. The movie had Amitabh Bachchan, Zeenat Aman, Amjad Khan, Suresh Oberoi, Bindu, Raakhee Gulzar, Om Prakash, Ranjeet, Ram Sethi etc in it. The movie was criticised quite badly by the movie reviewer of the magazine that I used to read those days. The critic wrote that the best scene in the movie was one that had the words “The End” in it.
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Kishore Kumar was around in the Hindi movie playback scene for two decades from 1948 to 1968 but all these while he was on the fringes. But a combination of many circumstances, that are well chronicled, ensured that changes of epic proportions took place in the Hindi movies schemes of things in late 1960s. Whe the commotion was over and things settled down, the old order had changed giving way to the new. The old timers (heroes, singers, music directors) suddenly found themselves upstaged and evicted from the scene in the new order.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I find it interesting to compare the filmy careers of G M Durrani and Surendra Nath. Both of them were tall and handsome and amateur singers. While G M Durrani virtually ran away from his home town Peshawar for Bombay (Mumbai) to pursue a filmy career, Surendra came to Bombay after completing his education (B.A., LLB) to become a lawyer. But a chance meeting with Mehboob Khan in 1936 changed his career path and he became a singer-actor in his first film ‘Deccan Queen’ (1936). Because of his singing style, he was seen as a clone of K L Saigal. In fact, he was called ‘Bombay Saigal’ after his parody song birhaa ki aag lagi more man mein based on K L Saigal’s baalam aaye baso more man mein. G M Durrani also started his stint with the film industry around the same time (1935-36) as an actor-singer in ‘Saaed-e-Hawas’. After acting in a couple of films, he decided to concentrate on playback singing with his distinct voice which was not influenced by K L Saigal.
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Today (22 july) is the birthday of Mukesh. This gives us an opportunity to dedicate the day for some as yet undiscussed Mukesh songs.

Mukesh had a singing career that began in 1941 with “Nirdosh” (1941) and he had a playback career lasting 26 years till he died in 1976. During his career, he sang around 800 songs in Hindi movies. We in this blog have already discussed 452 of them. So we are already more than halfway there. If we discuss the remaining Mukesh songs at the rare of one song daily and more on special occasions like his anniversaries, then I hope that we will be able to cover all remaining Mukesh songs by this date the next year.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Yatrik (1952) was one of New Theatres’ last productions before it went on a five-decade hibernation in 1955 after the Bengali movie Bakul.
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