Archive for the ‘Poignant Song’ Category
Behind that jovial and boisterous exterior, Kishore Kumar hid a soft and sensitive interior. After “Chalti Ka naam Gaadi”, whichever movie he made were made on serious and sensitive subjects and were made as labour of love by him.
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“Chhaliya”(1960) was a Raj Kapoor movie and it had Mukesh singing for him as usual. But its music team was not Shailendra and Shankar Jaikishan. Rather, Qamar Jalalabadi had written the songs and Kalyanji Anandji, then in their early years as music directors had got this big break to compose music in this movie. This movie incidentally was the debut movie for director Manmohan Desai as well.
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As sad songs go, this song must rank among the saddest and most poignant. Sahir Ludhianvi’s lyrics sum up the situation with the force of a well oiled sledge hammer. Hemant Kumar’s voice conveys tha pain of the protagonist so well that listeners cannot help but be moved even today, more than six decades later.
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In 1950s and 1960s, most leading actors stuck to the some particualar playback singers, whose voices, they thought suited them. Thus we had Mukesh singing for Raj Kapoor, Rafi singing for Shammi Kapoor etc.
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Bahaaren phir bhi aayengin
Posted on: April 20, 2009
It is not uncommon to have great songs coming out of movies whose names are not known to many people.
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Hawaaon pe likh do hawaaon ke naam
Posted on: April 19, 2009
Wow! What an amazing song ! I have listened to this song in the past, but only in passing and without paying much attention. Now that I have listened to it and watched the picturisation, I am just floored.
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Hiya jarat rahat din rain
Posted on: April 18, 2009
In most Bollywood movies, characters speak and sing in mainstream Hindi/ Urdu, but there are movies where they speak a bit differently. For instance, all villagers in Bollywood movies speak in a dialect that is supposedly Bhojpuri even if those villagers live in Sikkim !
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Doli mein bithhaaike kahaar
Posted on: April 16, 2009
S D Burman was not only an outstanding music director, he was also a singer with a unique singing style and his songs, though few in numbers, have the ability to touch the heart strings of the listeners almost without fail.
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I have no idea about the story of “House Number 44” (1955) so I do not know the context of this song, but this Hemant Kumar song is regarded as a classic.
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Hrishikesh Mukherji watched a Japanese movie in a film festival and he was so influenced by that movie that he made it into a Bollywood movie called “Anand”(1970) which won critical acclaim and was liked by moviegoers as well. In fact, Hrishikesh Mukherji was so enamoured by this theme that he himself remade his own remake into “Mili”.
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