Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi solo’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

KOHINOOR (1960) was a block buster film produced by Dr V N Sinha and directed by S U Sunny. Dilip Kumar and Meena Kumari were the lead actors in the film.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Aan” was a film which I made a point of watching in the theatre when it was running in matinee show. I pestered my mother till she took me to see this film. And all this because of one song in the film i.e Maan mera ehsaan arre naadaan ke maine tujhse kiya hai pyaar
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song is from the film “Duniya”(1949). The singer is Rafi and Music Director is C.Ramchandra, with lyrics by Aarzoo Lucknowi.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The personality personified in these two lines “Dil Hai Hamaara Phool Se Naazuk, Baazu Hain Faulaad” – that is the image of Dara Singh that I have always carried with me. A childhood hero, a super powerful man, who was always friendly and helpful for the needy, and was a scourge for the baddies.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are qawwali’s and than there are some qawwali’s. Or should I say there are qawwalis and than there are some filmi qawwalis by Roshan. To begin with I am not a very big fan or a knowledgeable person to talk about qawwali, hence this flippancy 😉 .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The haunting image of a worn-out, white bearded face, with lines of age alluding to maybe a century of anguish, haltingly climbing down the service staircase in the deserted studio, wanting to reach the chair with ‘Director’ imprinted on its back. Or the vision of a decrepit man standing in the theatre doorway, his hands out flung across the entrance, and the sharp lighting from behind giving an impression of a phoenix rising from the ashes. These two celluloid illustrations are probably two of a handful of very gripping, compelling and spellbinding images that have left a lasting imprint on the minds of the cinema viewers and more importantly, a telling statement that redefined the very cultural fabric of the society and of film making itself.
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